Tis good to read at the HorrorScope that Brimstone Press’s Australian Dark Fantasy and Horror #3 is on its way to bookstore shelves and cyber shops. The ‘best of’, which has suffered some delays in production, collects the editor’s pick of Aussie stories published in 2007, which I’m chuffed to say includes my story ‘Kadimakara and Curlew’, which first appeared in the excellent Daikaiju #2 Revenge of the Giant Monsters. Being accepted for the Daikaiju collection was a real buzz — it’s pretty cool getting a giant monster story into print, especially one that includes a swipe at our treatment of Aboriginal Australians, my memories of Uluru and the childhood experience of having the curlew’s cry curl the hairs on the back of my neck … Anyway, it’s awesome to see this yarn given fresh legs, again sneaking its way into the company of some very good writers indeed.
Archive for March, 2009
Australian Dark Fantasy and Horror – shameless plug dept
Posted in books, fantasy, gothic, horror, writing with tags #3, angela challis, anthology, australian dark fantasy and horror, brimstone press, curlew, daikaiju, dark fantasy, horror, horrorscope, kadimakara, revenge of the giant monsters, robert hood on March 30, 2009 by jason nahrungBrisbane’s goth scene – a clubber’s update
Posted in gothic, music with tags atmosphere, bands, brisbane, clubs, dandelion wine, faith, goth, gothic, leaders of men, midnight calling, music, night clubs, tycho brahe, venues, wretched villains on March 28, 2009 by jason nahrungI’ve been sidelined of late thanks to a major meltdown at my ISP, Optus, who sure dragged the chain sorting their gear out. But for now, at least, I’m back in the cyber game
Haven’t got much to show for my absence except an article for the Courier-Mail providing a vague update on Brisbane’s goth scene. The article was spawned when some suit in admin noticed the amount of goths/emos hanging around in the mall and wondered how they could bear to wear all that black, coats and all. So I, for some reason
, was asked to write something about it. I felt like asking if anyone had ever wondered about all the businessmen in their suits and how they handled the Queensland heat and humidity, but I figured that probably wasn’t as interesting …
Anyhoo, the result: a yarn slashed to fit a standard CM tabloid page — but at least a *whole* page
And here it is, with a neat rundown of the core clubs playing gothic music for a predominantly gothic crowd.
Which is a nice segue into a mention of having seen Dandelion Wine play their last Australian gig for the forseeable future, at Faith night club’s Love Cats night a couple of weekends back. Fans of Lisa Gerard/Dead Can Dance should enjoy this duo’s music, as it often involves medieval and world music elements played with synths, flute, guitar and dulcimer. I’m told they used to have a percussionist, too, which I think would round out their sound beautifully.
Dandelion Wine are off to Germany to pursue their creative career. Cool, eh?
And finally, kudos to Faith: the new venue in Mary Street is really something else. Spacious, decent dance floor and brilliant set lists (IMHO), with a nice long bar, lots of gorgeous sofas, a chill-out room, Korean restaurant next door … it’s a superb venue. Faith is running every Saturday now, rotating through its various theme nights.
Coming up: Tycho Brahe and Leaders of Men at Atmosphere night club, Tank St, Brisbane, on April 18.
I am particularly dark that I won’t be able to make the Midnight Calling gig on April 25, featuring one of my fave Brissie bands, The Wretched Villains.
vampire in Venice
Posted in books, gothic, movies with tags alice, alice henderson, brick, buffy, folklore, klaus kinski, nosferatu, plague, rebecca moesta, shroud, sisters of mercy, vampire slayer, vampires, venice, voracious on March 18, 2009 by jason nahrungI guess it makes sense that someone with a blog called ‘vampires in the sunshine state’ would have several friends direct his attention to this story about a ‘vampire’ discovered in a plague grave in Venice that has been doing the rounds on the net for the past couple of days.
It reminds me of the excellent, if slow, movie Vampires in Venice starring Klaus Kinski.
Which further reminds me of the plague imagery in his remake of Nosferatu.
References to the shroud in the Reuters article isn’t something you see used much in vampire movies. The most obvious one that comes to mind is The Vampire Lovers, with the unforgettable Ingrid Pitt.
Mention of the shroud reminds me of the band, The Shroud, who do a lovely cover of Alice, the Sisters of Mercy song.
Now, Alice sparks name recognition with my mate, Alice Henderson, who has just released what I believe is a pretty neat book called Voracious, given Alice is right at home camping out in all weather in the mountains, and her book draws heavily on that experience. That and the fact that she’s written Buffy books. Way cool.
All of which is a highly convoluted way of suggesting you check out Alice’s book.
Gary Numan blasts Brisbane
Posted in music, Uncategorized with tags are friends electric, australia, brisbane, cars, down in the park, electronic, electronica, gary numan, jagged, jagged edge, numanoids, tivoli, tour on March 5, 2009 by jason nahrungUnfortunately, Gary Numan’s triumphant return to Australia, playing Brisbane’s Tivoli on March 2, coincided with my losing net access, hence the late post.
Suffice to say, Numan was superb. Brilliant light show; deep, timber-rattling bass that didn’t make the ears ring; hot young dudes on guitar, bass, keys and synths; and Gary, ah Gary, turning 51 next week, so clearly enjoying his renaissance since making such a profound impact with his Tubeway Army back in the late 70s (when he last toured Oz).
The two-hour gig concentrated on his most recent album, Jagged, recently released as a two-CD remix called Jagged Edge. But the crowd — and it was a pleasingly but not uncomfortably large crowd — also thrilled to the early hits including Cars and Are Friends Electric?. A blue-washed rendition of Down in the Park went over a treat.
The gig really did showcase how far electronic music has come, and Numan’s role in it.
The set unfolded almost continuously, and there wasn’t much chitchat from the man. Which was a pity. But Numan was a charismatic presence, stalking, sometimes a little meandering, and flashing a grin during those older tracks as the crowd responded.
It was a sign of a great gig that I had his Haunted running through my head the next day.
Flashback: my interview with Numan is here.







