Andy, I think you would’ve loved it. We already had a bit of a thing for Pat Benatar, didn’t we, harking right back to that punk-lacy 80s heyday and tracing back to In the Heat of the Night: that debut that put that unmistakable voice on the world stage (and the guitar of songwriter Neil Giraldo, not to be forgotten).
She’s still got it, mate. In spades. Even if the mix at the Palais on Wednesday night felt at times as if I’d put my head inside a Rotorua mud pit. Her voice, all mid-tour husky but still hitting and holding the highs, a little croon here, a snarl there. OK, not so much of the snarling, 58 next January and all, and dressed in a suit with white cuffs, barely raising a sweat I shouldn’t think with that stage saunter. But she can still belt it out: All Fired Up to open, Love is a Battlefield to close, a trail of major and minor hits in between.
She and Giraldo have got the husband-wife banter down pat (no pun there, don’t hit me, damnit), as you’d expect after 29 years of wedded togetherness. It came to the fore when they straddled stools and “Spider” swapped his electric for an acoustic and, well, there was a feel, he said, like we were all sitting in their lounge room, which was on the money but also weird, given that when they’d finished passing the water cup back and forth, they belted out their trademark power pop: You Better Run, if I remember, and definitely I Don’t Want to be Your a Friend. Banter-rock-banter-rock, a tale for almost every song: that’s how the night went, never really finding any momentum but fun all the same.
Giraldo played piano intro on a couple of tunes, but I reckon – don’t know if you’d agree about this — that they could’ve got a keyboard player in and saved them the heavy lifting and us the backing tape. Still, great drums and bass when they were in play, which you need to give this kind of pop music real grunt.
It made me feel a little sorry for the Bangles, who supported, the now-trio coming across on stage as a little rusty — not that they ever really had the vocal chops, as much as we might’ve enjoyed Manic Monday or Hazy Shade of Winter back in the day. Walk Like An Egyptian got the punters up, I’ll give’em that, and there’s a new album on the way next year, and you’ll be happy to know they still look poppy though I was too far back (but in the centre, mate, Pat right in front, yes indeed) to see if Susanna Hoffs still has the cute eye-roll thing going on.
Benatar was where it was at, for an on-schedule 90 minutes. There was the new take on the torch song, Benatar exhorting the crowd to hold aloft their lit-up mobiles — ‘take pictures, I don’t care’ — for the arm-waving We Belong, and Giraldo finished off the encore with a neat little Godfather riff (an ode to his Sicilian heritage, I gather, given a previous reference).
You know the thing that really kicked? The spare seat next to me. It’s been bugging me for years now, in one form or another, and funnily enough it was Shadows of the Night — only the second song in — that really made it bite. You can never tell what’s gonna get you, can you?
It’s been a hell of a year, brother: The Cult, Concrete Blonde, Benatar. Wish you were here.
There’s footage at YouTube of Giraldo and Benatar singing I Don’t Want to be Your Friend taken at the previous night’s gig — Benatar played back-to-back shows in Melbourne. The song starts around the 3:30 mark.
Set list (not in order, not complete): All Fired Up (opener), Shadows in the Night, Hell is for Children, Invincible, Promises in the Dark (?), You Better Run, We Belong, Hit Me with Your Best Shot, I Don’t Want to be Your Friend, Love is a Battlefield (closer), encore: Stick Together and Heartbreaker.
15 years since her last tour to Oz; sidelined by child-rearing.
31 years together with guitarist ‘Neil Spider’ Geraldo (29 as husband and wife),
Turning 58 in January
Acoustic guitar, stools, passing water in open sign of marital bliss
Piano intros on some tunes, but maybe adding a keyboardist to the drummer and bassist could have saved them the trouble and also allowed them to dispense with the annoying backing track.
Mobile phones aloft – safer than lighters, certainly – for the We Belong lovers’ anthem.
A Godfather instrumental into closing song Heartbreaker.