Glory Box: glorious burlesque
I love Meow Meow. She’s an awesome performer, fearlessly shattering the performance walls; stylish with a great voice, charismatic and opinionated, a kind of singing stand-up comedian with her ability to mix laughs and social commentary. She was guest last night at Glory Box, the latest production of Finucane and Smith, and the two-hour show was every bit as entertaining and provoking as last year’s Burlesque Hour.
Some of the pieces are repeats, all the better for another viewing: Salome’s unveiling, the balloon-bursting Queen of Hearts, the concluding Get Wet for Art that requires the front rows to shelter under brollies. There’s clever illusion — where does the naked woman hide that hanky? — and stunning trapeze and hoola hoop action; there are spraying apple pieces in keeping with the Eden/sin/Pandora theme, smooches, cross-dressing, the shattering of sexual identity preconceptions … and the thing that struck me at that other performance and again here, the simple joy of the female form, sans airbrushing, surgery and other unrealistic expectations. Writer Christos Tsiolkas contributes the script for a be-suited duet, ‘I Have a Confession’, a slap in the face of homophobia. And as before, the performers get out and about amidst the audience, packed into the basement level of the very cool fortyfivedownstairs.
Meow Meow’s ‘Down Dolly Down’ set encapsulates the political context perfectly, and her ‘Be Careful’/All the Girls with piano accompaniment is sheer class. That she pulls off such impact while, for example, rotating slowly on a lazy susan or lit by her own torch is all the more reason for applause.
Glory Box is a glorious romp indeed, with Jimi Hendrix, Portishead, Prince, Salt-N-Pepa on the playlist, and a message in the medium that is revealing in more ways than one.