Cherry Crow Children: rich pickings

cherry crow children by deborah kalin
Cherry Crow Children is the twelfth of the Twelve Planets series published by Twelfth Planet Press, with a thirteenth and final volume to come. This most recent volume, by Deborah Kalin, is well worth the wait.

Kalin is a fellow Melbourne writer with two fantasy novels and a handful of short fiction to her name; this volume of four stories is a strong addition to her bibliography.

These stories are of endings, and of secrets, and of quests, each situated in isolated and harsh settings that encourage a certain bloodymindedness and limited vision. To go delving in these locales is to risk much. Discovering can be dangerous, even lethal. Perhaps best not to explore this terrain if one is feeling blue.

In ‘The Wages of Honey’, a man looks for his cousin in a fractured mountain village; ‘The Briskwater Mare’ has a young woman tied to her fate for the apparent good of a town; ‘The Miseducation of Mara Lys’ tells of clockmakers and the price paid for pursuing their secret workings; and the titular story is one of a forest folk who risk the wilds for a crop of drug flowers.

Australian women writers challenge 2015The settings are engagingly, succinctly drawn, with customs and seasons and economies adding depth to the worlds as the characters navigate the social currents. One cannot help but rail with Kalin’s protagonists as they are caught in the eddies. The stories draw longer, the worlds deeper and darker; the forest denizens of the eponymous final story are wild and amazing.

As each story unveils its mysteries, as each protagonist pushes the boundaries and pays the price for their investigation, the assured prose is the measured constant.

This twelfth of the Twelve is a high point in a consistently high field.

Get your Aussie vampires here

alison goodman launches the big smoke by jason nahrung

Picture courtesy of Alison Goodman

Home again from the Continuum convention in Melbourne, at which there was much catching up, some learnin’ and some launchin’.

Always good to reconnect with the clan, and very appreciative indeed of those who were able to make the launch for Blood and Dust and The Big Smoke — my Aussie vampire duology. So great to have them out in the world!

Alison Goodman did the launch business with aplomb — just look at that hat! Here’s a quote from her speech:

The Big Smoke is based on the old European vampire lore, but given a new bright Australian slant. These vampires wear a permanent sun squint and a pair of sunglasses. The book pulses with hot weather, hot blood and hot vengeance.

For more info, or to snaffle a copy for the vampire-lovin’ reader in your family, check out the Clan Destine Press links below! (edit: worth noting the books are also available at Amazon, Booktopia et al)

We have launch date: Vampires in the Sunburnt Country to hit the road!

blood and dust by jason nahrungHot on the heels of the cover reveal, the full books are about to hit the shelves — yes, after more years than I care to think about, the story of Kevin Matheson, outback vampire, is about to be released in paperback. Two, in fact: Blood and Dust, and the follow-up The Big Smoke. How much trouble can a country boy get himself into when the vampires come a’knockin’? Plenty!

Clan Destine Press are releasing the books in paperback and ebook, raising the curtain at 4pm on Sunday 7 June, as part of the Continuum speculative the big smoke by jason nahrungfiction spectacular in Melbourne. The wonderful Alison Goodman is doing the honour, cracking a bottle of something red across the tomes! Details are here at the Clan Destine site, where online orders will also be available.

Hm. I may have to wear black for this!

Kevin Matheson, outback vampire, rides again!

Here are the covers for the ‘Vampires in the Sunburnt Country’ duology: Blood and Dust* and The Big Smoke, courtesy of Clan Destine Press.

blood and dust by jason nahrung

the big smoke by jason nahrung

 

And look what happens when you put them side by side on the shelf — VROOM!

vampires in the sunburnt country books

The books should be hitting the road in paperback and digital in June. That’s not long, is it!

* But what do I mean, Kevin rides again? Well, Blood and Dust was released back in 2012 as a digital-only title, but CDP have ridden to the rescue to make it and its follow-up corporeal as well as ethereal. Sweet.

The Dagger’s Path, by Glenda Larke: the journey continues

daggers path by glenda larkeThe globe trotting continues in The Dagger’s Path (Orbit, 2015), the second volume of the The Forsaken Lands trilogy by Glenda Larke: a year sails by as our heroes reach the Va-forskaen Lands – a conglomerate of island states, lumped together geopolitically by culturally ignorant colonial powers interested only in the spices and, lately, the magic that they have to offer.

The witan spy Saker accompanies Sorrel, and the babe in arms for which she cares, Piper, and disgraced Chanderawasi Ardhi on a mission to the spice isles, on board a privateer captained by the dashing Juster. All find themselves under the sway of a magically enforced imperative, embodied in a magical dagger, to return sacred plumes from very special birds.

But more than their lives are at stake: back in the Va-cherished lands, evil is on the rise, and those righteous few who see its emergence – the pontifact, her lawyer spy and a gifted orphan – will need all the help they can get to prevent it.

Further muddying the waters are the imperial interests of homicidally pragmatic Mathilda, Ardronese wife of the Lowmian king, the dabbling of the Ardronese heir, Prince Ryce, and the various merchant interests and clandestine forces arraying against the order of things.

It is, as my sketchy summary suggests, an epic tale, and told through a plethora of viewpoints – a couple rate merely a few scenes here, but where this ploy usually drives me to distraction, they passed relatively smoothly, perhaps because of the recurring nature of the characters in the third person. While the story spans a hemisphere and considerable time, the pace is consistent, thanks to the machinations and discoveries at play, the well-rounded lead characters and, as always with a Larke book, the superb world building.

The twitcher writer’s avian interests continue to be at the fore as Saker learns more of his power to communicate with and influence birds, while other familiar Larke themes of colonialism, extremism and blind faith continue to anchor the narrative.

Australian women writers challenge 2015A flash forward at chapter 31, about three quarters of the way through, felt unwarranted given the overall clip of the yarn – there’s a bit of biffo and plenty of intrigue driving this middle book, which ends with cards firmly on the table and relationships overshadowed by the looming battle to keep the corrupt and self-serving Fox out of the big chair.

Australian Larke has drawn on her life in Malaysia for her depictions of the islands and the descriptions are well spiced.

Plain sailing, this one, with sails unfurled and gun ports open for the grand finale.

  • The Lascar’s Dagger, the first of the series (reviewed here), recently tied for the best novel Ditmar Award and also won a Tin Duck, and was a finalist for best fantasy novel in the Aurealis Awards.
  • This is my first review as part of the 2015 Australian Women Writers Challenge.
  • Recent reads: Gibson, Strahan, Kiernan, Abbott

    I’ve been slack, sneaking in a bit of reading and not passing on the goods. So here’s a quick summary of yarns I’ve read lately (outside of last year’s Australian Women Writers Challenge) that have made me happy:

    william gibson book the peripheralThe Peripheral, William Gibson (Penguin/Viking 2014): Gibson time travels, from the economically bereft American South to a socially bereft future London, where climate change has wrought its sneaky damage and only tech has saved humanity — at the price, perhaps, of its humanity. The book needs its own review — there are plenty out there, and this one by Keith Stevenson tags a bunch of my responses (yeah, the tracking device, way too convenient) — but suffice to say, I love Gibson’s writing. Here’s a protag who is perhaps slightly under-equipped to handle the situation in which, tired and lonely though not alone, he finds himself; here’s another who is coping very well with it, thanks, due to her smarts, and those family and friends in dangerous places. There was little tension, though, and the happy endings all round left me a bit meh, but the ride was comfortable (but not safe — Gibson does not err on the side of over-explanation, bless, though some of the sentence fragments actually jarred me from time to time) and the view deftly drawn and suitably gloomy in all the right places. Makes me want to read Neuromancer et al all over again.

    fearful symmetries anthology editor ellen datlowFearful Symmetries, Ellen Datlow (ed) (ChiZine 2014): I helped Kickstart this tome and it was money well spent; a solid bunch of spooky yarns. One, though, blew my socks off; it dispensed with linear narrative in a way that made my head spin — that it was partly set in New Orleans probably helped, sure, but wow: ‘Ballad of An Echo Whisperer’ by Caitlín R Kiernan floated my boat like few other short stories I read last year.

     

    fearsome magicsFearsome Magics, Jonathan Strahan (ed) (Solaris, 2014): One of the strongest anthologies I read last year, with not even a handful of yarns that made me go ‘meh’. While magic was the core theme, the variations to be found within are wide and wonderful: faery magic, science as magic, high fantasy, urban fantasy. Strahan has conjured a strong field for this table of contents and they cast quite a spell.

     

    die a little by megan abbottAnd finally, I should be reading, oh, dozens of books right now, I guess, but sometimes you just gotta go for a safe, enjoyable read. A palate cleanser, for want of a more charitable description. One where you know the voice and the world will immerse you, the writing will thrill you, and the story will be worth your investment. And so it is I have picked up Megan Abbott’s Die A Little (Simon and Schuster, 2005). It’s another (early) of her period noirs, in which a school teacher and her policeman brother get caught up with a femme fatale with a shadowy past. I’d probably still pick Queenpin as my favourite so far — I note I am behind in Abbott’s catalogue *sigh* — but I love the voice and the use of a chapter-free progression of scenes told in the first person from a rather cool cucumber. I’m halfway through and the dressing’s just hit the salad and I can’t wait to see who dishes up the just desserts …

    Australian Women Writers Challenge 2015

    Australian women writers challenge 2015February already, so I’m behind! This year I’m signing up again for the Australian Womens Writers Challenge, in which a whole bunch of readers seek to ensure Australian women writers are in their to be read piles, and report back. I’ve chosen the Stella level — read four, review three — which I only just managed to exceed last year (on the review front). And this year, I’ve got a whole bunch of first-year PhD reading to compete with the leisure reading as well, so wish me luck.