Snapshot 2014: Chris McMahon

chris mcmahonBeing able to escape into the realm of the imagination was handy growing up as the youngest in a family of 11. CHRIS McMAHON continues his fantasy and SF writing habit from his home town of Brisbane, where he lives with his lovely wife Sandra and three young children, Aedan, Declan and Brigit. He has a third-dan black belt in Moon Lee Tae Kwon Do and also enjoys movies and exploring narrow alleyways. Chris is very passionate about music, if a little inconsistent, and loves singing and playing classical guitar.
Chris has recently released his three-book Jakirian Cycle: heroic hantasy in a world of ceramic weapons, where all metal is magical! Think Kill Bill meets Dune!
Chris regularly blogs on writing and Space news at his website: www.chrismcmahon.net.

 
1.Your book Calvanni, one of the Jakirian Cycle, is fresh out on Amazon. Can you tell us a little about the series’ path so far, and any tips you might have picked up along the way you’d like to share?

Hey, It’s not just Calvanni – I have three books out in the Jakirian Cycle, all of which were launched in March 2014.

The first book in the Jakirian Cycle is The Calvanni, the second Scytheman, and the third Sorcerer. It’s a big series, with tons of fantasy action and unique worldbuilding. Getting them out has been a real landmark effort for me. All three of them look great, thanks to the efforts of designer extraordinaire Daryl Lindquist. They have been published in both print and electronic editions, something which is also new for me.

The first edition of The Calvanni was published in 2006. To get the rest of the series out proved to be a long, gruelling effort. But the end result was definitely worth it. People love this series, even those who have never read fantasy before.

If I had to share one thing, that would be to focus on the quality of the work.

As a writer trying to get your work into publication, so much is dependent on luck and timing. You could have a brilliant manuscript, but until you find the right editor at the right time, conventional mainstream publication, and its blissful access to distribution and economies of scale, will always be elusive. If you focus on making the manuscript absolutely shine, then no matter what your route to publication – small press or independent – you can take pride in what you have produced. That means taking the time to make it the best novel you can, then investing in quality editorial – and thorough proofreading!
calvanni by chris mcmahon

2. How has your science background informed your writing – your Jakirian Cycle has an interesting mix of ceramics and metal, for instance?

Yes, I would say it has. For a start I guess I bring that specialist mindset to the whole writing game (I am a chemical engineer). When it comes to technology and the mechanics of worldbuilding, I can bring an (obsessive) thoroughness that pays dividends in the depth and texture of the worlds I create, and in the scientific credibility of the concepts integral to my science fiction.

What I create definitely has an edge of unique inventiveness. The only downside is the sheer density of ideas. That can bog a story down, particularly at the beginning. It’s tricky balance to keep the reader hooked as they enter a complex world, and yet introduce them to all these new elements.
scytheman by chris mcmahon

3. What is it about SF and fantasy that has led you to write it, and is that where your next work will be, too?

Well, that’s a tough one. I’d like to see any writer really define the true reason they write.

On a surface level, I guess it was the ideas that drove me. Unique SF ideas, or events and characters in a otherworldly fantasy setting. The heroic journey. That’s what gripped my mind and lifted up the back of my head with the intensity of the ideas’ birth.

As to why I really write? What is it that keeps me at it? That’s something deeper, more intuitive and heartfelt, that (for me) defies explanation.
 
4. What Australian works have you loved recently?

Can’t think of any off hand.

I recently devoured the (American author) Kevin Hearne Iron Druid books. I think I enjoyed those more than anything since David Gemmell died – and for me that’s saying a lot!
sorcerer by chris mcmahon

5. Have recent changes in the publishing industry influenced the way you work? What do you think you will be publishing/writing/reading in five years from now?

I’ve never managed to break into the publishing mainstream, so I can say that for me, this has not changed how I approach my projects.

I guess in terms of sales and marketing, I have definitely focussed more on the internet since the first Calvanni publication in 2006. I had quite a few sales through bookstores with the first Calvanni edition, but now the higher percentage of my sales in the Jakirian series (The Calvanni, Scytheman and Sorcerer) are e-books.

Since I’ve been bashing away at this for over 20 years now, I don’t think I’ll have changed that much in five years.

 
2014 aussie spec fiction snapshot

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THIS interview was conducted as part of the 2014 Snapshot of Australian speculative fiction. We’re blogging interviews from 28 July to 10 August and archiving them at SF Signal. You can read interviews at:

Snapshot 2014: Australia’s speculative fiction scene

2014 aussie spec fiction snapshot
The Aussie Spec Fic Snapshot has taken place four times in the past 10 years. In 2005, Ben Peek spent a frantic week interviewing 43 people in the Australian spec fic scene, and since then, it’s grown every time, now taking a team of interviewers working together to accomplish!

In the lead up to the World Science Fiction Convention in London, I will be part of this team blogging interviews for Snapshot 2014: Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely and Sean Wright.

Last time, in 2012, the Snapshot covered nearly 160 members of the Australian speculative fiction community – can we top that this year?

To read the interviews hot off the press, check these blogs daily from July 28 to August 10, 2014, or look for the round up on SF Signal when it’s all done:

And you can find the past Snapshots at the following links: 2005, 2007,  2010 and 2012.

Continuum X, at which Kirstyn wins an award and I wear a top hat

Home again from Continuum X, the national science fiction convention held in Melbourne at the weekend. Knackered, but happily so, after much catching up with friends old and new. It was a most excellent convention.
Briefly, because the catching up with work is kind of catching up with me, a few of the highlights:

  • Waving my walking stick around at the launch of a new collection by Rosaleen Love and Kirstyn’s Perfections, new in paperback — an exercise in creative thinking in the latter instance, as a print error caused the book — for this launch only — to be retitled Imperfections, and the author providing a personalised tale on a page unintentionally left blank
  • Mulling over the challenge presented by guests of honour Jim C Hines and Ambelin Kwaymullina in their speeches addressing equality and appropriation
  • Chinwagging with Jack Dann and co-host Gillian Polack at the launch of his back catalogue, and specifically Jubilee, and nabbing Janeen Webb’s collection, Death at the Blue Elephant, and seeing Jo Anderton’s trilogy made complete with the launch of Guardian.
  • Chewing over topics such at witches, the Gothic and the evolution of various critters, on three panels of learned friends
  • presenting a Ditmar for Best New Talent to an absent Zena Shapter from a quality field
  • seeing an absent Garth Nix (though he was on the phone!) recognised for a career of achievement with the Peter McNamara award
  • seeing Kirstyn land a Ditmar for her story, The Home for Broken Dolls — she was also highly commended in the Norma K Hemming for her collection Caution: Contains Small Parts. (Full awards list below)

    Photos from Continuum by Cat Sparks

    Other things to emerge from the event:

  • the Chronos awards, for Victorian speculative fiction, need a good, hard think about the continuing inclusion of ‘no award’, and also how to increase publicity and engagement to prevent a slide into irrelevance (a list of eligibles has already been started for next year)
  • a bar that charges $9 for cider and $15 for wine is a big aid for avoiding hangovers (but good on them for extending their hours to midnight on Sunday)
  • you can buy awesome burgers and sweet potato chips at Perkup Expresso Bar — even on Christmas Day.

    2014 DITMAR AWARDS

    Best Novel

    Winner: Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside)
    Finalists:
    Ink Black Magic, Tansy Rayner Roberts (FableCroft)
    The Beckoning, Paul Collins (Damnation Books)
    Trucksong, Andrew Macrae (Twelfth Planet)
    The Only Game in the Galaxy: The Maximus Black Files 3, Paul Collins (Ford Street)

    Best Novella or Novelette
    Winner: The Home for Broken Dolls, Kirstyn McDermott (Caution: Contains Small Parts)
    Finalists:
    Prickle Moon, Juliet Marillier (Prickle Moon)
    The Year of Ancient Ghosts, Kim Wilkins (The Year of Ancient Ghosts)
    By Bone-Light, Juliet Marillier (Prickle Moon)
    What Amanda Wants, Kirstyn McDermott (Caution: Contains Small Parts)

    Best Short Story
    Winner: Scarp, Cat Sparks (The Bride Price)
    Finalists:
    Mah Song, Joanne Anderton (The Bone Chime Song and Other Stories)
    Air, Water and the Grove, Kaaron Warren (The Lowest Heaven)
    Seven Days in Paris, Thoraiya Dyer (Asymmetry)
    Not the Worst of Sins, Alan Baxter (Beneath Ceaseless Skies #133)
    Cold White Daughter, Tansy Rayner Roberts (One Small Step)

    Best Collected Work
    Winner: The Bride Price, Cat Sparks (Ticonderoga)
    Finalists:
    The Back of the Back of Beyond, Edwina Harvey (Peggy Bright Books)
    Asymmetry, Thoraiya Dyer (Twelfth Planet)
    Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
    The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)

    Best Artwork
    Winner: Rules of Summer, Shaun Tan (Hachette Australia)
    Finalists:
    Cover art, Eleanor Clarke, for The Back of the Back of Beyond (Peggy Bright Books)
    Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade)
    Cover art, Shauna O’Meara, for Next (CSFG)
    Cover art, Cat Sparks, for The Bride Price (Ticonderoga)
    Cover art, Pia Ravenari, for Prickle Moon (Ticonderoga)

    Best Fan Writer
    Winner: Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
    Finalists:
    Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
    Grant Watson, for body of work, including reviews in The Angriest
    Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
    Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
    Tansy Rayner Roberts, for body of work, including essays and reviews at http://www.tansyrr.com

    Best Fan Artist
    Winner: Kathleen Jennings, for body of work, including Illustration Friday
    Finalists:
    Nalini Haynes, for body of work, including Defender of the Faith, The Suck Fairy, Doctor Who Vampire, and The Last Cyberman in Dark Matter
    Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

    Best Fan Publication in Any Medium
    Winner: Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, & Mark Webb
    Finalists:
    Dark Matter Zine, Nalini Haynes
    SF Commentary, Bruce Gillespie
    The Writer and the Critic, Kirstyn McDermott & Ian Mond
    The Coode Street Podcast, Gary K. Wolfe & Jonathan Strahan
    Galactic Suburbia, Alisa Krasnostein, Alex Pierce, & Tansy Rayner Roberts

    Best New Talent
    Winner: Zena Shapter
    Finalists:
    Michelle Goldsmith
    Faith Mudge
    Jo Spurrier
    Stacey Larner

    William Atheling Jr. Award for Criticism or Review
    Winner (tie): The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, & Tehani Wessely
    Winner: Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, & Tansy Rayner Roberts
    Finalists:
    Reviews in Randomly Yours, Alex, Alexandra Pierce
    Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 (Ulthar)
    A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror (Scarecrow)
    That was then, this is now: how my perceptions have changed, George Ivanoff, in Doctor Who and Race (Intellect)

    Peter McNamara Award
    Garth Nix

    Norma K Hemming Award
    Winner: Rupetta, N. A. Sulway (Tartarus UK)
    Highly commended: A Very Unusual Pursuit – City of Orphans, Catherine Jinks (Allen & Unwin)
    Highly commended: Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
    Finalists:
    Dark Serpent, Kylie Chan (HarperVoyager)
    Fairytales for Wilde Girls, Allyse Near (Random House)
    Trucksong, Andrew Macrae (Twelfth Planet)

  • The Lascar’s Dagger: sharp, pointed fantasy

    lascars dagger by glenda larkeThe Lascar’s Dagger (Orbit, 2014), the first of The Forsaken Lands trilogy, will not disappoint fans of Glenda Larke‘s previous fantasies. Here you will find the exquisite world building and conflicted characters as well as familiar themes that inform her work.

    The dagger of the title is a magical artefact, one with the ability to shape the actions of those around it, and it can be capricious as it seeks to right a wrong. It harks from the spice islands, now being opened up by an essentially European seafaring civilisation for trade and plunder. The titular lascar, Ardhi, has journeyed to these technologically more advanced Va-cherished lands to retrieve his people’s stolen treasure.

    Here he crosses paths with our primary antagonist, Saker, a spy-priest, who quickly finds himself in a whole world of hurt: he’s fallen in inappropriate love with the wrong woman, there’s a strange disease inflicting the land (and driving up the price of ‘medicinal’ spice), his religion is under threat – and people keep trying to kill him. And on top of that, there’s this dagger that has plans for him.

    The novel highlights Saker’s ignorance of the Va-forsaken Lands and their peoples — not quite the savages they seem, nor even a single tribal group — and pits commercial greed against environmental balance and moral compass. It touches on the danger of judging people by appearance. It objects to gender stereotyping and misogyny. It opposes religious fanaticism and bigotry. Oh yes, this is a Larke book!

    Read an excerpt here

    And it has birds. Larke by name and somewhat by nature, the twitcher author has given birds a special perch of importance here.

    There are a few downdrafts to mildly ruffle the feathers: an unusual, for Larke, if memory serves, surrender to the technique of dropping us into minor characters’ points of view for the expediency of showing details that the prime POV characters cannot relate — a distracting peccadillo, but certainly not fatal to the flow; and another in the apparent failure of the Regal’s desire to keep a certain theft secret, the truth of it not long after common knowledge on the streets. Book 2, due in January, might reveal more on both scores.

    australian women writers challenge logoJust the once I felt Saker was a little dim, but I guess even an experienced spy can be a little slow to realise his network has been compromised. And on odd occasion the creative vernacular felt, again unusually in a Larke book where language is as much part of the world building as the landscape, a little forced in places: ‘Va preserve me from idle-headed dewberries’? In other places, the vernacular shines, adding to the sense that this is a real world of politics, economics, social tension, linguistic diversity; one with history.

    I’m also not a big fan of direct thoughts on the page — I’d rather see stronger interaction and action than be told what a character is thinking — but that’s a taste thing, and the technique is not abused.

    What does soothe these minor ruffles is the combination of aforementioned strengths in world and character, the mysteries still to be solved, the thematic underpinnings. Perhaps not quite as smooth sailing as some of her previous works (The Aware is one of my favourite fantasies), but nonetheless well worth going aboard for. My fingers are crossed for some serious piracy, err, privateering, in the next book!

  • This is the third of my reviews in the Australian Women Writers Challenge 2014.
    Previous reviews:
  • The Interrogation of Ashala Wolf, by Ambelin Kwaymullina
  • Peacemaker, by Marianne de Pierres
  • The Interrogation of Ashala Wolf: a spirited first novel

    the interrogation of ashala wolf by ambelin kwaymullina

     

    In the future portrayed in The Interrogation of Ashala Wolf (Walker Books, 2012) by Ambelin Kwaymullina, a new order arises: the world reduced to one continent, the people decimated past the point of racism. The new order follows a decree of Balance, handed down by a Noah-like figure, Hoffman, and a series of decrees are implemented to attempt to avoid such global catastrophe again. Technology is restricted, for instance; no nuclear power of genetic modification, few cars, a limited number of laser-like weapons for the security force. The full extent of just what tech is available to whom is is sketchily drawn, with just enough details provided to allow the story to unfold.

    Several hundred years after the Reckoning, humanity has found its own genetic modification – the development of powers, restricted one per person, a little like the X-Men: one chap can move air to cause effects such as flight and telekinesis; a girl can interfere with memories; our titular heroine can sleepwalk into a dream state where the rules of physics do not apply, but the results are enacted in the real world. It’s exciting stuff, especially when one adds in sentient trees and telepathic dinosaurs, and creation spirits who have helped breathe new life into the devastated planet.

    These powers are the source of conflict for the story, with government enforcers testing children for special abilities and decreeing them either useful or detrimental to society. Using those powers is not without its risks, which helps to make them more convincing, and offers balance to what can be a simplistic ‘technology=bad nature=good’ argument.

    Ashala heads a band of child runaways who live in the sentient forest, hunted and feared by society at large, but not without supporters: there is a rebel movement of families tired of giving up their talented children, of free thinkers who don’t like to see the gifted persecuted and locked away.

    The story opens with Ashala a prisoner, her Mengele-like persecutors seeking to identify an imminent threat to their program, and Ashala harbouring more secrets than even they, or she, might suspect.

    australian women writers challenge logoThis is a story of community, of mutual care and understanding, as well as a plea to respect the planet and the beliefs that have formed it.

    While ill-defined ‘advanced technology’ is seen as the key cause of the end of the world, and spirit the tool of the natural world’s rebirth, it is not technology alone that is to blame, but rather, as Hoffman is quoted as saying, ‘advances in technology could never compensate for failures in empathy’. Reading current headlines, it’s a point worth making.

    In this action story with its underlying and competently drawn romance subplot, the theme of the strength of the pack – of mutual care and concern – gives the book its heart. There are echoes of the colonial devastation of Indigenous Australia subtly vibrating through the story as Ashala draws strength from the memory and inspiration of her friends.

    The ending is perhaps too neat, but love will out, and the story is wrapped up so that one is left wondering where to from here, given this is the first of The Tribe series. The answer lies in the synopsis for book 2, The Disappearance of Ember Crow , which came out in November last year, and begins a new plot set in the same world, with a new challenge for Ashala to overcome. No doubt this will see further exploration of intriguing elements of the world to come, such as the totem animals the children of the Firstwood embrace, and the structure of the broader world with its delicate balance of nature and technology.

    Western Australian Kwaymullina, of the Palyku people, has written several picture books, with this her first novel; it’s a quick and engaging read with clear appeal for young adult readers.

  • This is the second of my reviews in the Australian Women Writers Challenge.
  • Peacemaker: the west comes to town

    peacemaker by marianne de pierresShe started life in a short story, received a comic book treatment, and now Virgin Jackson rides tall in her own novel. The heroine of Marianne de Pierres’s Peacemaker (Angry Robot) is, not surprisingly for followers of de Pierres, an opinionated and feisty character.

    Jackson is continuing her father’s legacy as a ranger in a rather unusual park: this slice of outback Australia occupies a restricted space in a conurbation that takes up most of the east coast, has hi-tech protection against interlopers — no camping, no eco stays, and definitely no people smuggling! — and sports, uneasily, a thin veneer of the American wild west.

    This attempt to woo international tourism with stetsons and chaps is the one element of the novel that rests uncomfortably in the saddle, as the park provides the hub for a quasi dude tourism industry that doesn’t quite spark on the page. Also uncomfortable is that the review copy of this Australian story published by a British publisher sports US English, making self-fulfilling the book’s prediction of further cultural crumble, in street gangers who’ve watched plenty of US telly: lots of ‘you feel me?’ going on. At least Jackson kicks arse, not ass! You go, girl ;)

    So that’s the beef out of the way — a minor cut compared to the repast that’s on offer here.

    The book opens a little like a rodeo: there’s the rider entering the chute, now she’s checking out the arena, and then the door flies open at the end of chapter one and we’re away on a bucking, wheeling, snorting adventure that races all the way to the buzzer.

    There are elements of de Pierres’ Parrish Plessis books here, in the cyberpunkish inner-urban decay shot through with a thread of voodoo, and a heroine trying to work out just what the hell is going on with all these people trying to kill her. She’s even got a murder rap hanging over her head, just to keep the pressure on.

    Few folks are who or what they seem; trust is a precious commodity in this near-anarchic world where the haves have and the have nots can be damned.

    australian women writers challenge logoJackson works her way through the mire of intrigue with the help of an enigmatic US Marshall, complete with six-shooters, who has a grasp on the spiritual world that edges her reality. Spirit animals are a charming feature of the story, giving us a glimpse into a dystopian future where belief and cynicism ride side by side.

    By the end of the story, we are primed for book two as Virgin finds herself involved in a global battle to save, if not the world, then reality as we know it. Bring on the second ride!

  • This is the first of my reviews in the Australian Women Writers Challenge.
  • 2013 Aurealis Awards finalists announced

    caution contains small parts by kirstyn mcdermottJust got back from Heathcote — oh, bliss — to the list of finalists in the Aurealis Awards for the best Aussie spec fic published last year. There is Snoopy dancing here in Ballaratia, for Kirstyn has landed nominations for her novella ‘The Home for Broken Dolls’ and the collection in which it appears, Caution: Contains Small Parts. The full finalists list is below (lifted from the press release). Interesting to see the genre blurring with some nominations for the same piece in multiple categories, although YA is an umbrella term in its own right, so that’s not so unusual. Plus a few self-published titles, showing someone’s taken time and effort to do the business. Winners will be announced a right royal good time in Canberra on April 5, a real highlight of the year. Tickets are on sale now.

    aurealis awards logoDISCLAIMER: I was a judge in the awards this year, of SF short stories. Nothing written here should be taken as anything other than an announcement of the finalists.

    In other awards news, nominations are open [edit: Ditmars open on Feb 23] in both the Ditmars and the Chronos, being publicly voted national and Victorian awards respectively. Winners of both will be announced at Continuum in June.

    Aurealis Awards 2013 Finalists

    BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL
    Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)
    Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)
    Burger Force by Jackie Ryan (self-published)
    Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)
    The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

    BEST CHILDREN’S BOOK
    Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)
    Refuge by Jackie French (Harper Collins)
    Song for a Scarlet Runner by Julie Hunt (Allen & Unwin)
    The Four Seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)
    Rules of Summer by Shaun Tan (Hachette Australia)
    Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

    BEST YOUNG ADULT SHORT FICTION
    ‘Mah Song’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘By Bone-light; by Juliet Marillier (Prickle Moon, Ticonderoga Publications)
    ‘Morning Star’ by D.K. Mok (One Small Step, an anthology of discoveries, FableCroft Publishing)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST YOUNG ADULT NOVEL
    The Big Dry by Tony Davies (Harper Collins)
    Hunting by Andrea Host (self-published)
    These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
    Fairytales for Wilde Girls by Allyse Near (Random House Australia)
    The Sky So Heavy by Claire Zorn (University of Queensland Press)

    BEST HORROR SHORT FICTION
    ‘Fencelines’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘The Sleepover’ by Terry Dowling (Exotic Gothic 5, PS Publishing)
    ‘The Home for Broken Dolls’ by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)
    ‘The Human Moth’ by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST HORROR NOVEL
    The Marching Dead by Lee Battersby (Angry Robot Books)
    The First Bird by Greig Beck (Momentum)
    Path of Night by Dirk Flinthart (FableCroft Publishing)
    Fairytales for Wilde Girls by Allyse Near (Random House Australia)

    BEST FANTASY SHORT FICTION
    ‘The Last Stormdancer’ by Jay Kristoff (Thomas Dunne Books)
    ‘The Touch of the Taniwha’ by Tracie McBride (Fish, Dagan Books)
    ‘Cold, Cold War’ by Ian McHugh (Beneath Ceaseless Skies, Scott H Andrews)
    ‘Short Circuit’ by Kirstie Olley (Oomph: a little super goes a long way, Crossed Genres)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST FANTASY NOVEL
    Lexicon by Max Barry (Hachette Australia)
    A Crucible of Souls by Mitchell Hogan (self-published)
    These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
    Newt’s Emerald by Garth Nix (Jill Grinberg Literary Management)
    Ink Black Magic by Tansy Rayner Roberts (FableCroft Publishing)

    BEST SCIENCE FICTION SHORT FICTION
    ‘The Last Tiger’ by Joanne Anderton (Daily Science Fiction)
    ‘Mah Song’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘Seven Days in Paris’ by Thoraiya Dyer (Asymmetry, Twelfth Planet Press)
    ‘Version 4.3.0.1′ by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)
    ‘Air, Water and the Grove’ by Kaaron Warren (The Lowest Heaven, Pandemonium Press)

    BEST SCIENCE FICTION NOVEL
    Lexicon by Max Barry (Hachette)
    Trucksong by Andrew Macrae (Twelfth Planet Press)
    A Wrong Turn At The Office Of Unmade Lists by Jane Rawson (Transit Lounge)
    True Path by Graham Storrs (Momentum)
    Rupetta by Nike Sulway (Tartarus Press)

    BEST ANTHOLOGY
    The Year’s Best Australian Fantasy and Horror 2012 by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)
    One Small Step, an anthology Of discoveries by Tehani Wessely (Ed) (FableCroft Publishing)
    Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)
    The Best Science Fiction And Fantasy Of The Year: Volume Seven by Jonathan Strahan (Ed) (Night Shade Books)
    Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

    BEST COLLECTION
    The Bone Chime Song and Other Stories by Joanne Anderton (FableCroft Publishing)
    Asymmetry by Thoraiya Dyer (Twelfth Planet Press)
    Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)
    The Bride Price by Cat Sparks (Ticonderoga Publications)
    The Year of Ancient Ghosts by Kim Wilkins (Ticonderoga Publications)