Archive for the science fiction Category

X-Men: Days of Future Past, and Edge of Tomorrow — not the time (travel) of our lives

Posted in movies, review, science fiction with tags , , on June 25, 2014 by jason nahrung

Two movies in a week: be still my beating heart! And both to do with time travel.
My friend and I emerged from X-Men: Days of Future Past, in which Wolverine is sent back, fairly convincingly, to prevent the birth of the Sentinels and the apocalyptic mutant/humankind vs machine war that eventually follows, wondering, what is it about this time travel thing?

I loved the Sentinels when I was reading X-Men back in the day; they were a lot less sophisticated than the movie ones. And just for once, there was no real time paradox, which is what usually does my head in when it comes to time travel narratives: the whole chicken and egg, cause and effect thing. I didn’t see the previous X-Men movie, First Class, but enjoyed the first couple for their ability to explore some themes of prejudice and put interesting, sympathetic characters on the screen. That’s kind of stopped now, it appears: in fact, this movie seems to have reduced all those that came before to being nothing more than a dream. Any fiction writer knows: you don’t do that. You don’t invalidate the investment of your reader, or viewer. It reminds me of the first season of what had been an enjoyable Witchblade (based on the comics): no overt spoiler, but I still haven’t watched the second series.

But even if I’ve got the bull by the horns in my understanding of why all is shiny in the X-Men world, I didn’t much get much to care about in this flick. Not even James McAvoy’s tortured Xavier and Jennifer Lawrence playing Raven/Mystique on the knife edge of good/bad (or law/chaos, if you prefer) could make me give a damn. A popcorn movie, with no lasting crunch.

And then there was Edge of Tomorrow, with Tom Cruise dying over and over again in a computer game fashion as his reluctant soldier learns to be all GI Joe in a quest to defeat the lead alien, with a little help from Emily Blunt’s scarred veteran. Had me going there, Tom, on your fun ride, and I could really sense the frustration and weariness, as any gamer could, I suspect, of having to start all over again after every wrong turn. (My kingdom for a save point RIGHT NOW!) But what was with the whitewashed ending? Once again, hit the reset, all is well: victory without cost. He even gets to keep his good name and rank. And the girl, of course.

Is this something in the Hollywood psyche at the moment? That we can keep making the same mistakes over and over again until we get it right, and all the wrong alternate worlds just go away? Peace in our time, mission accomplished: look mum, no bodybags? It reminds me a little of the sour taste left over by Source Code, in which a hell of a lot of people die in a whole bunch of universes, but that’s okay because the hero finally gets his happily ever after. Icky.

So, to return to the original question: why we are so fascinated with time travel? Marty McFly and Quantum Leap, Star Trek, The Time Tunnel! And on, and on. Yes, yes, all right: Dr bloody Who. (For the record, I can’t choose between Pertwee and Tom Baker. But ‘Blink’: that had a cool time travel premise, didn’t it?)

It offers a chance to compare and contrast different cultures, different times; to make predictions, HG Wells style, of what current philosophies or technologies might wreak in the future; and to challenge perceptions of historic events.

But perhaps most often, it seems to be the allure of the second chance, whether it’s another shot at love, or to save one life, or a whole planet, or universe, or right a wrong. To withdraw that statement, to pick the box, to walk instead of drive.

At the end of the day, though, I reckon the old adage holds true: wherever (whenever) you go, there you are. Now pass the popcorn — it’s time I was somewhere else.


Continuum X, at which Kirstyn wins an award and I wear a top hat

Posted in awards, fantasy, horror, science fiction, writing with tags , , , , , , , , on June 12, 2014 by jason nahrung

Home again from Continuum X, the national science fiction convention held in Melbourne at the weekend. Knackered, but happily so, after much catching up with friends old and new. It was a most excellent convention.
Briefly, because the catching up with work is kind of catching up with me, a few of the highlights:

  • Waving my walking stick around at the launch of a new collection by Rosaleen Love and Kirstyn’s Perfections, new in paperback — an exercise in creative thinking in the latter instance, as a print error caused the book — for this launch only — to be retitled Imperfections, and the author providing a personalised tale on a page unintentionally left blank
  • Mulling over the challenge presented by guests of honour Jim C Hines and Ambelin Kwaymullina in their speeches addressing equality and appropriation
  • Chinwagging with Jack Dann and co-host Gillian Polack at the launch of his back catalogue, and specifically Jubilee, and nabbing Janeen Webb’s collection, Death at the Blue Elephant, and seeing Jo Anderton’s trilogy made complete with the launch of Guardian.
  • Chewing over topics such at witches, the Gothic and the evolution of various critters, on three panels of learned friends
  • presenting a Ditmar for Best New Talent to an absent Zena Shapter from a quality field
  • seeing an absent Garth Nix (though he was on the phone!) recognised for a career of achievement with the Peter McNamara award
  • seeing Kirstyn land a Ditmar for her story, The Home for Broken Dolls — she was also highly commended in the Norma K Hemming for her collection Caution: Contains Small Parts. (Full awards list below)

    Photos from Continuum by Cat Sparks

    Other things to emerge from the event:

  • the Chronos awards, for Victorian speculative fiction, need a good, hard think about the continuing inclusion of ‘no award’, and also how to increase publicity and engagement to prevent a slide into irrelevance (a list of eligibles has already been started for next year)
  • a bar that charges $9 for cider and $15 for wine is a big aid for avoiding hangovers (but good on them for extending their hours to midnight on Sunday)
  • you can buy awesome burgers and sweet potato chips at Perkup Expresso Bar — even on Christmas Day.

    2014 DITMAR AWARDS

    Best Novel

    Winner: Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside)
    Finalists:
    Ink Black Magic, Tansy Rayner Roberts (FableCroft)
    The Beckoning, Paul Collins (Damnation Books)
    Trucksong, Andrew Macrae (Twelfth Planet)
    The Only Game in the Galaxy: The Maximus Black Files 3, Paul Collins (Ford Street)

    Best Novella or Novelette
    Winner: The Home for Broken Dolls, Kirstyn McDermott (Caution: Contains Small Parts)
    Finalists:
    Prickle Moon, Juliet Marillier (Prickle Moon)
    The Year of Ancient Ghosts, Kim Wilkins (The Year of Ancient Ghosts)
    By Bone-Light, Juliet Marillier (Prickle Moon)
    What Amanda Wants, Kirstyn McDermott (Caution: Contains Small Parts)

    Best Short Story
    Winner: Scarp, Cat Sparks (The Bride Price)
    Finalists:
    Mah Song, Joanne Anderton (The Bone Chime Song and Other Stories)
    Air, Water and the Grove, Kaaron Warren (The Lowest Heaven)
    Seven Days in Paris, Thoraiya Dyer (Asymmetry)
    Not the Worst of Sins, Alan Baxter (Beneath Ceaseless Skies #133)
    Cold White Daughter, Tansy Rayner Roberts (One Small Step)

    Best Collected Work
    Winner: The Bride Price, Cat Sparks (Ticonderoga)
    Finalists:
    The Back of the Back of Beyond, Edwina Harvey (Peggy Bright Books)
    Asymmetry, Thoraiya Dyer (Twelfth Planet)
    Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
    The Bone Chime Song and Other Stories, Joanne Anderton (FableCroft)

    Best Artwork
    Winner: Rules of Summer, Shaun Tan (Hachette Australia)
    Finalists:
    Cover art, Eleanor Clarke, for The Back of the Back of Beyond (Peggy Bright Books)
    Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade)
    Cover art, Shauna O’Meara, for Next (CSFG)
    Cover art, Cat Sparks, for The Bride Price (Ticonderoga)
    Cover art, Pia Ravenari, for Prickle Moon (Ticonderoga)

    Best Fan Writer
    Winner: Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
    Finalists:
    Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
    Grant Watson, for body of work, including reviews in The Angriest
    Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
    Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
    Tansy Rayner Roberts, for body of work, including essays and reviews at http://www.tansyrr.com

    Best Fan Artist
    Winner: Kathleen Jennings, for body of work, including Illustration Friday
    Finalists:
    Nalini Haynes, for body of work, including Defender of the Faith, The Suck Fairy, Doctor Who Vampire, and The Last Cyberman in Dark Matter
    Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

    Best Fan Publication in Any Medium
    Winner: Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, & Mark Webb
    Finalists:
    Dark Matter Zine, Nalini Haynes
    SF Commentary, Bruce Gillespie
    The Writer and the Critic, Kirstyn McDermott & Ian Mond
    The Coode Street Podcast, Gary K. Wolfe & Jonathan Strahan
    Galactic Suburbia, Alisa Krasnostein, Alex Pierce, & Tansy Rayner Roberts

    Best New Talent
    Winner: Zena Shapter
    Finalists:
    Michelle Goldsmith
    Faith Mudge
    Jo Spurrier
    Stacey Larner

    William Atheling Jr. Award for Criticism or Review
    Winner (tie): The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, & Tehani Wessely
    Winner: Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, & Tansy Rayner Roberts
    Finalists:
    Reviews in Randomly Yours, Alex, Alexandra Pierce
    Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 (Ulthar)
    A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror (Scarecrow)
    That was then, this is now: how my perceptions have changed, George Ivanoff, in Doctor Who and Race (Intellect)

    Peter McNamara Award
    Garth Nix

    Norma K Hemming Award
    Winner: Rupetta, N. A. Sulway (Tartarus UK)
    Highly commended: A Very Unusual Pursuit – City of Orphans, Catherine Jinks (Allen & Unwin)
    Highly commended: Caution: Contains Small Parts, Kirstyn McDermott (Twelfth Planet)
    Finalists:
    Dark Serpent, Kylie Chan (HarperVoyager)
    Fairytales for Wilde Girls, Allyse Near (Random House)
    Trucksong, Andrew Macrae (Twelfth Planet)

  • Drowning Brisbane, or, why I love my writing buddies

    Posted in science fiction, writing with tags , , , , , , , on June 5, 2014 by jason nahrung

    watermarks in cosmos 57: art by joe whyte, story by jason nahrung

    In 2007, I wrote a short story in which Brisbane had been inundated by risen sea levels, and where the poor squat in flooded high rises under the threat of solar irradiation while the rich survive high and dry in air conditioned comfort. But the yarn wasn’t working. Hence it’s home in the folder for unfinished yarns.

    This year, I dredged that story up, ditched some unnecessary scenes and then … It still wasn’t working. So I flung it to my writing group, Supernova, who identified structural and prose problems, chiefly a plot element that wasn’t working, ill-defined characters, great puddles of lazy prose. It was, as I admitted shamefacedly as I asked them to help me fix this broken thing, a setting in need of a story.

    cosmos 57 magazineSo I ran the changes and … It still wasn’t working.

    Luckily, a few pals (Rob, Kate and Mark, to give credit where it’s due) from my former Queensland writing group were down for a writerly getaway and I ran the rewrite past them and Kirstyn (again). As previously, I didn’t take all the advice from everyone, some of it just didn’t fit, but some of it was gold. Pure gold.

    I realised what the story was and who it was about. Structure emerged from the fog.

    With the Android Lust album Crater Vol.1 on repeat, I added the detail to breathe some life into a formerly pallid world — detail is king — and, hooray, the story, now called ‘Watermarks’, has sold, to this month’s Cosmos magazine, issue 57. That sensational artwork above, for the cover page for the story, is by Melbourne-based Joe Whyte. (I’m now a fan. It’s the use of light, I think. Seriously, check this out!)

    To have a group of like-minded writers able to tease at a story and make constructive suggestions, to brainstorm with, is just so valuable. I love my writing buddies.

    And the good thing is, in writing this story, I’ve realised just how huge its world is. There’s more to come — I just hope it doesn’t take another seven years.

    Dimension6: we have lift off

    Posted in books, gothic, horror, science fiction with tags , , , , , on April 4, 2014 by jason nahrung

    dimension6 speculative fiction magazineA quick plug to say today is the day for Australia’s newest spec fic magazine: the free, digital Dimension6. It’s available here and includes yarns by Richard Harland, Charlotte Nash and yours truly. You can get a taste of what each of us (and editor Keith Stevenson) is about thanks to an interview series conducted by Angela Slatter — just click those links. Or just read the magazine!
    Dimenion6 runs three issues a year, so stick around!

    The Interrogation of Ashala Wolf: a spirited first novel

    Posted in books, fantasy, review, science fiction with tags , , , on March 21, 2014 by jason nahrung

    the interrogation of ashala wolf by ambelin kwaymullina

     

    In the future portrayed in The Interrogation of Ashala Wolf (Walker Books, 2012) by Ambelin Kwaymullina, a new order arises: the world reduced to one continent, the people decimated past the point of racism. The new order follows a decree of Balance, handed down by a Noah-like figure, Hoffman, and a series of decrees are implemented to attempt to avoid such global catastrophe again. Technology is restricted, for instance; no nuclear power of genetic modification, few cars, a limited number of laser-like weapons for the security force. The full extent of just what tech is available to whom is is sketchily drawn, with just enough details provided to allow the story to unfold.

    Several hundred years after the Reckoning, humanity has found its own genetic modification – the development of powers, restricted one per person, a little like the X-Men: one chap can move air to cause effects such as flight and telekinesis; a girl can interfere with memories; our titular heroine can sleepwalk into a dream state where the rules of physics do not apply, but the results are enacted in the real world. It’s exciting stuff, especially when one adds in sentient trees and telepathic dinosaurs, and creation spirits who have helped breathe new life into the devastated planet.

    These powers are the source of conflict for the story, with government enforcers testing children for special abilities and decreeing them either useful or detrimental to society. Using those powers is not without its risks, which helps to make them more convincing, and offers balance to what can be a simplistic ‘technology=bad nature=good’ argument.

    Ashala heads a band of child runaways who live in the sentient forest, hunted and feared by society at large, but not without supporters: there is a rebel movement of families tired of giving up their talented children, of free thinkers who don’t like to see the gifted persecuted and locked away.

    The story opens with Ashala a prisoner, her Mengele-like persecutors seeking to identify an imminent threat to their program, and Ashala harbouring more secrets than even they, or she, might suspect.

    australian women writers challenge logoThis is a story of community, of mutual care and understanding, as well as a plea to respect the planet and the beliefs that have formed it.

    While ill-defined ‘advanced technology’ is seen as the key cause of the end of the world, and spirit the tool of the natural world’s rebirth, it is not technology alone that is to blame, but rather, as Hoffman is quoted as saying, ‘advances in technology could never compensate for failures in empathy’. Reading current headlines, it’s a point worth making.

    In this action story with its underlying and competently drawn romance subplot, the theme of the strength of the pack – of mutual care and concern – gives the book its heart. There are echoes of the colonial devastation of Indigenous Australia subtly vibrating through the story as Ashala draws strength from the memory and inspiration of her friends.

    The ending is perhaps too neat, but love will out, and the story is wrapped up so that one is left wondering where to from here, given this is the first of The Tribe series. The answer lies in the synopsis for book 2, The Disappearance of Ember Crow , which came out in November last year, and begins a new plot set in the same world, with a new challenge for Ashala to overcome. No doubt this will see further exploration of intriguing elements of the world to come, such as the totem animals the children of the Firstwood embrace, and the structure of the broader world with its delicate balance of nature and technology.

    Western Australian Kwaymullina, of the Palyku people, has written several picture books, with this her first novel; it’s a quick and engaging read with clear appeal for young adult readers.

  • This is the second of my reviews in the Australian Women Writers Challenge.
  • Dimension6 cover and contents

    Posted in books, gothic, horror, science fiction with tags , , , on March 19, 2014 by jason nahrung

    dimension 6 speculative fiction magazineThe covers are off Dimension6, Couer de Lion‘s free digital spec fic mag hitting the interwebs on April 4. It’s a pleasure to be sharing pixels with Richard Harland and Charlotte Nash, who has not only hit the shelves with some rural medical romance but is a dab hand in the fantastic, too — see her ‘The Ship’s Doctor‘ for a taste. And obviously D6, for more.

    Peacemaker: the west comes to town

    Posted in books, fantasy, review, science fiction with tags , , , , on February 26, 2014 by jason nahrung

    peacemaker by marianne de pierresShe started life in a short story, received a comic book treatment, and now Virgin Jackson rides tall in her own novel. The heroine of Marianne de Pierres’s Peacemaker (Angry Robot) is, not surprisingly for followers of de Pierres, an opinionated and feisty character.

    Jackson is continuing her father’s legacy as a ranger in a rather unusual park: this slice of outback Australia occupies a restricted space in a conurbation that takes up most of the east coast, has hi-tech protection against interlopers — no camping, no eco stays, and definitely no people smuggling! — and sports, uneasily, a thin veneer of the American wild west.

    This attempt to woo international tourism with stetsons and chaps is the one element of the novel that rests uncomfortably in the saddle, as the park provides the hub for a quasi dude tourism industry that doesn’t quite spark on the page. Also uncomfortable is that the review copy of this Australian story published by a British publisher sports US English, making self-fulfilling the book’s prediction of further cultural crumble, in street gangers who’ve watched plenty of US telly: lots of ‘you feel me?’ going on. At least Jackson kicks arse, not ass! You go, girl ;)

    So that’s the beef out of the way — a minor cut compared to the repast that’s on offer here.

    The book opens a little like a rodeo: there’s the rider entering the chute, now she’s checking out the arena, and then the door flies open at the end of chapter one and we’re away on a bucking, wheeling, snorting adventure that races all the way to the buzzer.

    There are elements of de Pierres’ Parrish Plessis books here, in the cyberpunkish inner-urban decay shot through with a thread of voodoo, and a heroine trying to work out just what the hell is going on with all these people trying to kill her. She’s even got a murder rap hanging over her head, just to keep the pressure on.

    Few folks are who or what they seem; trust is a precious commodity in this near-anarchic world where the haves have and the have nots can be damned.

    australian women writers challenge logoJackson works her way through the mire of intrigue with the help of an enigmatic US Marshall, complete with six-shooters, who has a grasp on the spiritual world that edges her reality. Spirit animals are a charming feature of the story, giving us a glimpse into a dystopian future where belief and cynicism ride side by side.

    By the end of the story, we are primed for book two as Virgin finds herself involved in a global battle to save, if not the world, then reality as we know it. Bring on the second ride!

  • This is the first of my reviews in the Australian Women Writers Challenge.
  • 2013 Aurealis Awards finalists announced

    Posted in awards, books, events, fantasy, gothic, horror, news regurgitation, science fiction with tags , , , , , , on February 16, 2014 by jason nahrung

    caution contains small parts by kirstyn mcdermottJust got back from Heathcote — oh, bliss — to the list of finalists in the Aurealis Awards for the best Aussie spec fic published last year. There is Snoopy dancing here in Ballaratia, for Kirstyn has landed nominations for her novella ‘The Home for Broken Dolls’ and the collection in which it appears, Caution: Contains Small Parts. The full finalists list is below (lifted from the press release). Interesting to see the genre blurring with some nominations for the same piece in multiple categories, although YA is an umbrella term in its own right, so that’s not so unusual. Plus a few self-published titles, showing someone’s taken time and effort to do the business. Winners will be announced a right royal good time in Canberra on April 5, a real highlight of the year. Tickets are on sale now.

    aurealis awards logoDISCLAIMER: I was a judge in the awards this year, of SF short stories. Nothing written here should be taken as anything other than an announcement of the finalists.

    In other awards news, nominations are open [edit: Ditmars open on Feb 23] in both the Ditmars and the Chronos, being publicly voted national and Victorian awards respectively. Winners of both will be announced at Continuum in June.

    Aurealis Awards 2013 Finalists

    BEST ILLUSTRATED BOOK OR GRAPHIC NOVEL
    Savage Bitch by Steve Carter and Antoinette Rydyr (Scar Studios)
    Mr Unpronounceable Adventures by Tim Molloy (Milk Shadow Books)
    Burger Force by Jackie Ryan (self-published)
    Peaceful Tomorrows Volume Two by Shane W Smith (Zetabella Publishing)
    The Deep Vol. 2: The Vanishing Island by Tom Taylor and James Brouwer (Gestalt Publishing)

    BEST CHILDREN’S BOOK
    Kingdom of the Lost, book 2: Cloud Road by Isobelle Carmody (Penguin Group Australia)
    Refuge by Jackie French (Harper Collins)
    Song for a Scarlet Runner by Julie Hunt (Allen & Unwin)
    The Four Seasons of Lucy McKenzie by Kirsty Murray (Allen & Unwin)
    Rules of Summer by Shaun Tan (Hachette Australia)
    Ice Breaker: The Hidden 1 by Lian Tanner (Allen & Unwin)

    BEST YOUNG ADULT SHORT FICTION
    ‘Mah Song’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘By Bone-light; by Juliet Marillier (Prickle Moon, Ticonderoga Publications)
    ‘Morning Star’ by D.K. Mok (One Small Step, an anthology of discoveries, FableCroft Publishing)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST YOUNG ADULT NOVEL
    The Big Dry by Tony Davies (Harper Collins)
    Hunting by Andrea Host (self-published)
    These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
    Fairytales for Wilde Girls by Allyse Near (Random House Australia)
    The Sky So Heavy by Claire Zorn (University of Queensland Press)

    BEST HORROR SHORT FICTION
    ‘Fencelines’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘The Sleepover’ by Terry Dowling (Exotic Gothic 5, PS Publishing)
    ‘The Home for Broken Dolls’ by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)
    ‘The Human Moth’ by Kaaron Warren (The Grimscribe’s Puppets, Miskatonic Press)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST HORROR NOVEL
    The Marching Dead by Lee Battersby (Angry Robot Books)
    The First Bird by Greig Beck (Momentum)
    Path of Night by Dirk Flinthart (FableCroft Publishing)
    Fairytales for Wilde Girls by Allyse Near (Random House Australia)

    BEST FANTASY SHORT FICTION
    ‘The Last Stormdancer’ by Jay Kristoff (Thomas Dunne Books)
    ‘The Touch of the Taniwha’ by Tracie McBride (Fish, Dagan Books)
    ‘Cold, Cold War’ by Ian McHugh (Beneath Ceaseless Skies, Scott H Andrews)
    ‘Short Circuit’ by Kirstie Olley (Oomph: a little super goes a long way, Crossed Genres)
    ‘The Year of Ancient Ghosts’ by Kim Wilkins (The Year of Ancient Ghosts, Ticonderoga Publications)

    BEST FANTASY NOVEL
    Lexicon by Max Barry (Hachette Australia)
    A Crucible of Souls by Mitchell Hogan (self-published)
    These Broken Stars by Amie Kaufman and Meagan Spooner (Allen & Unwin)
    Newt’s Emerald by Garth Nix (Jill Grinberg Literary Management)
    Ink Black Magic by Tansy Rayner Roberts (FableCroft Publishing)

    BEST SCIENCE FICTION SHORT FICTION
    ‘The Last Tiger’ by Joanne Anderton (Daily Science Fiction)
    ‘Mah Song’ by Joanne Anderton (The Bone Chime Song and Other Stories, FableCroft Publishing)
    ‘Seven Days in Paris’ by Thoraiya Dyer (Asymmetry, Twelfth Planet Press)
    ‘Version 4.3.0.1′ by Lucy Stone (Andromeda Spaceways Inflight Magazine #57)
    ‘Air, Water and the Grove’ by Kaaron Warren (The Lowest Heaven, Pandemonium Press)

    BEST SCIENCE FICTION NOVEL
    Lexicon by Max Barry (Hachette)
    Trucksong by Andrew Macrae (Twelfth Planet Press)
    A Wrong Turn At The Office Of Unmade Lists by Jane Rawson (Transit Lounge)
    True Path by Graham Storrs (Momentum)
    Rupetta by Nike Sulway (Tartarus Press)

    BEST ANTHOLOGY
    The Year’s Best Australian Fantasy and Horror 2012 by Liz Grzyb and Talie Helene (Eds), (Ticonderoga Publications)
    One Small Step, an anthology Of discoveries by Tehani Wessely (Ed) (FableCroft Publishing)
    Dreaming Of Djinn by Liz Grzyb (Ed) (Ticonderoga Publications)
    The Best Science Fiction And Fantasy Of The Year: Volume Seven by Jonathan Strahan (Ed) (Night Shade Books)
    Focus 2012: Highlights Of Australian Short Fiction by Tehani Wessely (Ed) (FableCroft Publishing)

    BEST COLLECTION
    The Bone Chime Song and Other Stories by Joanne Anderton (FableCroft Publishing)
    Asymmetry by Thoraiya Dyer (Twelfth Planet Press)
    Caution: Contains Small Parts by Kirstyn McDermott (Twelfth Planet Press)
    The Bride Price by Cat Sparks (Ticonderoga Publications)
    The Year of Ancient Ghosts by Kim Wilkins (Ticonderoga Publications)

    Wishlist Aussie books: Peacemaker, Lascar’s Dagger, Path of Night

    Posted in books, fantasy, horror, science fiction with tags , , , , , on December 4, 2013 by jason nahrung

    peacemaker by marianne de pierres

     

    I read the short story *years* ago, and then there was a comic, and now there’s the novel: Peacemaker is on its way in May next year through Angry Robot books. It’s about a ranger protecting our last wilderness area, but of course there is some corporate shenanigans going on. One to keep an eye out for!

     

     

    lascars dagger by glenda larke

    Another one to check out is Glenda Larke’s The Lascar’s Dagger, coming from Orbit in March. I love Larke’s worldbuilding and storytelling, so this new fantasy series can’t come soon enough. Probably my favourite Larke book, The Aware, has been re-released by FableCroft, who has also recently released Path of Night, by Dirk Flinthart. I’ve enjoyed Flinthart’s short stories for yonks — they are succinct and emotive — so his first novel-length work should be a hoot: says Dirk, ‘It’s got guns and motorbikes, vampires and cops, sax and violins and a buttload of conspiracies, plot twists and action as well as a distinctly Australian setting and sense of humour.’
    path of night by dirk flinthart

     

    Focus 2012 now on sale

    Posted in books, fantasy, horror, science fiction on November 29, 2013 by jason nahrung

    focus 2012 coverFableCroft has announced their highlights anthology of 2012 short fiction is now available — ‘Mornington Ride’ is rubbing shoulders with brilliant company. Check out this contributor list! With illustrations and cover by Kathleen Jennings!
    Joanne Anderton – ‘Sanaa’s Army’
    Thoraiya Dyer – ‘The Wisdom of Ants’
    Robert Hood – ‘Escena de un Asesinato’
    Margo Lanagan – ‘Significant Dust’
    Martin Livings – ‘Birthday Suit’
    Kaaron Warren – ‘Sky’
    You can read about it, and order it in the digital format of your choice, at the website.

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