I’m now living in Melbourne, but I’m continuing my membership with the Queensland Writers Centre because it’s a damn fine organisation with plenty to offer, even for an ‘outpost’ member such as myself (a writer who wouldn’t have a book on the shelf were it not for the QWC). The centre has been kind enough to include me in their blog tour, offering a Cook’s tour of writers’ blogs. You can find out more about the blog tour at the end of this post. Meantime, here are the requisite questions answered:

Where do your words come from?
The words themselves probably swim up from a lifetime of reading and study and movie-watching. But of the origin of the ideas that drive them, I’m not sure. Perhaps also in the words that have gone before, adapted by experience and observation, daydreaming and nightmares. I tend to download my stories from the ether of the subconcious, then set about shaping them, making sure the words are the best possible ones to tell the story. And then there’s Roget’s

Where did you grow up and where do you live now?
I grew up on a Queensland cattle property about half way between Maryborough and Gympie, an hour’s drive to either. It was a fertile place for the imagination, fuelled by books of all sorts. I’ve been leap-frogging my way through gradually larger cities since, most recently to Melbourne where I’m still waiting for my blood to thicken and save me from the embarrassment of being the only person on the street wearing gloves.

What’s the first sentence/line of your latest work?
My most recently published story, “Smoking, Waiting for the Dawn” (Dreaming Again, 2008) opens with, “George stood by the bleached skeleton of the Wyandra stockyards, breathing in dust and sun-baked silence.”
The first sentence of the story I’m meant to be working on at the moment is still a work in progress…

What piece of writing do you wish you had written?
Macbeth’s Tomorrow and tomorrow and tomorrow speech. It’s stuck with me ever since I had to recite it in high school.

What are you currently working towards?
I’m planning a new novel, probably a follow-up to The Darkness Within, or yet another iteration of a linked story that just won’t behave. Or maybe something else again. November is my self-appointed crunch time.

Complete this sentence… the future of the book is…
… assured, though its delivery method will expand into the electronic realm with much wailing and gnashing of copyright regions.

This post is part of the Queensland Writers Centre blog tour, happening October to December 2009. To follow the tour, visit Queensland Writers Centre’s blog The Empty Page.

Herewith two reviews of recently released Aussie novels, and a handy link to a very cool review site at The Guardian featuring Dan Brown’s The Lost Symbol.

Glenda Larke, an Australian now living in Malaysia, has lived on four continents, but it is her experiences in arid Western Australia and Tunisia that appear to most inform The Last Stormlord (HarperCollins, $22.99), the first book of the Watergivers series.

Larke impressed with her breakout, big-publisher debut, The Aware, which I loved for its dystopian air and gorgeous world-building.

The Last Stormlord, a saga of an empire facing its demise, is set in a dry coastal realm bordered by mountains and desert where life revolves around the possession and acquisition of water.

Key to the survival of the city states is the Stormlord, the last of the line powerful enough to take water from the sea and send it inland to break in designated areas, bringing rain to the needy. Under the Stormlord is an aristocracy of lesser powered men and women with varying ability to manipulate water, physically moving it or even removing it from living creatures. This apparent magical power over the essential element has kept the status quo against the nomadic desert dwellers for centuries, but now that is changing. Political ambitions give sway to treachery and murder and the world is set for upheaval.

Caught up in this chaos are two teenagers, Shale and Terelle. Both possess considerable water powers of different ilks, and both find themselves being used as tools in political machinations. The star-crossed pair are given precious little time for adolescence.

Like a brewing storm, the story gains weight and power as it gathers momentum, the considerable cast rising to strike clear identities as ideals of honour and survival clash, and love lies bleeding. There are some gentle religious barbs along the way, too.

Larke’s world-building is a great strength of the story, the dryness and heat permeating the fabric of her society, with enough touches of the fantastic to excite the imagination. This, combined with a bloody climax, leaves the reader keen for the next instalment.

Aussie writer Tracey O’Hara has enjoyed some happy hunting in the United States with Night’s Cold Kiss (HarperCollins, $19.99), her debut novel, the first of the three-book Dark Brethren series. Now the paranormal romance has been released in her home country.

Set primarily in New York, it covers familiar ground for those who enjoy paranormal romance, still one of the hottest of genres.

Antoinette Petrescu, deeply affected by the murder of her parents by a death-loving vampire called Dante, is a slayer of the undead, and an unnaturally gifted one at that. But a deadly conspiracy throws her into the path of the charismatic and filthy rich vampire Christian, and sparks erupt despite her best intentions.
Christian is an agent for a covert, quasi-government organisation that polices the paranormal community with a view to keeping an uneasy truce brokered years before between vampires and humans.

Now someone’s rocking the boat and Antoinette’s past is coming back to bite her – quite literally.

Planes, helicopters, fast cars and elegant upstate mansions all figure as Antoinette is exposed to the other side of vampire existence – she truly gets to see how the other half live as she meets Christian’s well-to-do vampire family and household staff.

Vampire society is well-described, with the usual dividing line between those who try to maintain a sense of humanity and those who embrace their inner beast, revelling in the kill and their otherness. There is enough insight into the realm of the shapechangers to suggest further exploration in coming books.

O’Hara hits all the right buttons for fans of the genre with her tale of desire, betrayal and revenge, providing a pacy and at times steamy adventure with a strong, lusty subplot. This makes up for the occasional lack of sparkle on the page and some haphazard editing as the story builds to a fittingly explosive climax, and overdrawn denouement to springboard the reader into book two.

During the week I left Brisbane, I took some snaps on my mobile phone to mark the moments. Not all of them, not even the most important ones: just incidental ones as the to-do list ticked down. It went something like this:

empty winerack

After the giveaways and sell-offs, the eBaying and the Freecycling and the dump run, came the packing. The house emptied out as the boxes filled. The wine rack gave some cause for concern, but I figured, we could rebuild it. And in fact, we have. An empty wine rack is of no use to anyone. Ditto the bookshelves.

cafe urbano in stafford heights

shoes off, after the packing

Men came. They chuckled at the sight of the coffin-table, all bound up, mummy-like, in its blanket and tape. They didn’t seem to blanche too much at the third room, lined with boxes filled with books. Three hours and a cuppa later, they left in a big truck with a promise we’d meet again, and I sat on the stairs, shoes off, contemplating how much an empty house can echo, and how sore I’d be the next day.

spaceman on the ceiling

In the absence of, well, anything but a backpack of clothing, it was good to have friends to crash with. They had wine, and coffee, a spare bed and a shower and a loo, and a cute little spaceman stuck to their ceiling. You need friends like these.

Dad's garden

Family is also good. They’re like friends with a sense of ingrained commitment. My Dad has an awesome view from his house and an even more awesome viewpoint, and his partner has done a grand job setting up the house and the garden. It’s good to know that, no matter where you are, you know damn well where they will be: watching your back.

sunset at Shorncliffe

After the truck had gone, I had coffee — an iced one, the day was hot — with a mate at Shorncliffe, one of my favourite places in Brisbane. And after that I went for a meditative trundle on the pier, and watched my last Shorncliffe sunset as a ‘local’. No dawn without a sunset.

Kaliber in Fortitude Valley

Another favourite place in Brissie was Kaliber, a funky, narrow club in the Valley with an amazing range of vodka, cool staff, mean pizzas and a fine line in absinthe. They were playing Concrete Blonde’s Joey when I got there. We had a good night, three of us who have all been through this all before each in our own way, and backed up the next week — the last week — with Mexican and burlesque (not at the same time). One thing I like about cities is that you can have tortillas and tassles in the one night.

angela slatter and me at dinner

On the last night, after the final inspection of the house and the last cuppa at Urbano and the return of the keys and afternoon tea with a pal and the stumbling across of a friend’s Buffy book (Night Terrors) in a newsagent, it was time for a drink. First at the Queensland Writers Centre cocktail party, coinciding with the Brisbane Writers Festival and launching their groovy Industry IQ program which I’m frustrated to be missing — and what a splendid view of the CBD from across the river — and then at dinner, with some old friends and the cool Dexter dude Jeff Lindsay and some other folks beside. I relented and took a people shot on the phone, because how could you not with the likes of the inimitable (and fellow It Crowd fan) Angela Slatter?

Sydney from the Swissotel

My agent has an annual gettogether for her writers in Sydney. This year, because the usual venue stuffed up the booking, it was at the Swissotel in the CBD. Two thumbs up for the Swissotel and their well-appointed rooms — this was the view from the 19th floor — and their fab staff and tasty bar menu. The banquet was amazing — I went back for seconds of prawns and oysters — and scored a wee pavlova. The event was my springboard out of Brissie, but there were a couple of fellow Brissie scribes there — Kate Morton and Stephen M Irwin with entertaining speeches, Grace Dugan, Louise Cusack and Kim Wilkins — and other reliables from around the country who made the bar a friendly place to be (Graeme Hague, Ian Irvine, Richard Harland and Katherine Howell, to name a few, and all kicking mighty goals that make a young wannabe such as myself mighty keen to get fingers on keyboard again).
And then there was the Melbourne writer Kirstyn McDermott, reason enough to empty your house and say goodbye to your cafe and your sunset, and promise to write to the good souls holding the fort.
 

So I’m in post-convention funk, short on sleep and strong on caffeine, a day back at work and wondering where the weekend went. The receipts tell some of the story: cabs, airlines, two dinners at a Chinese restaurant with lots and lots of chilli and an amazing capacity for seating and feeding 17 people at the drop of a hat, Japanese, innumerable coffees at the Lindt cafe and the State Library and that excellent sandwich bar in the Queen Victoria Building and other places besides…

Cat Sparks’ (as always) fun photo diary helps fill in some blanks, too.

So, the event was Continuum 5, held in the basement of the sprawling Mercure hotel complex in Melbourne, with Chelsea Quinn Yarbro as international guest of honour. She was rather grand, too. I enjoyed my vampire panel with her, and taking a new novel in the making for a walk during a reading session on the Sunday. I enjoyed meeting up with a bunch of folks from around the country, seeing Deb Biancotti launch her first anthology and Richard Harland steaming on with Worldshaker … and Kirstyn McDermott landed an award trifecta with her short story “Painlessness”, which had already won an Aurealis and a Ditmar before taking a brand new Chronos.

Next year there will be another Continuum, in February, and in September there will be a grandaddy of conventions, the Worldcon aka Aussiecon 4, also in Melbourne. If you are in Australia and write any kind of spec fic, you really owe it to yourself to be at the Worldcon.

Slights by Kaaron Warren

On the flight home from Melbourne, I finished Kaaron Warren’s debut novel, Slights. It’s one of the first books to be released under HarperCollins’ new spec fic imprint, Angry Robot. It’s a weird title for an imprint, especially given that Kaaron’s book doesn’t have robots in it, nor any science fiction at all. The SF component of two of the other first four books also seems non-existent. No matter. What matters is that Aussie writer Kaaron’s book is a real gem. Sure, I had a little rant about the number of literal errors — you can’t get away from them these days — but don’t let that distract you. This is a compelling read, even though it’s not exactly express train pace. It’s a steam train of personality and character, wit and dread; such fully realised characters just don’t pop up that often, especially when they’re digging up family secrets in the backyard, pissing off their brother, tormenting all and insundry — and paying a heavy price. I can’t say Stevie is likeable, but her honesty is refreshing, her barbed one-liners engaging, her relationship with and indeed morbid curiosity about death intriguing and just a tad spooky. She namechecks Aussie writers Richard Harland and Robert Hood, too. Cool.

Kaaron has two more books signed to Angry Robot. So what’s to be angry about, huh? You tell me, robot.

Despite the previously mentioned funk, there is no rest for the wicked. I’m up to my jugular in vampires, and will be till Saturday when I present a wee talk at the Logan library’s SF month about the evolution of the vampire, from Byron to, ahem, Twilight.
]]> http://jasonnahrung.com/2009/08/18/continuum-slights-from-angry-robots-and-some-vampires/feed/ 4 jason Slights_Kaaron_Warren http://jasonnahrung.com/2009/08/10/life-love-and-ed-kowalczyk-live/ http://jasonnahrung.com/2009/08/10/life-love-and-ed-kowalczyk-live/#comments Sun, 09 Aug 2009 14:01:30 +0000 jason nahrung http://jasonnahrung.com/?p=408 ]]>

I almost didn’t go to see Ed Kowalczyk tonight. I figured I’d be tired. Maybe a little love-lorn. Probably, you know, … old. Turned out I was right, but thanks to the generosity of a friend, I did stumble down through the Ekka detritus crowding the Bowen Hills streets to the grand old Tivoli, and was stunned to be sitting, sardine-like but not uncomfortably, a mere four rows from the stage. Close enough to see the sweat on Ed’s bald head, the smears of moisture on the guitar, and a very large smile on his dial as the sell-out crowd went ballistic after every tune.

It was just Ed and a guitar, a few apologies for not having the full band, sheer delight at being heard and appreciated. He played one new song (from a solo album due out next year) – it was pretty good, in a Live kind of way — and one cover, and the rest of the 1hr15 set was made up of Live tracks. I’d forgotten, kind of, just how good those guys were when they were peaking, with Throwing Copper and my favourite album of theirs, The Distance to Here. Tonight’s set roamed the Live catalague, rocking out with I Alone, offering a delicious rendering of the remarkably apt The Dolphin’s Cry, getting a singalong with closing song I Want To Dance With You. And raising a tear with Lightning Crashes, which always reminds me of someone dear who should be here, but isn’t.

As such, the gig turned out to be a fitting closing act for a poignant weekend.

It began on Friday night with a dear, old friend at a favourite restaurant. So pleasing to see her happy in love, and beloved. And then there was that aeroplane, delivering me my own slice of the happiness pie. Saturday and a parade of friends and family and that bittersweet emotion of being happy for a friend while feeling the cutting edge of looming absence, in geography at least. Time and lost opportunities and golden moments, all rolled into one, and never quite enough time and space to say the words to the right people before they’re gone, through the door if not from our lives. Amazing, isn’t it, how friendships endure across time and space? And how watersheds and turning points can remind us of just how strong those bonds can be. And then today, welcome and goodbye and a milestone marked, a new year and a new life, but no beginning without endings, too, the shedding of old skin making way for the new.

Vague enough for you?

Birthdays are like that. Past and future colliding, cushioned by the joy of good company, the love of family and that significant other.

So thanks, Ed, for the summary: the pains and pleasures of the past, the promise of the future, the simple joy of the here and now.

Oh now feel it comin’ back again

Like a rollin’ thunder chasing the wind

Forces pullin’ from the center of the earth again

I can feel it.

I don’t know what to make of their name — a crashed kitty? furballs? a depressed puss? — but I do know damn fine music when I hear it. Months and months after I had a flyer for this outfit thrust into my hand at Soundwave, I finally tracked the Brissie band down, closing off an evening of musical might at the Globe headed by the always fun The Wretched Villains (love that violin, sad to hear that Peter the guitarist is leaving, rockin’ out to the new album!). And they rocked.

Here’s a four-piece who know how to pen a song, offer variety in their approach, and have a fab stage presence. Meow!

Felinedown’s Magazine Dream

Kris Hembury, left, and his mate Gary at our pirate party, 2005

I met Kris Hembury, as with many of my Brisbane friends, through the Vision writers group. He had a wicked sense of humour, a love of puns, and a fierce imagination. I still remember a space story of his, about a guy trapped in what amounted to a box. A beautiful piece of writing, affecting and sincere. Poignant even if you didn’t know the author was in a wheelchair with limited mobility, who relied on voice recognition software to handle his prose. Who could play a mean thief in Dungeons & Dragons, too, the one time I had the privilege. Thing was, this guy with the heavy, battery-powered wheelchair would be at everything – signings, workshops, the monthly meetings, with enthusiasm and interest and a damn fine eye for a critique. He put me to shame in terms of getting up and getting out there. I didn’t know him well enough to give you a proper obituary; he was 29, and too damn young with too much damn promise and way too much potential. So news of his death has sent a wave of regret through this community who knew him. The emails came plentifully today as the news spread, with words of praise and sadness, and sympathy for his family.

Life is short, maybe even shorter than we know. Live without regret, value your friendships, and try to leave something beautiful behind. I like to think Kris has done all three. Vale, friend.

You’ve seen the t-shirt, now see the mash-up. Or is it the other way around? Either way, this is gold!

http://blip.tv/file/2261825/

I’m happy to report that the energy required to drag my sanguine carcass down to the inaugural Dead of Winter festival at the Jubilee Hotel was repaid in spades by Brigitte Handley’s Dark Shadows, recently (as in, two days!) returned from touring in Europe and the US, and Brisbane’s Wretched Villains.

Handley’s trio of herself on vox and electric guitar, with Carly Chalker on bass and Nerida Wu on drums, have become more confident and more polished since I last saw them a couple of years ago on a boat trip down the Brisbane River. Their new material is sensational rock ‘n’ roll, delivered with aplomb. Each member engages with the audience; Wu is a dynamo. The band stretches Handley’s deep passion for classic 50s and 60s rock all the way to thrash, with some very cool arrangements showing the band maturing and experimenting. There was no sign of jet lag as they drew an appreciative crowd in the Jube’s beer garden. The Dark Shadows journey north from their hometown of Sydney again in August.

Earlier, the Villains road tested some new material ahead of their CD launch on July 31 at the Globe, but were beset by a woeful mix and a set cut short due to the festival running behind time (depriving us of the delightful Lisa Lamb’s fireshow, to boot! Boo!). And while I’m whining, how hard is it to provide bands with a decent light rig these days?

Anyway, the new songs showed great promise, with the keys and violin getting some space to strut their stuff.

I know I should’ve stayed for the Kidney Thieves who always put on a great show — they must be delighted at the news of Faith No More getting back together, given there’s some pretty clear homage going on there! — but I’d had enough of the stench of cigarettes wafting over from the smokers’ cage and my ears were ringing after the Dark Shadows’ big finish. The festival did seem pretty successful if the number of punters was any indication, packing upstairs and down, and what a fine mix they were, too: the goths, the punks, the normals, the normals in zombie attire, the rockers, the metalheads, all getting along just fine, thanks very much.

I interviewed Brigitte when she released her Identity EP in 2006. She talks about her band, her love of horror movies and her classic guitar. Read it here.

In The Courier-Mail, Kathleen Noonan makes the case, with her usual passion,  for maintaining our existing territorial copyright.

http://www.news.com.au/couriermail/story/0,23739,25659282-5012506,00.html

It’s depressing, reading that more than 18,000 Dymocks subscribers have signed their petition. Makes my decision to quit the Dymocks newsletter seem rather insignificant.

You might also like to check out what Tim Winton, latest winner of the Miles Franklin award for Breath, has to say on the issue: http://www.penguin.com.au/breath/video.cfm