Archive for abbe may

Armageddon, or, 50 minutes of Abbe May is not enough

Posted in music, review with tags , , , , on December 24, 2012 by jason nahrung


So the world was meant to end, last week, was it Friday or Saturday? Something like that. So it seemed appropriate to hit the Toff in Town on Thursday night — the eve of destruction! — for the Karmageddon tour of Western Australian rocker Abbe May.

Last year’s Design Desire was a rockin’ bluesy outing with a leather ‘n’ lace voice; the titular single from the forthcoming Kiss My Apocalypse album is more on the lace side, synth-driven and slinky. The Toff gig was all about the slink: velvety tunes building with synth and rhythm section, pressure mounting, to the point where it was like, strap on that guitar and cut it loose, girl. Rock the house!

But just as we were reaching the point of eruption, 50 minutes in and with a smokin’ cover of Motels’ ‘Total Control’ under our belt, time was called and the band left and the disco began, and we were left to finish our drinks and then wander down on a clear and mild Melbourne night to knock back a last pre-train coffee in Fed Square and talk armageddons and Karmageddons and the friction between art and commerce, as you do.

Now to await the arrival of Kiss My Apocalypse, which on the strength of Thursday promises to be a strong, smooth, cohesive album. And man, didn’t ‘Karmageddon’ just pop live!

Meantime, season’s greetings, and a safe — apocalypse free — summer to all!


Design Desire: Abbe May hits all the right notes

Posted in music, review with tags , , , on December 8, 2011 by jason nahrung

album design desire by abbe may

Greatly enjoying Abbe May’s latest album, Design Desire. It’s one of those long-players that demands the attention of your ears and, while it offers some killer tracks, it provides a complete journey as an album.

The Aussie singer, from Perth, kicks off with the title song, an urgent introduction to the nine tracks that follow. It’s hard to disregard, and once you’re hooked, there’s no wiggling away.

She knows her songcraft, varying light and shade throughout the album and within the songs. ‘Taurus Chorus’ goes from electric guitar wail to sublime croon, for instance; on ‘Mammalian Locomotion‘, the guitars howl like the tyres of dragging cars. There’s lonely echo on ‘Universes’; steel guitar meets slow jazzy groove on ‘No Sleep Tonight’.

The beat varies, too, but blues rock is never far away – ‘Cast That Devil Out’ is hard to go past, and ‘You Could Be Mine’ is a showcase tune. Throughout, there are shades of Sonic Youth, Siouxsie Sioux and the White Stripes, amongst others. ‘Carolina’ has the country guitar soundscape that suggests the song should be set much farther west.

And then the end, ‘Blood River’, a drifting, piano-driven dirge that lasts just long enough, letting the listener go gently.

The vocals mirror the superb guitar control, too, from soft to snarl, delivering musicality as well as lyrics, changing to suit the needs of the song, carrying the emotion.

There’s an honest, almost live, feel to this album. One of the year’s best.

Catching up on the tunes…

Posted in music with tags , , , , , on October 18, 2011 by jason nahrung

Some ‘on hold’ music while I’m otherwise engaged …

Warpaint: ‘Elephant’ is a cruisy Sunday afternoon.

The Horrors: stop us if you’ve heard these synths before!

Sietta: Aussie beats and fetching vocals … interesting.

Call me shallow, but if you put a cow skull and a bra on the album cover, yeah, I’ll have a listen… and well worth it too, with the ripping eponymous tune from Abbe May’s album, Design Desire.

Sarah Calderwood’s debut album is due out in November. Thoroughly exciting!

Felinedown: new EP, awesome live show, tunes to throw you around the room (on tour in October)


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