GenreCon — worth doing all over again

genrecon logo

So we’re back home, and now that the work has been caught up on — well, kind of — it’s worth reflecting on the good oil that came from GenreCon in Sydney this weekend.

Twas an intimate gathering of writers from across the spectrum of crime, romance and spec fic — a melding of minds, techniques, loves and aspirations. And there were agents and publishers (Hachette, HarperVoyager, Momentum, Xoum, Clan Destine, Dark Prints … to name a few) with an interest in those genres. There were international guests Ginger Clark and Sarah Wendell and Joe Abercrombie:

Ginger let us know about the tough times in publishing and how agents are stepping up to fill the gaps left by publishers, in terms of editing, marketing, production … the line is blurring, the publishers cash-strapped and unable to offer the full suite of resources that has, in the past, made them such a powerful cog in the publishing wheel.

Sarah addressed author platform — the pros and cons of various social media, the importance of politeness — be a person, she said; converse, don’t declare.

And Joe: he’s a damn funny, easy-going fantasy writer who seems just a touch bemused to be selling oodles, but highly appreciative, to be sure. It’s all about getting down and dirty with the characters for him; gritty realism over shiny heroics, though he admits there’s room for both, and more, in fantasy’s huge field.

There was pitching for those with something to pitch — a 70 per cent hit rate for call backs shows some serious quality in the offing, and of the 30 per cent that dipped out, there was a praise for the pitch, even if the actual book didn’t hit that particular agent or publisher’s want list.

The panels were compelling, ranging from industry to craft to workshop topics — Peter M Ball’s business model for writers gave me pause for thought.

LA Larkin described plot as skeleton, characters as flesh and mood as blood: I like that, as you might expect.

There was an awesome debate between planners and pantsers: there was a symbolic glass of water, and a smooch, some of the best insults since Monty Python …

There was catching up and meeting social media pals, making some new friendships and reinforcing some existing ones. It was relaxed but draining. There was morning and afternoon tea and lunch as well, all of which enhanced the social aspect of the event.

As usual with conventions, the hotel didn’t quite come to grips with the bar situation, but the staff were wonderful and, from this outsiders’ viewpoint, apart from the race day madness in the bar, all went to plan.

Martin Livings launched his collection, Living with the Dead, as part of an Australian Horror Writers Association presentation, one of four by various genre groups.

The opening night cocktail party was a hoot of an ice breaker, and it sounded as if we’d missed out by skipping the banquet and a presentation of romance titles, one featuring a platypus that created quite the stir.

The good news: plans are afoot for GenreCon 2013, to be held in Brisbane. The calendar is richer for it.

  • In the aftermath of GenreCon, Conflux 9 — Canberra’s science fiction and fantasy convention, also the natcon for 2013 — has announced a pitching opportunity with Voyager’s Deonie Fiford. This is in addition to already announced opportunities with Angry Robot’s Marc Gascoigne. Noice. I’m really looking forward to getting back to Conflux, which has never failed to entertain.
  • 6 thoughts on “GenreCon — worth doing all over again

    1. Sounds like a blast. Hoping to interview Mr Abercrombie next week actually. Perhaps you could sacrifice a goat to the god of the internets to ensure a good connection :)

      I heard about the Bar issue on twitter – it’s a secret conspiracy.

    2. Pingback: Romancing the Genrecon | Voyager Online

    3. Pingback: Galactic Suburbia 72 « Randomly Yours, Alex

    4. Pingback: GenreCon 2012 Wrap-up — Speakeasy

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