Ticonderoga Publications brought this rather splendid volume out this year — 19 tales of how we might adapt to climate change. It’s an important topic, and given I’ve spent the best of three years studying it for my (ongoing) PhD, one that’s close to my heart. So I’m doubly chuffed to have a story in this, one written as part of my PhD project. I talk about it over at the Ticonderoga site — please do check out the book should you visit (it’s colourful, would look grand under the Xmas tree, eh!). There are some damn good writers there, collected by editors Liz Grzyb and Cat Sparks.
And here I am, with a mosaic novel* set in near-future Queensland (mainly Brisbane) in which the Galilee coal mines feature prominently — as stranded assets, now being converted into, you guessed it, giant greenhouses. (One of the three stories involving Galilee has been selected for the Ecopunk! anthology, coming from Ticonderoga Publications — the TOC looks amazing!)
It’d be really neat to have to rewrite the stories because the governments in question grew some social conscience (and economic nous) and canned the entire idea (I can hear the Asia-Pacific nations who are begging the world to stop building coal-fired power stations from here), but I can’t see that happening.
It’s a bit like the narrative spike I copped when BP (boo! not forgiven for Deepwater Horizon) pulled out of exploration in the Great Australian Bight, only to be replaced by Chevron. And so the battle, and the story, goes on …
* mosaic novel = a fictional work made up of interconnected short stories; the form has many names (composite novel and novel-in-stories are just two of the more common ones, but I prefer mosaic)
A reminder, friends: I’m chuffed to be attending the Brisbane launch of the Dreaming in the Dark anthology, edited by Jack Dann and published by UK-based PS Publishing. Still gotta pinch myself when I look at the contributors to this epic tome of Aussie speculative fiction.
So yes, it’s worth a party with contributors (edited to add more — huzzah!) Veny Armanno, Paul Brandon, Kirstyn McDermott, Angela Slatter, Janeen Webb, Kim Wilkins and me in attendance; Paul and Sarah Calderwood will provide some musical atmosphere; Jack will do his thing; the book will be launched and you’ll be able to get your copy signed by a third of the contributors in one fell swoop!
This is an exciting anthology of Australian speculative fiction. Back in 1998, Jack Dann and Janeen Webb put together Dreaming Down Under, an anthology that helped shine a light on the speculative fiction talent in Australia. Then, in 2010, Jack revisited the field in Dreaming Again: 35 yarns, of which I was privileged to have contributed one. And now he’s combined with PS Publishing to produce a new taster of established and up-and-coming writers: Dreaming in the Dark. Check out the contributors list below! Here’s the link to order this gorgeous tome. Launches are in the works, but why not get your order in while it’s hot? The signed, slipcased editions are limited to 200 and they look pretty darn fancy.
Introduction: Welcome to the Golden Age: an Introduction of Sorts
Sing, My Murdered Darlings
Midnight in the Graffiti Tunnel
A Right Pretty Mate
Eromon No More
The Luminarium Tower
Neither Time Nor Tears
His Shining Day
The Liquid Palace
Snowflakes All the Way Down
The Dog Who’d Been Dead
Fade to Grey
All Those Superpowers and What Are They Good For?
In Hornhead Wood
Herewith, three groovy recent outings that put a smile on my dial:
1. Totally 80s. Sure, the tour is well over now, but I enjoyed this greatest hits parade far more than I thought I would. Great to see Real Life’s David Sterry, for starters; Wa Wa Nee brought the keytar; Katrina of the Waves rocked out. The main draw, though, was ticking off a bucket list item to finally see Berlin‘s Terri Nunn in action. The set list for Berlin: No More Words, Metro, Masquerade, Animal (yes, still making vibrant music!), Dancing in Berlin, Take My Breath Away, Sex (I’m a). Such a happy vibe, I was smiling from the moment the second song of the night, Safety Dance, got the crowd grooving.
2. Ghostbusters. The remake. Seen it twice now and it’s very cool. The climax feels a little pedestrian (maybe that was just the echo of the original) but to see these four women work together so capably — not an arse shot in the whole movie — is such a delight. Sign me up to the Holtzman fan club. I like what the flick said and how it said it and I had a lot of fun at the same time. Neat cameos, too.
3. Pokemon Go. I blame/thank my wife. She loaded it on my phone. And then I went to the city and saw the augmented reality overlay the game provides and it was, like, wow. And then last night we’re parking (because Ballarat turned on the wind machine) and we’re surrounded by other people parking because there are three PokeStops with lures and the critters are spawning like crazy and it’s fun and it’s kind of communal fun — I haven’t seen that much life in that street on a Monday night ever. I also like that public art and graffiti and historic sites are PokeStops so these sites are drawn to your attention. How much attention you pay as they spin and disgorge goodies and critters is up to you.
Anyway. Today is a day to consider some good things and share the word. May you too count good things.
In Your Face, an anthology of confronting speculative fiction from FableCroft Publishing, will soon be in the wild (next month!)! This volume contains 22 stories from some of Australia’s biggest hitters in the genre (Sean Williams, Kaaron Warren, Angela Slatter and more!), as well as some lesser known writers such as myself, and they’re packing a punch.
Says a review in Aurealis, “some of these stories are confronting, even shocking in the subjects they tackle head-on … In Your Face is a truly rewarding and affecting experience”.
My yarn, A House in the Blue, is a reaction to the shitful health policies championed by the thankfully dead Abbott government (we note the Turnbull government’s similarity to its predecessor) and is no doubt all too familiar to readers in the United States. It is set in the climate-change affected future Brisbane introduced in 2014’s Watermarks. The sad thing about my story is that I think I’ve underplayed the situation, but I guess only time will tell.