At the weekend we went to Melbourne.
You started it … I finish it, by Paola Pivi, at NGV
We saw, at the National Gallery of Victoria, a stunning collection of artwork by William Blake. He made his own process for printing words and pictures together. He had to write backwards — maybe that was why, as my wife pointed out, he had i before e after c. We went to Dante’s hell with Blake and it was a free ride. Next door was a video installation, part of which involved jiggled bellies, swaying branches, a tilting table, body parts being covered in dye and washed off. In the foyer, THERE WERE BEARS. Polar bears covered in feathers. No touching. Kirstyn was jumping out of her skin, wanting to hug these life-size, brightly coloured sculptures. The sheer delight these statues brought, not just to children but adults too …
Untitled, 2003, by Lee Bul
Also for free at NGV was a whole floor of funky furniture and glassware, a Warhol or two, and an alien
hanging in disassembled (or reassembling) pieces. Here and there amongst the art were little placards, part of the self-guided Art As Therapy
tour, that directed the viewer to consider the work, perhaps in a different way to what it, at first sight, suggested; at the very least, the placards pointed out symbolism and meaning for the viewer to ponder and appreciate.
We went to the Willy Lit Fest. It’s a literary festival held annually in Williamstown, on the bay. Kirstyn was on a panel with Lucy Sussex and moderator Dmetri Kakmi talking about the Gothic and horror, and then we had lunch with friends. Or rather, we ordered lunch with friends, who ate theirs and went to the next panel, while we waited for ours, and ate it, and took the ferry back to the city. I love seeing a city from the water. I especially like the cranes, not to be confused with the cormorants, and the low bridges the ferry slips under, vaguely reminiscent of Venice’s waterways, and the high bridges it goes under, which I usually see from the other side.
We saw Gary Numan
perform his Splinter concert, rocking the Hi-Fi bar for 90 minutes and never a non-lyric word said, but an awesome grin at the encore that said it all really. The Red Paintings
were the support, two kimono ladies doing wonderful things to violin and bass while a man called Trash with a sloth on his back sang about a failed revolution, and painters painted, one on canvas, one on a dancer not quite game to go-go in her underwear and carnival bobble head. The sound was far more crisp for them than for Numan, where volume won out, but everyone played their hearts out.
On the Saturday night, walking up the street, we saw a water feature, a wall with water running down it, and people were making patterns and words from autumn leaves, stuck to the surface. Seasonal art, flowing naturally.
We ate Japanese one night, at our favourite city Japanese restaurant, Edoya, and it did not disappoint. The next night we picked a Vietnamese restaurant, Pho & Co, at random and ordered up a storm of share dishes. The service was slick and the food was quick to arrive and sensational. We also scored a breakfast table at hole-in-the-wall Aix creperie: awesome way to start the day.
We watched a movie we hadn’t heard of but the poster looked so very cool: The Babadook. It’s Australian. It’s incredibly good. Someone — I suspect the writer/director, Jennifer Kent — had a good, hard think about horror movies and mental illness, and the resulting metaphors were brilliantly drawn. All the way through to the end. At the panel at the Willy Lit Fest both Kirstyn and Lucy said how horror can be used to approach difficult subjects, how symbolism can help us be touched by something we’d otherwise shy from: this was, Kirstyn said, the perfect example. I agree.
We stayed at the Citiclub Hotel on Queen St. The website we booked through mentioned the competitive price and the comfy room and the convenient location, but skipped the fact the hotel contains a nightclub. I intend never to stay there again.
Melbourne: so much to do, but be careful where you lay your head.