Starring: Lupita Nyong’o, Joseph Quinn, Alex Wolff
Release: 2024
When this movie emerged, I wondered what it could add to the first two (sensational) instalments. We’d seen how the aliens arrived and – spoiler – how they could be fought. So what did Day One have to offer? Turns out, plenty. Albeit, probably any apocalyptic monster or zombie could’ve done the job of setting up this entirely enthralling survival story. It rang a similar bell to the fabulous Aussie flick These Final Hours, where values such as family and friendship are put under an intense lens as the curtain comes down in inevitable fashion. Adding to the emotional pull is a cat that has a habit of being in the right, or wrong, place at the right time. There’s a touchstone to the previous movies that rewards familiarity but doesn’t confuse, Day One a masterclass in how to tap a franchise without cannibalising it or fracturing the narrative. If only Alien: Romulus had been able to show such a deft touch.
It is a two-vampire-story year, with a short story following hot on the heels of my novella, Cruel Nights.
Sounds like a good reason for a party! Friday the 13th? Even better!
Nosferatu Unbound invites an international cast of writers to revisit the world of its namesake, the marvellous 1922 film.
As it happens, co-editor Steven Paulsen, illustrator Dillon Naylor and a certain Kirstyn McDermott are all fellow Ballaratians (or perhaps more fittingly, Ballarodents), hence: party!
Nosferatu Unbound will be celebrated at a release party, part of Collins Booksellers’ After Dark series, on 13 September at Collins Booksellers in Bridge St Mall, Ballarat, kicking off at 6.30pm. Also on the table will be Cruel Nights, still waiting for its official raising of the glass since its May release. There will be minimal official words, mocktails with a vampiric flavour, and books to buy, get signed, and chat about: as well as the anthology and Cruel Nights, Dillon’s fabulous vampire yarn Batrisha, and more dark tales from the four contributors.
As a further local connection, my story, ‘The Late Stage’, ships the undead off to Ballarat during the gold rush – not all gold diggers are after money, are they?
Kirstyn, meanwhile, has a familiar character of her own hot on the trail of the movie itself. Ooh!
Nosferatu Unbound is officially released on 16 September – keep an eye on the publisher’s website for purchase options.
Ever since I first heard the Brigade album by Heart, sometime around 1990, I reckoned there was a story in it. Not just the micro stories of each song, but a bigger narrative.
I wrote a short one, melding tracks All I Wanna Do (Is Make Love to You) and The Night*. Didn’t much like it, too simplistic, one note. It’s still in the drawer.
Then, in 2019, emerging from four years of PhD in climate change fiction, I felt ready to take a shot at a longer treatment of the Brigade project. But wait. Just around the corner, in March 2020, the Queensland Writers Centre was having a weekend novel-writing ‘boot camp’ with Kim Wilkins. Perfect. Stop writing, get some ideas together, work on something else to fill in the time**.
(Kim, by the way, ran the first QWC workshop I attended after I moved to Brisbane in 1998. It’s where I met my tribe. To a large extent, that workshop set me on this path.)
Brigade, Kim reckoned, probably wasn’t Heart’s best album, when I said during our introductions that my project for the weekend had been inspired by it. I was too slow to add that it might not be their most lauded, but it is the one with the vampire!
It was a fun weekend, bouncing around story ideas and character arcs with each other, emerging weary but also energised, with a note book full of trajectories and ideas that lit a fire under the project. Needless to say, I played a lot of Heart writing the book, especially Brigade, tapping the moods and themes. Cruel Nights (yep, from a song on the album) is still anchored around the meshing of those two key songs, but the entire album is in there.
I did check in with the rights holders about using a stanza for an epigraph*** but it was a bit pricey for this project. Still, I like the compromise of using Heart song titles as chapter headings. Picking appropriate ones from across the catalogue reminded me again of how diverse and accomplished this band is, what a set of pipes Ann Wilson has.
So yes, the long wait between books is finally over, and yes, it’s another vampire story. Also a kind of love song. With Heart.
Cruel Nights is available for pre-order at Brain Jar Press and will be out on 21 May.
* funnily enough, All I Wanna Do is not one of my favourite Heart tunes. The Night, it’s right up there, though. ** still working on it. *** there are some lyrical Easter eggs in the text, but I had to wrap them carefully to avoid any copyright issues.
I’m very pleased to share the news that I have a new book coming out! The novella Cruel Nights is slated for release through Brisbane’s Brain Jar Press on 21 May 2024.
Says the publisher:Brain Jar Press is pleased to present Jason Nahrung’s Cruel Nights, a vampire novella which harks back to the vampire novels of Poppy Z. Brite and Anne Rice while also asking what might have happened to those characters once the nineties were over. It’s an extraordinary read for anyone with fond memories of the grunge era and the horror which sprang up around it.
And the blurb:
…a grunge-soaked tale of love and vampirism in ’90s Seattle.
Charlie died in Nevada, 1973, after seeing Led Zeppelin live on stage and making the wrong choice on the long drive home.
Corey meets him at a TAD gig seventeen years later and feels an immediate attraction. They both swear their night together will be a onetime thing, but neither can stay away.
Corey and Charlie spend two decades building a life together, a mortal and vampire in love, but there are some things Corey’s not willing to give up. She can move cities when Charlie’s eternal youth raises suspicion and she can rebuild her career as a music journalist after every disruption to their life, but as she gets older, it’s harder and harder to be satisfied with their nocturnal existence.
Then a moment of weakness delivers Charlie and Corey the one thing they never expected to have…and their relationship gets more complicated than either of them ever dreamed.
If you want to know how to invest a creature feature with heart, you could do worse than turn your attention to this Japanese kaiju film. While it taps the lore of the long-running Godzilla movies and rewards the big screen with sound and visual effects, it invests its story with a surprising degree of emotion for the genre. Pilot Shikishima is struggling with the aftermath of World War II, during which he encountered the yet-to-be mighty monster in a prelude to the core story. For Shikishima and his fellow veterans, especially being on the losing side, the war is hard to shake. Add the bold Noriko and an orphan baby to Shikishima’s world, and the three make an unconventional unit of survivors. Then, of course, there’s the monster and its offer of redemption amid the destruction. The anti-war theme is pointed but not overblown, the final salute to a vanquished foe speaking volumes. A fabulous addition to the canon.
Stars: Carla Gugino, Bruce Greenwood, Mary McDonnell
This miniseries follows on from creator Mike Flanagan‘s impressive efforts in The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass, among others and a bunch of movies to boot. This outing mines the works of Edgar Allan Poe, with episodes tapping particular works and featuring plenty of nods; The Raven is influential throughout. Among the new faces joining Flanagan returnees is a delightfully menacing Mark Hamill. The Usher family has built its wealth on painkillers (the semifictionalised docuseries Painkiller, also out this year, makes compelling complementary viewing) but now the, ahem, ravens are coming home to roost, with gruesome murders culling the family tree as a landmark court case unfolds. Flanagan knows how to set up his mood pieces and mix tension and gore, and Usher hits just the right mix of horror and camp as two old adversaries provide a narration of events leading up to the unfolding tragedies. Takeaway: I need to refresh my Poe.
Starring: Sophie Wilde, Alexandra Jensen, Joe Bird, Miranda Otto
Has there been a better Australian horror film since the Babadook? This debut feature from the Philippous is intelligent filmmaking, twisting the notion of a séance or Ouija board into a gripping teen drama that manages to balance gore and suspense with nary a jump scare in sight. Mia is something of a loner, having lost her mother under tragic circumstances and relying on the company of Jade and her younger brother Riley. Enter the party trick of using a supernatural hand to invite spirits to possess bodies while the gang films the excitement on their mobile phones. Of course things get, ahem, out of hand. It’s a wonderfully contained story, ramping up the stakes without going overboard; well filmed, well acted, with enough backstory to help us care for the characters and understand their relationships. It’s worth seeing on the big screen because the sound direction absolutely nails it, whether it’s creaking, moaning or a haunting lullaby. Highly recommended.
In which the extremely personable and knowledgeable host George Penney chats with yours truly at Bohemiana about locating vampire fiction in Australia, the importance of fiction in the climate crisis, and some of our favourite goth rock.
I also name drop the superb albums Lotus Eaters by Wendy Rule and Crater Vol.1 by Android Lust, which were on high rotation when I was writing my island Gothic Salvage.
I note quite a few familiar names from across the literary spectrum on George’s interview list – a valuable opportunity to get behind the scenes in the writing process.
In which I have a story, my first in two years. One of 24 from writers from here and overseas.
The invitation to submit a story for The Art of Being Human came during a period of Covid-induced turmoil – restrictions and lockdowns, broken supply chains, working from home. Deaths.
At a time when live entertainment and the arts were among those sectors especially suffering, they were also elevated: online performances and gatherings became a lifeline, as well perhaps as a reminder that, like the natural world around us, these pursuits were too easily taken for granted. As were their practitioners.
And so ‘Exposure’ came to light, a combination of some of my favourite subjects as I tried to find a way to address the anthology theme: the place of art in our society, what it means to me, and what it can offer in a time of cataclysm, whether it be the short-term upheaval of a pandemic or the ongoing catastrophe that is climate change. I find it hard these days to write anything that isn’t touched by climate change – it is, as we are finding as a society and as a species, ubiquitous.
The story developed from a mental image of a Polaroid camera in a box in a dusty, warehouse-like room. You can read the result for yourself, with the Kickstarter now available – this is the only place to go if you’d like a print copy, and digital copies are also available.
Chuck McKenzie aka Uncle Charles has been doing a wonderfully entertaining series of readings of spooky stories – he has crossed the 30 mark – and now it’s my turn.
‘Spare Parts’ is one of my first published stories, back when I was active in Brisbane’s Vision Writers group and we put out an anthology of members’ work. (2003 – heady days!) It was reprinted in 2011.
Chuck succinctly, knowingly, describes the story thus:
In this dark vision of the near future from Jason Nahrung, cloning technology provides the rich with a steady supply of compatible transplant organs. Healthy hearts, Undamaged livers. Fresh lungs. Finally, anything that threatens your quality of life can be replaced.
Anything.
With that kind of description, I reckon I’d pay him to do my book blurb!
