Cast (voice): Maya Erskine, Darren Barnet, George Takei
Year of release: 2023
What a sumptuous work of animation this is! Cinematic sets and effective action sequences set off a narrative that does not follow the typical path. When we meet Mizu (voiced by Erskine, recently seen in the flesh in the most engaging Mr and Mrs Smith), apparently a young swordsman out to revenge his slain mother, it feels the series will be following a well-blazed path just waiting for Clint Eastwood (or any other action hero who looks good in a poncho or, in this case, kimono) to ride into town. Mizu, of the striking blue eyes, has secrets that aren’t that surprising, further lulling the viewer into false expectations. Love interest, mentor, handsome villain, comedic sidekick all appear, made eminently watchable due to touches of humour and adept narrative control. But then come the plot swerves as Mizu finds himself embroiled in a story much larger than his simple desire to even a score. Sign me up for season 2!
I finally succumbed to the allure of James Cameron’s 3D SF extravaganza Avatar, partly because of all the mixed reports about it, primarily because it was really hot here today and three hours in air-conditioning (with choc-top icecream!) was not to be sneezed at.
Don’t really want to dwell on it, the thing has been hashed around all over the net (for instance, at Talking Squid), but my quick reaction is: thank goodness for the 3D effects. I thought they were handled so very well. The depth of field is the real highlight of the format for me, rather than things popping out of the screen at you, and the scenery shots and even the live action stuff provided plenty of this kind of immersion.
And Sam Worthington and Sigourney Weaver were pleasures to watch, too.
Regrettably, the storyline was thin and hackneyed, the theme overly overt, the indigent aliens the same old patois of Earth tribes minus any of the nasty stuff — some kind of Jamaica meets Native America. And their tactics, even with a Marine at the helm (because you need a Great White Hunter to save you when you’re a native), woeful. Honestly, the Ewoks did better using bows and ropes against mechanised troops. And the Empire at least had a reason for staging a ground assault. Anyhow, I guess I shouldn’t knock the good old Gaia message too much; friends in the northern hemisphere are dodging blizzards while we’re dodging forest fires.
If Cameron had chopped the film back to even two thirds of its length, and used the money he’d have saved to fund some truly alien aliens and a storyline with a little more moral complexity, Avatar could really have been something.
In other words, it delivered pretty much what I expected. And the cinema was cool.
Another flick with some groovy special effects I saw recently was The Lovely Bones. I’d had high hopes for it, because Peter Jackson also directed Heavenly Creatures, which used special effects brilliantly to convey two girls’ fantasy world. (And, um, that little Lord of the Rings movie. All three of ’em.)The Lovely Bones showed us images of a pre-Heaven limbo, which were striking. Largely irrelevant to the story, but striking. Sadly, this movie also left me feeling a little underwhelmed, mainly because the narrator has so little to do with the story. She’s an observer for the most part, after her death sets balls in motion, and so we’re always kept at a remove from the characters and the action. It was too sweet and had too many endings for my taste.
A friend’s son produced this stop-animation Star Wars using Lego. I think it’s pretty darn cool. Especially since Thomas is only 10. Watch out, George Lucas!
