rec160: The Trespassers

The Trespassers, by Meg Mundell (UQP, 2019)

A murder on the high seas sets the scene for the second novel by Melbourne-based Meg Mundell, but this is no whodunnit.

Rather, the near-future setting serves as a mirror for the tensions of our turbulent times as, once again, Europeans flee their homes for the promise of a better life in Australia.

In this case, a plague is driving Irish and British residents to board sailing ships bound for Down Under in an employment scheme, but their vessel, The Steadfast, becomes a political hot potato when the voyage goes awry.

Told through the viewpoints of three beautifully drawn passengers, the story is dark and unremitting as friendships form and secrets surface under the most trying of circumstances.

Tighter than Mundell’s dystopian debut, Black Glass (2011), The Trespassers targets corporate accountability, the treatment of asylum seekers, and our moral compass in the Anthropocene as the stories of hearing-impaired boy Cleary, nurse Billie and teacher Tom intersect in a thoroughly engaging tale.

Emilie Autumn Down Under – meow!

emilie autumn album opheliac

Emilie Autumn is heading for Australia for what is reportedly her first Antipodean tour – reason to celebrate for those who like their piano and violin served with lesbian pantomime, burlesque, circus and a good dollop of Victoriana, amongst other things.

I caught her act in San Francisco in October 09 and found it a hell of a lot of fun. EA’s Opheliac (there are several versions of the 2CD title, with catchy songs such as Dead is the New Alive, Liar and I Want My Innocence Back) has been a best-seller at Australia’s Ground Under Productions store, qualifying her as a bit of a goth darling, but the crowd at the charming Great American Music Hall showed plenty of non-goth/emo/alternative folks getting into the show, or at least hanging out for the sexy stuff.

EA has inculcated a strong following not just of her own brand of musical performance, but of her sideshow as well, with each of her gal pals drawing a fan base. There was hot competition at the SF gig to lock lips with Naughty Veronica, for instance.

There was slightly too much banter for comfort at the gig I saw, but I can’t see Emilie Autumn disappointing. One word of advice: if you don’t want to be the subject of a rant, don’t yell for her to take her gear off. I’m sure the ears of the unfortunate voyeur in the audience, a girl since you asked, must still be ringing.

Autumn plays Brisbane, Sydney and Melbourne in March.

Here’s a neat doco about the current tour:

In a similar vein, it’s worth pointing out that the erstwhile Amanda Palmer is hitting Australia again in February and March. Somewhat less histrionic than EA, but with a strong theatrical element thanks to the performances of the Danger Ensemble, Palmer put on one of the best shows I saw last year. Recommended.

vampire in Venice

I guess it makes sense that someone with a blog called ‘vampires in the sunshine state’ would have several friends direct his attention to this story about a ‘vampire’ discovered in a plague grave in Venice that has been doing the rounds on the net for the past couple of days.

It reminds me of the excellent, if slow, movie Vampires in Venice starring Klaus Kinski.

Which further reminds me of the plague imagery in his remake of Nosferatu.

References to the shroud in the Reuters article isn’t something you see used much in vampire movies. The most obvious one that comes to mind is The Vampire Lovers, with the unforgettable Ingrid Pitt.

Mention of the shroud reminds me of the band, The Shroud, who do a lovely cover of Alice, the Sisters of Mercy song.

Now, Alice sparks name recognition with my mate, Alice Henderson, who has just released what I believe is a pretty neat book called Voracious, given Alice is right at home camping out in all weather in the mountains, and her book draws heavily on that experience. That and the fact that she’s written Buffy books. Way cool.

All of which is a highly convoluted way of suggesting you check out Alice’s book. 🙂