Finally dragged my carcass down to the Emerging Writers Festival last night, thanks to Kirstyn being on a panel about speculative fiction and then the urging of EWF party animal Alex Adsett to see Not Your Nana’s Slide Night.
The panel went well if quietly, moderated by Rjurik Davidson with Alison Croggon (her Gift still ranks as one of my favourite fantasy books), Kirstyn and Paul Haines (his Last Days of Kali Yuga collection is out now, get it while you can because the publisher has folded*). There was talk of breaking taboos and other-worldly examinations of our own, and process. Apparently, Twitter commentaries are the new meter of popularity (?) for events: certainly, they illustrate how different people will home in on different things, and hear them differently.
The slide night at the Trades Hall, complete with bar, was a cracker. Nine writers talked to a series of 20 slides, each slide on screen for 20 seconds, and the diversity was wonderful and entertaining indeed. A dry-witted introduction to Scotland, a crayon-ish exploration of a small town devoted to museums (lost clothing, body discardations, bicycles in a bus masquerading as a museum of transport), a holiday in Barcelona bouncing off America’s Next Supermodel, Indian food, suggestions for what should’ve been Melbourne’s Fed Square, drawings from time spent in Asia… and so on. Some funny, some poignant, some informative: all entertaining. I mentioned there was a bar, didn’t I? A superb locus for the atmosphere of the event.
Folks we met were rapt in how egalitarian and warm the festival has been (it’s not over yet) and I saw plenty of evidence of that (good luck with that SF novel, Trish; with that creative writing course, James); I really must make the effort to get to more events next year and enjoy the bonhomie.
* There a reported 300 copies of Kali in the wild. Look to a bookstore near you. The good news is, for those with an e-reader, the book is available in e-format (Amazon, Smashwords, et al)! This is Haines’ third collection, it includes the awesome novella Wives and a despairingly good new yarn about a man on a bridge with a child. I thought I’d be able to flit through the collection quickly, having read his previous two, but his writing just won’t let you do that. You read one par, then two, and then you’re stuck, dragged into a very human story with just the right amount of fractured reality to entrance and bedevil.