Emilie Autumn is an amazing singer-songwriter who has turned dark times into performance; who has in fact built a fantastical persona and entertaining stage act under the asylum for wayward Victorian girls motif.
Her most recent album, Fight Like A Girl, took the bold step of turning institutionalisation into a musical where independence — girl power — wins out over patriarchal straight jackets. And more power to her. Such a themed, narrative album was to be applauded.
But it hasn’t translated to her latest Flag stage show, which doesn’t quite know what it wants to be. With a surprisingly unadorned stage compared to her previous — and sensational — visit to St KIlda’s Espy, with songs interrupted by burlesque, a quaint fan fic skit and the once amusing, now, quite frankly, past its time, rat game, in which offside Veronica pashes an audience member to give the crowd a lesbo thrill, the show lacked cohesion.
The sound wasn’t great, either, the whole gig set to a backing track that often overwhelmed the at-times patchy vocals.
There were highlights as songs such as ‘Fight Like a Girl’ blasted out, and signs of what the show could’ve been when the always entertaining Captain Maggot, under-used, stalked Emilie in demonic garb on stilts.
Emilie is perhaps trapped at the moment, between wanting to break out her artistic vision but feeling compelled to play to her fan base — there’s a great deal of audience support for the rat game, for instance. Will her fans go with her if she leaves the asylum? Will they accompany her on a journey past the dalliance with madness and teasing sexuality?
It will be interesting to see what direction Emilie takes next, but I hope the next stage show flies a different flag.