We managed to roll two other venues on Saturday — one before and one after. The first was Stacey Moll‘s ‘Frankenstein Atomic Frontier’ at wonderful comic shop Heroes HQ (darn, the latest Saga trade isn’t out yet) — I particularly like a gloomy alley shot of a woman with book, like an urban mage with grimoire. The second was ‘Silver’, by a collective of non-digital aficionados, which included some nice black-and-white industrial decay, hosted at Sebastiaans, the cafe, which included a pretty decent fisherman’s basket.
There are about 80 venues this year, many of them eateries — you could easily put together a food tour based on the exhibits.
My favourite so far, at the Mining Exchange: ‘Home by Nightfall’, an exquisite narrative of dust, sunlight and birds from Texan artist Angela Bacon-Kidwell, in which she reflects on her emotional journey during her father’s fatal illness. Also striking, some of the refugee photos from Maltese news photographer Darrin Zammit Lupi — incredible captures, brimming with emotion.
We moved to Ballarat in time for the previous biennale, and found it an intriguing way to explore the town. We hope to spend a few more days this time around. Sadly, we missed out on participating in the ‘Ballarat Through My Eyes’ contest, because it runs in the lead-up to the biennale itself. The event asks photographers to present photos in three categories taken in the Rat — bit of a treasure hunt! Maybe next time.
The biennale goes until 20 September 2015. Look for the biennale lens logo outside venues, or check the website for who’s got what. Amazingly, most of the exhibitions, as was the opening-night shindig, are free.