Awards and more book covers

Ticonderoga has released the book cover of its limited edition reprint of The Infernal by Kim Wilkins, her first novel and still one of my favourites.

Ticon has also recently made available two anthologies: Scary Kisses, involving paranormal romance, and Belong, speculative tales with a migration hook.

And in awards news, Jonathan Strahan, Justine Larbalestier (Liar) and Scott Westerfeld (Leviathan) are Aussies all in the running for Locus Awards. This follows the excellent news that Margo Lanagan is up for a Shirley Jackson award for her novella Sea-Hearts, published in X6.

Here’s a cool trailer for Scott’s Leviathan, a very fun take on the outbreak of World War I:

And one for Liar, a compelling if infuriating read!

And not to be overlooked is this new offering from Rowena Cory Daniells, a fancy trailer for her new (and much awaited) trilogy. Rowena has been a stalwart of the spec fic community in Queensland for many a year, helping to found both the Vision writing group (going strong) and the EnVision writers workshop (now defunct, but in a way living on in the Queensland Writers Centre’s year of the novel program): two things that have been of massive benefit to me as a budding author.

KRKhd from Daryl Lindquist on Vimeo.

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Addendum to books of 2009: The Infernal and Poppy Z Brite

The little bird twittering about a new release of Kim Wilkins’ debut novel The Infernal has come home to roost — at this online bookseller, to be precise, where you can order a limited edition, rather cool-sounding copy for the princely sum of $100.

At time of writing, the website is giving a percentage of sales to a Western Australia bushfire appeal.

lost souls by poppy z brite

To end the new year, I’m revisiting Lost Souls by Poppy Z Brite. She’s one of my favourite authors. I love her ability to inhabit her characters, to draw that shadowy, downcast world, and her depictions of beloved New Orleans. I’ve uploaded an interview conducted with Brite in 2005, just months before Hurricane Katrina devastated her home town.

I’ve been back to New Orleans twice since Katrina, and found the city tooled up for tourists, but Katrina’s bite is still deep and tenacious for residents, and Fema remains a dirty word.

Keep up to speed with Brite, and her engagement with her home town post-K, as she puts it, at her blog.

Meanwhile, Wilkins, another of my favourite authors, has just returned from a month’s research in England in pursuit of a tasty historical fantasy tale. Something to look forward to on the cusp of a new year.

Have a good one.

Books of 2009

Thank goodness for December. After a tumultuous 2009, it’s nice to have a month to draw breath in, to hunker down and finally get that heart massage I’ve been yearning for.

I owe Chuck McKenzie a favour for getting the ball rolling, passing around an email touting for stories. The anthology died shortly after conception, but it was the rare instance this year when, by the time I’d read the announcement, I had an idea for a story. Two, in fact. I took them both on long leads for a walk in the park, and by the time I was headed for home, had settled on the one I was going to write. I sat down at the keyboard and, naturally, wrote the other one. It’s still not quite finished, and needs a serious going over, and may never see the light of day. Thing is, it happened, it’s there. The wheels were in motion for the first time in far too long.

They’ve kept turning, too. The result is a file featuring a hodge podge of scenes, all as rough as guts, some contradictory, most muddled, but there’s a narrative in there somewhere. It’s slowly emerging out of the mist.

I don’t think it’s a coincidence that the words have started to come as I’ve finally got back into reading. Writing’s a machine: you need words in to get words out. That’s my assessment, anyway.

So what words? A few of us were yakking the other day about our best reads of the year, and I was struggling to recall what I’d read, particularly in the fractured, then limbo, period of the year. Mostly review books, I think. I guess there’s a reason I don’t remember them, but then, memory’s a tricky thing.

I do remember enjoying Glenda Larke’s The Last Stormlord, an engaging fantasy set in a beautifully realised world of desert, drought and political intrigue. Peter M Ball’s novella Horn, an urban noir featuring a murderous unicorn on the sleazy side of town, whetted the appetite for a sequel. Angry Robot offerings Slights by Kaaron Warren and Moxyland by Lauren Beukes were head and shoulders above their packmates.

rewired post-cyberpunk anthology

And then there was the back-catalogue stuff. A copy of Rewired: The Post-cyberpunk anthology proved enjoyable and wide-ranging, from post-apocalyptic (How We Got In Town and Out Again) to post-human (The Wedding Album), obtusely technical (Lobsters) to poetically obtuse (Thirteen Views of a Cardboard City, possible a view or two too many), and two close to my heart thanks to their Mississippi River settings, Calorie Man and Two Dreams on Trains.

A revisiting of Stephen King’s On Writing and Kim Wilkins’ The Infernal (every bit as good as I remember it; and due for a new release, I believe) preceded two visions of life after the apocalypse, sans zombies: Cormac McCarthy’s The Road and Margaret Atwood’s Oryx and Crake. I thoroughly enjoyed both of these science fiction novels, so beautifully told in both language and structure. I stumbled early on in The Road while I adapted to McCarthy’s degeneration of punctuation and assault with sentence fragments, helping to set his scene. The structure was very clever, a series of vignettes, Polaroids of memories, the order not always clear, his protagonists unnamed as they stumble their way through the blighted landscape, living off scavenged goods and in fear of cannibalistic gangs. A world where trust and compassion are casualties of the need for survival. The last scenes left me a little cold, but that might be my cynicism asserting itself. Atwood’s yarn, in which a race of gene-spliced humans have inherited the world, overseen by a wonderfully depicted, mundane narrator with the inside track on the apocalypse, proved compelling from go to whoa.

Films and TV

true blood dvd series

Not a good year for the moving picture in Jason-land this year, due to a protracted absence from attending either the big or small screen. The few new release movies I’ve seen just haven’t impressed. From the sofa, I’ve been enjoying revisiting Battlestar Galactica, and catching up with True Blood, Dexter, Being Human and Dead Set. I hope the new Sherlock Holmes movie might give the year a kick in the tail.

Gigs

In no particular order, this lot rocked: Nine Inch Nails, Gary Numan, Amanda Palmer, Jeff Martin, Emilie Autumn. At a local level, Sunas, Tycho Brahe, Felinedown, Bridget Handley, Dandelion Wine, Wendy Rule and The Wretched Villains made an impression on the synapses.

Two albums released this year remain on rotation here in the office: The White LiesTo Lose My Life and the Yeah Yeah Yeahs’ It’s Blitz!. My retro buy of the year was Beautiful Day by defunct Brisbane duo Stringmansassy: just gorgeous.