Continuum’s dark fairytale magic

vampire woman by victoria frances

Continuum is over, my throat is sore, I’m a little tired: standard convention hangover, then. Kirstyn has a new Chronos award — for Madigan Mine. There was much talk of vampires, fairytales and steampunk. A debate about the pros and cons of immortality…

In short, it was an excellent con, with long dinners and impromptu panels at the bar, great company, some slivers of inspiration amongst the panels. Catherynne M Valente was an amazingly giving and erudite and witty guest who cut a hell of a rug on the dancefloor. Her comments about reviewing, made during a Writer and the Critic podcast, are worth catching up with.

Two of the most affecting panels I attended were both, not surprisingly, darkly themed, and I’ll single them out from what was a very strong line-up.

The first was late on opening night, Friday, and involved the attraction between horror and beauty. Kyla Ward read a superb poem in her inimitable, theatrical fashion; Kirstyn read from her spooky-sexy short story ‘Monsters Among Us’; and Talie Helene lifted the roof with an acapella rendition of a ghost folk song. Discussion was informed and interested and on-topic and reluctant to stop.

The next morning, Talie and Kyla backed up on a dark poetry panel with Earl Livings and Danny Lovecraft. Kyla blew the room away with an excerpt from ‘The Raven’ and Talie pretty much felled anyone left standing with some truly wrenching World War I poems. Great stuff. And do note that P’rea Press is releasing a collection of Kyla’s poetry later this year!

In my absence, the last short story I had roaming in the wild found a home — very happy about that! — and Devil Dolls and Duplicates in Australian Horror received a fetching review. Add in a splendid night last night with friends from up north and the good time vibe has definitely lingered…

We’ve already bought our memberships for next year’s Continuum, which is the natcon and boasts the awesome paring of Kelly Link and Alison Goodman as guests of honour. And then there’s the bid from Canberra for the 2013 natcon (at Anzac weekend) and London’s push for the 2014 Worldcon … Let the good times roll!

Chronos winners

(the awards are for Victorian residents)
Best Long Fiction: Madigan Mine, Kirstyn McDermott (Pan MacMillan Australia)
Best Short Fiction: ‘Her Gallant Needs’, Paul Haines (Sprawl, Twelfth Planet Press)
Best Artwork: Australis Imaginarium cover, Shaun Tan (FableCroft Publishing)
Best Fan Writer: Alexandra Pierce
Best Fan Written Work: Review: The Secret Feminist Cabal by Helen Merrick, Alexandra Pierce
Best Fan Artwork: Continuum 6 props, Rachel Holkner
Best Fan Publication: Live Boxcutters Doctor Who at AussieCon IV, Josh Kinal and John Richards
Best Achievement: Programming at AussieCon IV, Sue Ann Barber and Grant Watson (lovely to hear these guys pay tribute to the non-Victorians who also contributed to the programming, an awesome effort all-round)

Note: the amazing Conquilt of signatures is up for grabs on eBay till 20 June.

Emerging Writers Festival: the fun ‘slide’ of writing

Finally dragged my carcass down to the Emerging Writers Festival last night, thanks to Kirstyn being on a panel about speculative fiction and then the urging of EWF party animal Alex Adsett to see Not Your Nana’s Slide Night.

The panel went well if quietly, moderated by Rjurik Davidson with Alison Croggon (her Gift still ranks as one of my favourite fantasy books), Kirstyn and Paul Haines (his Last Days of Kali Yuga collection is out now, get it while you can because the publisher has folded*). There was talk of breaking taboos and other-worldly examinations of our own, and process. Apparently, Twitter commentaries are the new meter of popularity (?) for events: certainly, they illustrate how different people will home in on different things, and hear them differently.

The slide night at the Trades Hall, complete with bar, was a cracker. Nine writers talked to a series of 20 slides, each slide on screen for 20 seconds, and the diversity was wonderful and entertaining indeed. A dry-witted introduction to Scotland, a crayon-ish exploration of a small town devoted to museums (lost clothing, body discardations, bicycles in a bus masquerading as a museum of transport), a holiday in Barcelona bouncing off America’s Next Supermodel, Indian food, suggestions for what should’ve been Melbourne’s Fed Square, drawings from time spent in Asia… and so on. Some funny, some poignant, some informative: all entertaining. I mentioned there was a bar, didn’t I? A superb locus for the atmosphere of the event.

Folks we met were rapt in how egalitarian and warm the festival has been (it’s not over yet) and I saw plenty of evidence of that (good luck with that SF novel, Trish; with that creative writing course, James); I really must make the effort to get to more events next year and enjoy the bonhomie.

Last Days of Kali Yuga by Paul Haines* There a reported 300 copies of Kali in the wild. Look to a bookstore near you. The good news is, for those with an e-reader, the book is available in e-format (Amazon, Smashwords, et al)! This is Haines’ third collection, it includes the awesome novella Wives and a despairingly good new yarn about a man on a bridge with a child. I thought I’d be able to flit through the collection quickly, having read his previous two, but his writing just won’t let you do that. You read one par, then two, and then you’re stuck, dragged into a very human story with just the right amount of fractured reality to entrance and bedevil.

Aurealis Awards celebration: a grand night

I’m home again after a flying visit to Sydney where the spec fic clan gathered at the Independent Theatre in North Sydney for the 2010 Aurealis Awards, recognising excellence in Aussie spec fic published last year.

There were some extremely strong fields with some diverse entries — on the home front, the good news is that Kirstyn’s Madigan Mine brought home the very attractive trophy for Best Horror Novel. The full list of winners is below. Other highlights included the special awards — the Peter McNamara Convenors Award to Helen Merrick and the (non-AA, Fantastic Queensland-sponsored) Kris Hembury encouragement award to Jodi Cleghorn (the driving force behind 100 Stories for Brisbane) — and a breakthrough SF Novel award for Marianne de Pierres. Rob Hood provided some wonderfully Pythonesque animations to introduce the sections and Garth Nix was a superbly dry-witted and engaging Master of Ceremonies.

Cat Sparks has put her photos from the night up onFlickr

There were several elements that really came together on the night. The first was that Rydges North Sydney, which served pretty much as the awards hotel, was on the same block as the theatre. The second was that the theatre was the right size for the crowd, who dressed up to make the occasion LOOK like an occasion, and that the bonhomie was fostered with a generous cocktail reception I believe largely thanks to sponsor HarperVoyager, who also provided novels in the awards bag. The third was the after party, first with another round of free drinks at the theatre, and then discounted basics at Rydges. The fourth was Rydges itself, where the staff were very accommodating indeed. The buffet breakfast went down a treat this morning, with a few of us lingering till the harried staff really DID have to change over for the lunch crowd. The awards themselves were handled efficiently and respectfully, and the organisers appreciated the fact that folks had come from across the country for this, so the chance to socialise was high on the agenda.

So, as 2 o’clock rolled around last night, the bar having been shut since midnight and the staff preparing the breakfast tables, we closed the curtains on a great night of meeting old friends and making new ones, which often entailed a Facebook face or Twitter name finally resolving in the flesh.

Great venue, deserving winners, awesome company. Well done, Sydney. Book me in for next year!

THE AUREALIS AWARD WINNERS FOR 2010

CHILDREN’S FICTION (told primarily through words)
The Keepers, Lian Tanner, Allen & nwin
CHILDREN’S FICTION (told primarily through pictures)
The Boy and the Toy, Sonya Hartnett (writer) & Lucia Masciullo (illustrator), Penguin Viking
YOUNG ADULT SHORT STORY
• A Thousand Flowers, Margo Lanagan, Zombies and Unicorns, Allen & Unwin
YOUNG ADULT NOVEL
Guardian of the Dead, Karen Healey, Allen & Unwin
BEST ILLUSTRATED BOOK/ GRAPHIC NOVEL
Changing Ways Book 1, Justin Randall, Gestalt Publishing
BEST COLLECTION
The Girl With No Hands, Angela Slatter, Ticonderoga Publications
BEST ANTHOLOGY
• Wings of Fire, edited by Jonathan Strahan and Marianne S. Jablon, Night Shade Books
HORROR SHORT STORY
• The Fear, Richard Harland, Macabre: A Journey Through Australia’s Darkest Fears,
Brimstone Press
HORROR NOVEL
Madigan Mine, Kirstyn McDermott, Pan Macmillan
FANTASY SHORT STORY (joint winners)
• The February Dragon, LL Hannett & Angela Slatter, Scary Kisses, Ticonderoga Publications
• Yowie, Thoraiya Dyer, Sprawl, Twelfth Planet Press
FANTASY NOVEL
Power and Majesty, Tansy Rayner Roberts, HarperVoyager (HarperCollins) [Tansy notably won a Ditmar with this novel earlier this year! I reviewed it here.]
SCIENCE FICTION SHORT STORY
• The Heart of a Mouse, K.J. Bishop, Subterranean Online (Winter 2010)
SCIENCE FICTION NOVEL
Transformation Space, Marianne de Pierres, Orbit (Hachette)
PETER MCNAMARA AWARD
• Helen Merrick

Australian Shadows announced

The Australian Shadows awards for best Australian horror of 2010 have been announced, and Kirstyn has landed a win for her short story ‘She Said’, published in Scenes from the Second Storey. Bob Franklin’s collection of short stories, Under Stones, won the long fiction category (collections are ranked with novels and novellas) and Macabre took out best edited publication, which includes anthologies and magazines. The awards are conducted by the Australian Horror Writers Association.

Kirstyn on the Stoker ballot! Oh how Macabre!

macabre an anthology of australian horror stories

The finalists for the Bram Stoker horror awards have been announced, and Kirstyn’s short story Monsters Among Us is on the list. As far as I know, the only other Aussie to make the final cut is the anthology Macabre, edited by Marty Young and Angela Challis, which includes Kirstyn’s story in its overview of the history of Australian horror short fiction. Both entries have come as a surprise: neither was on the preliminary ballot, but it seems the Stokers jury considered both worthy of consideration. It’s a big achievement for Aussies to get on to the US-based awards list: Huzzah!

The list is:

2010 FINAL STOKER NOMINEES

Superior Achievement in a NOVEL
HORNS by Joe Hill (William Morrow)
ROT AND RUIN by Jonathan Maberry (Simon & Schuster)
DEAD LOVE by Linda Watanabe McFerrin (Stone Bridge Press)
APOCALYPSE OF THE DEAD by Joe McKinney (Pinnacle)
DWELLER by Jeff Strand (Leisure/Dark Regions Press)
A DARK MATTER by Peter Straub (DoubleDay)

Superior Achievement in a FIRST NOVEL
BLACK AND ORANGE by Benjamin Kane Ethridge (Bad Moon Books)
A BOOK OF TONGUES by Gemma Files (Chizine Publications)
CASTLE OF LOS ANGELES by Lisa Morton (Gray Friar Press)
SPELLBENT by Lucy Snyder (Del Rey)

Superior Achievement in LONG FICTION
THE PAINTED DARKNESS by Brian James Freeman (Cemetery Dance)
DISSOLUTION by Lisa Mannetti (Deathwatch)
MONSTERS AMONG US by Kirstyn McDermott (Macabre: A Journey through Australia’s Darkest Fears)
THE SAMHANACH by Lisa Morton (Bad Moon Books)
INVISIBLE FENCES by Norman Prentiss (Cemetery Dance)

Superior Achievement in SHORT FICTION
RETURN TO MARIABRONN by Gary Braunbeck (Haunted Legends)
THE FOLDING MAN by Joe R. Lansdale (Haunted Legends)
1925: A FALL RIVER HALLOWEEN by Lisa Mannetti (Shroud Magazine #10)
IN THE MIDDLE OF POPLAR STREET by Nate Southard (Dead Set: A Zombie Anthology)
FINAL DRAFT by Mark W. Worthen (Horror Library IV)

Superior Achievement in an ANTHOLOGY
DARK FAITH edited by Maurice Broaddus and Jerry Gordon (Apex Publications)
HORROR LIBRARY IV edited by R.J. Cavender and, Boyd E. Harris (Cutting Block Press)
MACABRE: A JOURNEY THROUGH AUSTRALIA’S DARKEST FEARS edited by Angela Challis and Marty Young (Brimstone Press)
HAUNTED LEGENDS edited by Ellen Datlow and Nick Mamatas (Tor)
THE NEW DEAD edited by Christopher Golden (St. Martin’s Griffin)

Superior Achievement in a COLLECTION
OCCULTATION by Laird Barron (Night Shade Books)
BLOOD AND GRISTLE by Michael Louis Calvillo (Bad Moon Books)
FULL DARK, NO STARS by Stephen King (Simon and Schuster)
THE ONES THAT GOT AWAY by Stephen Graham Jones (Prime Books)
A HOST OF SHADOWS by Harry Shannon (Dark Regions Press)

Superior Achievement in NONFICTION
TO EACH THEIR DARKNESS by Gary A. Braunbeck (Apex Publications)
THE CONSPIRACY AGAINST THE HUMAN RACE by Thomas Ligotti (Hippocampus Press)
WANTED UNDEAD OR ALIVE by Jonathan Maberry and Janice Gable Bashman (Citadel)
LISTEN TO THE ECHOES: THE RAY BRADBURY INTERVIEWS by Sam Weller (Melville House Publications)

Superior Achievement in a POETRY collection
DARK MATTERS by Bruce Boston (Bad Moon Books)
WILD HUNT OF THE STARS by Ann K. Schwader (Sam’s Dot)
DIARY OF A GENTLEMAN DIABOLIST by Robin Spriggs (Anomalous Books)
VICIOUS ROMANTIC by Wrath James White (Bandersnatch Books)

Out and about

the darkness withinmadigan mine by kirstyn mcdermott

A couple of bookish outings coming up, with options for the signing of books and drinking of wine for those so inclined:

  • Kirstyn is lining up at the Wheeler Centre’s debut night on Monday, Oct 25: good fun to hear debut novellists read from their work and maybe grab a copy and have a chat over a drink afterwards;
  • We are both joining Bruce Kaplan, Alan Baxter, and Bob Franklin at a Halloween signing at Dymocks at Southland noon-1pm on Oct 31: grab a copy and/or get one signed, stay for a chat
  • Also, there’s a bit of pre-Halloween fun to be had at a trivia night in support of the excellent Continuum convention (next year, June 10-13).
    When: Saturday 30th October, 8pm
    Where: Brian Boru Function Room @ The Celtic Club
    316-320 Queen Street, Melbourne
    Cost of Entry: $5
    For more information or to RSVP send an email with the subject line
    ‘trick or trivia’ to events AT continuum.org.au
    Costumes optional but a prize for the best one will be awarded by the
    Headless Chair.
    Prizes also given out for arriving in a lucky manner!
    Many awesome raffle prizes!

    Brisbane Madigan Mine signing

    kirstyn reading from Scenes from the Second Storey at Aussiecon 4
    Kirstyn and I will be at Brisbane’s Pulp Fiction in Edward St from noon on Wednesday (Sept 15) where she will be signing Madigan Mine. She also has stories in the anthologies Macabre and Scenes from the Second Storey, both launched at this month’s Aussiecon4 (the World Science Fiction Convention). Please do pop in to say hello if you are able 🙂

    Madigan Mine: launched!

    kirstyn mcdermott at the launch of her novel madigan mine

    Madigan Mine has been officially launched! A most excellent crowd attended at Melbourne’s Carlton Library (three cheers for the brilliant staff) to see a metaphoric bottle of bubbles broken over the bow of Kirstyn McDermott’s debut novel. Lucy Sussex (who has her own launch coming up) did the honours, fitting the Melbourne-set thriller into the wider context of Australian Gothic and saying some very nice things about Kirstyn’s prose.

    It was grand to see such support for a local writer, with publisher Pan Macmillan sending representatives, including the artist who designed the superb cover.

    Kirstyn provides the author’s perspective of the event, and there are more pictures here.

    Lucy Sussex launches Madigan Mine

    Neuromancer, Henry and Madigan

    neuromancer by william gibsonHenry Hoey Hobsonmadigan mine by kirstyn mcdermott

    Something old, something new, something cool …

    Neuromancer, by William Gibson, blew my socks off when I first read it. It came out in 1984, helped forge the cyberpunk movement and threw a few words into our technical lexicon. It still rocks. A sweet moment: reading this masterpiece of cyber intrigue and corporate shenanigans with Billy Idol’s Cyberpunk album drowning out the worst of the commuting interference. I love Gibson’s style, his flawed characters, his requirement that the reader keep up, his depictions of cyberspace and razorgirls, the plot twists and stinging conclusion — all of it, really.

    Today I rolled another yarn, putting that commute to good use: a brand new story from Chris Bongers, a Brisbane writer who’s in the zone with her first book getting attention from the Children’s Book Council, and I wouldn’t be surprised if Henry Hoey Hobson does too. Chris sent it down as a nod, one I was proud to receive — it seems my penchant for using a coffin as an ice box at our Halloween parties has made an impression! In the Twilight age, it might be easy to think the Fright Night-style cover indicates yet another slipstreaming YA love-in-the-dark affair, but thankfully, it ain’t so. Chris grew up in the central west of Queensland and that dry, larrikin humour is tickling under the surface of this book, an affecting tale of a young fellah and his mum trying to cut it in the big smoke. It’s a yarn about family and fitting in and acceptance, the voice is spot-on, and the Addams Family elements made my day. The details of the Brisbane launch are here.

    Which leads me to the other big news: Lucy Sussex (who has her own book launch coming up soon as part of the Melbourne Writers Festival — details TBC) is to launch Kirstyn McDermott’s Madigan Mine at the Carlton Library on August 2 at 7pm. The book is now officially out. Do come along if you can and help make a night of it. More details here.