The Cult’s Choice of Weapon is bang on target

the cult album choice of weaponThe new album from The Cult, Choice of Weapon, is now on repeat in the office. It rocks. Oh my, how it rocks.

Ian Astbury and Billy Duffy have embraced their rock ‘n’ roll roots (even riffing off ‘She Sells Sanctuary‘) and delivered a punchy 10-track album. I haven’t had time to dissect it properly — lyrically, there’s plenty of the usual spiritualism and imagery, and I suspect some reflection on the shadowy side of celebrity and society — but it sure does chug along. The rhythm section is massive and Astbury gives his all on vocals.

Adding to the shiny is the packaging of the two-disc version: it’s a wee hardcover book packing an extra disc with four previously released EP tracks — absolutely brilliant presentation that makes the album a splendid artifact with lyrics and artwork.

Allmusic.com said ‘Choice of Weapon is the Cult’s finest moment in 23 years’ — read the full four-star review — and as much as I enjoyed Born Into This, it’s hard to disagree if it’s four-on-the-floor you’re after.

The track ‘Lucifer’ is currently available at the band’s website as a free download. Truly tempting!

  • An interview with Ian Astbury from 2007

  • Recent reading

    I’ve been trying to keep up with the pile of ‘to read’ books, and struggling. The pile never seems to go down! But here’s some recent ones I’ve ticked off:

    I finally got to Magic Dirt, a collection of shorts from over-achieving Australian Sean Williams. There are a bunch of lovely stories here, most with a preface from the author about how they came to be. Two of my favourites are ‘Passing the Bone’, a gorgeous take on the zombie story, and ‘White Christmas’, a very different approach to the apocalypse. There a goodly number of SF stories, some concerned with Williams’ ongoing fascination with the idea of just how humanity might cope with the distances of space, and other post-human conundrums, and one that isn’t spec fic at all.

    Note: There is also a superb Aussie rock band called Magic Dirt.

    And for something completely different, I rolled Rant, by Chuck Palahniuk. This was a delightfully quick read, the story of the eponymous Rant being told through the accounts of those around him, documentary style. It’s cleverly done and the characters are drawn with considerable relish and appeal, and I much enjoyed the dystopia that the alternative history provides with all its Ballard-lite car crashing and diurnal/nocturnal divide. I didn’t quite go for the final conceit of just what was happening here (it belongs to a certain plot device that I always have trouble getting my head around), but didn’t mind so much, the ride had been so enjoyable.

  • Check out Chuck’s writing tips
  • Over on the non-fiction shelf, there’s A Field Guide to Demons, Fairies, Fallen Angels and Other Subversive Spirits, by Carol and Dinah Mack. This survey of, well, the title says it all, really, was going pretty well as it discussed fey folk of water, mountain, forest and soforth. It sets out each entity by description, then a little story about them, and then a section on disarming and dispelling them: identify, case study, coping technique. But the guide loses traction with a few of its inclusions, the spirits being so specific (such as St Anthony’s demons) and so powerful (such as Kabhanda and several deities) that the guide’s ‘disarming and dispelling’ section is rendered irrelevant, there being neither disarming nor dispelling available (it might as well have been renamed ‘put your head between your legs and kiss your arse goodbye’). The inclusion of psychological entities such as Freud’s Id and Jung’s Shadow seemed a step too far. Still, as an introductory guide to mythology, not bad, and the introduction to the role of spirits within each domain gave cause for reflection.

    On a similar theme, there’s Anthony Finlay’s Demons: The Devil, Possession and Exorcism, the author being a former Catholic priest who offers up a history of Christianity’s relationship with Satan and his minions and the Church’s changing attitude to possession and Satan. It’s a good starting point for an overview of how Satan came to his position within Christian dogma, Finlay showing a lovely balance between logic and faith as he charts the course in conversational, approachable prose. There’s some discussion of the role of evil in the world and Christianity’s loss of ground to materialism and atheism and other alternative viewpoints. Finlay cites historic cases of possession, introduces pop culture portrayals through the likes of The Exorcist, but doesn’t reveal too much detail about his own experiences. I suspect this book is aimed at readers from within the Church, but I found the basic history and information to be thought-provoking.<p
    Here's a fitting sign-off: