Editor extraordinaire Ellen Datlow has released the LOOOOONG list — and it’s true to label, appearing in two pieces (Alexandra to Johnstone, Jones to Yolen) on her blog — to go with the short list of honourable mentions of short stories from 2012, anchored by her Best Horror of the Year Volume 5. The short list appears in the book; the long list doesn’t. Despite the collapse and sale of publisher Night Shade, the book’s listed as available on Amazon.
So why am I mentioning this? Because Datlow has seen fit to list three of my yarns in the long list — ‘The Kiss’ from Tales from the Bell Club, ‘Last Boat to Eden’ from Surviving the End, and ‘Breaking the Wire’, from Aurealis #47 — and ‘Eden’ made it through to the short list.
There is a whole posse of Aussie talent in the lists, and stories by Margo Lanagan and Terry Dowling made it into the collection.
To get a pat on the back from anyone is always a warm and fuzzy moment; to get it from someone with Datlow’s pedigree, and knowing just how widely she reads to compile these lists, well, that’s very nice indeed.
It’s especially cool to see ‘The Kiss’ get a mention: writing in the voice of a turn-of-the-last century Austrian suffragette was quite fun, and one of the first yarns I’ve written involving historical figures. If you go to the link above, you can read the little sucker in the ‘look inside’ feature!
Tales from the Bell Club
, an anthology of ghastly and gloomy fiction set around the turn of the 20th century and edited by Paul Mannering, is now available as an Amazon download. A print version is to follow. I’ve mentioned the table of contents and the process
behind my story ‘The Kiss’ previously. If you’re curious, the yarn is actually readable in its entirety as part of the Amazon book sample
. Please enjoy.
UPDATE: Print edition is now available right here right now, and will be available from Amazon (US$14.99).
I’ve only just stumbled across the table of contents for Tales from the Bell Club
(edited by Paul Mannering for KnightWatch Press), in which I’ve managed to place a story entitled ‘The Kiss’.
It was one of those yarns that popped up out of the ether, a happy collision between a visit to the gallery to see an exhibition about the Secessionist painters of early 20th century Vienna and the announcement of the anthology. In particular, a painting of Count Verona by Oskar Kokoschka and the unavoidable if enigmatic presence of Emilie Floge. It took a while to get this one to come together; I was dreading trying to reconfigure it if it missed the mark for the Bell Club. I realise now that, with last year’s riff on the disappearance of Harold Holt, I’ve definitely joined the ranks of alternative history; bless you, Emilie Floge, and your crazy band of artists! It will be interesting to see who else is rubbing shoulders in the Bell Club halls…
Count Verona, 1910
The Adventure of the Laboratory – Kathleen Brandt
Tell Tom Tildrum – Edward M. Erdelac
The Quarrantine Station – Lee Zumpe
A Gentleman’s Folly – Phil Hickes
The Kiss – Jason Nahrung
Divine Providence – Robert J. Santa
The Widow Dotridge – Jason D. Moore
Spawn Of The Crocodile God – John McNee
Life and Limb – Andrew Freudenberg
The Girl In The Cabin – Richard Barnes
The Wager – Jeff C. Carter
Sayuri’s Revenge – Helen Stubbs
Fluke (originally: untitled) – Lynne Jamneck
The Shrieking Woman – Doug Manllen