13 songs, covered darkly

A recent blog post from Mil about Brisbane band The Horse Darkly led to this sweet cover of Suzanne Vega’s Luka, which got me thinking about other neat cover songs. I’ve got a bit of a love-hate relationship with these critters: sometimes they can make you look at a song in a totally different light, sometimes they seem to pay true homage, and other times they just suck.

Here are 13 darkly tinged standouts:

Nine Inch Nails, Dead Souls (Joy Division): if you’re gonna cover JD, you’ve gotta do it with soul, and Trent Reznor amps it up in this whiz cover from The Crow soundtrack.

And the original! (amazing, isn’t it, how majesty can surpass such poor vision and sound…)

Concrete Blonde, Everybody Knows (Leonard Cohen): a gorgeous song gains from Johnette Napolitano’s smoky voice and Jim Mankey’s guitar. See also the band’s cover of Bob Dylan’s Twist of Faith. Johnette offers two superb covers (of The Scientist and All Tomorrow’s Parties) on her solo album, Scarred.

Inkubus Sukkubus, Paint It Black (Rolling Stones): witchy Gothic synth-rock puts a new shade on the Stones’ ode to depression.

The Shroud, Alice (Sisters of Mercy): Goth band covers Goth band, with strings!

Marilyn Manson, Sweet Dreams (Eurythmics): take a great pop song and cast it darkly — it’s a tactic that works well for Manson, who has also done the business on Tainted Love.

Type O Negative, Summer Breeze (Seals and Crofts): another Gothic take on an otherwise breezy little ditty.

Johnny Cash, Hurt (Nine Inch Nails): Cash puts his own crown of shit on the NIN tune. He repeats the dose on Depeche Mode’s Personal Jesus.

Rammstein, Stripped (Depeche Mode): Want to put a Germanic twist on the DM classic? Just add drums and guitars. Loud ones.