MARIA LEWIS is an authority on film and pop culture. Currently a showbusiness reporter at The Daily Mail Australia, she has also written her debut novel Who’s Afraid? which is represented by the Alex Adsett Literary Agency. She currently hosts Gaggle Of Geeks and TV Talk on 2SER 107.3FM. You can visit her website at marialewis.com.au
1. What led you to get involved in pop culture podcasting, and what have you enjoyed most about doing them?
The great thing about podcasting is no matter how specific or weird your niche, there’s always an audience for it. For my co-host Blake Howard and I, we would have these hour-long rambling conversations about new releases that would lead into vintage film comparisons and weird trivia inserts, and it occurred to us one day that we should record it. Pod Save Our Screen is less a movie review show – although we do review weekly releases – and more a pop culture lifestyle podcast, where we talk comics, movies news, share anecdotes about celebrity encounters and relevant interviews. The strange, specific places we go to is what I love about it and it’s the same thing that has seen me fall for Kevin Smith’s Fatman On Batman (a weekly podcast about The Dark Knight) and The Ladyist (where females discuss female centric pop culture). I also love the opportunities we’ve had to do it in a live setting, like when we got to pick the brain of Star Wars and Alien concept artist Ron Cobb – who conveniently lived just around the corner – in front of a packed cinema, which was a dream come true.
2. How has your journalism experience affected or influenced your creative work?
It’s influenced every aspect, undoubtedly. Mostly I think being a professional journalist for almost a decade has trained me to be an aggressive researcher (HULK GOOGLE!). An internet search is never sufficient enough and knowing that there are other routes to take – randomly calling professors, hunting down people on social media, face-to-face interviews, going through public records – helps inform my writing in a way that it wouldn’t necessarily if I didn’t come from a press background. Also, I’ve mentioned this before, but it really does make you grow ladyballs and teach you to be fearless in terms of hunting down the story – which is endlessly helpful when trying to construct a world of your own.
3. You have an agent shopping around your debut novel, Who’s Afraid?, about werewolves. What is the attraction or theme or shapechangers that attracted you to write this story?
I’ve always been fascinated by werewolves as I grew up in a small town in New Zealand where you were able to see snow-capped mountains from the windows, and my grandfather used to tell me werewolf tales at night when he put me to be. So really it’s his fault I’ve developed this weird obsession. But much as the idea of two identities existing within the same person has fascinated me in the superhero universe with secret identities and pseudonyms, etc.; the darker side of that coin always seemed much more interesting. The idea that someone could exist with a monster inside of them (metaphorical or otherwise) and how they can either learn to embrace or control that is infinitely fascinating to me. It’s Dr Jekyll and Mr Hyde syndrome.
4. What Australian works have you loved recently?
I have loved Michael Adams‘ young adult series (The Last Girl) even though I’m technically too old to be in the target market (don’t judge me). It’s one of the rare high-concept stories that I’ve read which is actually set in Australia, the last probably being the Tomorrow, When The War Began series (by John Marsden). He’s a brilliant writer and has a great female voice. I loved his first book Showgirls, Teen Wolves And Astro Zombies: One Man’s Quest To Find The Worst Film Ever Made and it’s interesting to see the transition from his non-fiction work to something like The Last Girl and The Last Shot.
5. Have recent changes in the publishing industry influenced the way you work? What do you think you will be publishing/writing/reading in five years from now?
Not for me personally. There seems to be a strong need from publishers to constantly tell you that ‘it’s all about E and not about P’ which although I think there has been a significant growth in e-publishing, print will ever be defunct. I also don’t understand this obsession with one or the other. Like the girl in the Old El Paso add says, why not both? I still buy books, I still love the feel of a book in my hand and building a personal library, but there’s a beauty to the convenience of an e-reader that can’t be beat. It doesn’t bother me whether people are turning the page or an ‘on’ switch, as long as people are still reading stories, still engaging in make-believe, I don’t care how they do it.
In five years… what will I be reading? I’m a genre loyalist, and I have always grown up on and read horror, fantasy and urban fantasy titles. I don’t see my love of that changing anytime soon. In the same way Game of Thrones and The Hunger Games have brought a lot of first-time genre readers into the equation, I’ve been reading a lot more crime purely thanks to novels like Gone Girl and Jeffrey Deaver’s return with The Skin Collector drawing me in. I’m not a genre snob, I just trot over to wherever there’s a tale that intrigues me: whether that’s Pride and Prejudice or Pride, Prejudice and Zombies.
THIS interview was conducted as part of the 2014 Snapshot of Australian speculative fiction. We’re blogging interviews from 28 July to 10 August and archiving them at SF Signal. You can read interviews at:
- Tsana Dolichva
- Nick Evans
- Stephanie Gunn
- Kathryn Linge
- Elanor Matton-Johnson
- David McDonald
- Helen Merrick
- Ben Payne
- Alex Pierce
- Tansy Rayner Roberts
- Helen Stubbs
- Katharine Stubbs
- Tehani Wessely
- Sean Wright