Hot on the heels of Penguin’s new open door program, British press Angry Robot is again appealing to unagented authors — they signed three debut novelists from last year’s program — but this time are being quite specific about what they want: classic fantasy and YA SF and fantasy. The submission period is April 16-30 using a website uploader. Details are here.
Parkes laments what is essentially a globalisation of literature in which novels provide no authentic sense of place at all, but are instead tailored to a global market by dealing with ‘universal’ – read: more widely marketable and international prizewinning – themes.
This is partly why I took up the pen with a view to being published — to see my country, my culture, reflected in the types of stories that I like to read. It’s heartening to see authors such as Trent Jamieson able to set their fiction in Brisbane — Brisbane! — and still find not only a wider audience, but an overseas publisher willing to run with it. It’s pleasing to see someone send some Aussie sensibility across the water, rather than regurgitating a trope-laden backdrop of New York or London.
It’s not just eucalyptus trees (hey, they have plenty in California, anyway) — it’s viewpoint. It’s attitude. It’s how we see the world. Sharing these things is how we help us all to understand each other — not just the different priorities or approaches we might take, but also the similarities: parents what a better world for their children, for instance. Language plays an incredibly powerful part in informing culture, and where else to find its evolution than in literature?
Parkes is talking about more than setting: he’s talking about themes and those, he suggests, can be culturally specific and deserve attention. Sure, though I’m not convinced that domestic themes don’t have wider resonance.
Australia doesn’t have the history of European countries in dealing with certain social ills, for instance — no civil war, no religious schisms — but the social history of those events can still impact on us; we can see movements here, we can relate to the humanity of the issue, we can learn a lesson.
And I wouldn’t be so quick to dismiss universal themes. Harking back to Australia Day, is the Australian experience of colonialism, from invader or invaded viewpoint, any different to that of Canada or South Africa? How? What does it do to us? Perhaps a culture’s, or a subculture’s, response to those universal themes is equally important as those purely domestic discussions (assuming they exist).