Ticonderoga Publications has released the table of contents for The Year’s Best Australian Fantasy and Horror Vol 3 (2012), edited by Liz Grzyb and Talie Helene, and I’m stoked to say that my ‘The Last Boat to Eden’, published in the recent Shadows award-winning Surviving the End, has been included.
The ‘best of’ series is a wonderful snapshot of Aussie horror and fantasy. It is due to arrive in July, and is available for pre-order.
The contents are:
In this standalone fantasy, Glenda Larke shows the world building, characterisation and thematic grist that make her one of my favourite fantasy writers.
Larke has made Havenstar, originally published by Virgin Books in the UK in 1999 under the name of Glenda Noramly, available as an e-book, and the book will get the full treatment from Ticonderoga Publications in May.
Havenstar is notable for its imaginative setting: islands of stability set in an ever changing wilderness ruled by chaos, the result of a massive battle a thousand years ago that, meteorite-like, changed the face of the planet. Now the god of chaos, a cruel spirit indeed, rules the wastes, threatening to destroy those few outposts of order.
The islands are held together by strict social order overseen by a priesthood and their devotions to structure, but of course there is corruption and jealousy.
Larke isn’t much of one for patriarchy and blind adherence, and so her heroes are questioners and adventurers who look past the strictures for the truth between the lines. There is an almost Biblical undertone as the spirit of chaos offers temptations to those in the wilderness, for the price of a soul and a type of damnation: for some, the price is worth it; others are more ruthlessly afflicted and victimised.
More about Glenda Larke in last year’s snapshot
The magic system is, typically for Larke, imaginative and logical, using a type of ley line as a key element, and showing the power of knowledge and even art (the trompleri maps here are perhaps an early template for the magical paintings used in the Watergivers series).
Mapmaker Keris finds herself on the road with a wonderfully eclectic mix of fellow travellers making the pilgrimage among the stabilities, and braving the dangers of chaos along the way.
It’s a superbly drawn world, complex but simply explained without recourse to massive info dumps — so enjoyable to learn about a world through the interactions of the characters rather than slabs of data.
Each chapter is headed by an excerpt from the holy writings, lending some sense of history — the teachings are relevant to the story, although elements of prophecy I probably could’ve done without given their absence of much mystery, though I have to admit, what’s a holy book without some kind of prophecy about the end of days or the better times ahead? Carrot and stick, carrot and stick … and a little tension, too.
The characters carry this story, whether Keris’s guilt over abandoning her family to pursue her own happiness, or her love interest’s tragic past with all the weight and darkness it brings, or the driven, blind visionary who has his own agenda.
One of the themes of the story is the debate between law and chaos, restraint and free rein, and both are presented in shades of grey.
The e-book has been given a light revisit by the author, and could’ve used another proofread, but it is a striking debut, well worth the downloading for lovers of intelligent and beautifully realised fantasy.
The New South Wales Writers Centre has released the program for its one-day festival of speculative fiction, curated by Kate Forsyth, and it’s a doozy.
The guest list includes Garth Nix, Marianne de Pierres, John Flanagan, Ian Irvine, Sophie Masson, Kim Wilkins … and more! Russell B Farr is launching a new collection by Juliet Marillier. There are publishers (Random House, Momentum, Ticonderoga and Chimaera, to name a few) talking about getting published, and publishing yourself. That’s a hell of a lot of industry muscle for $80 (non-members).
And yes, a few of us are talking about weird and dark fiction, too.
The festival is on March 16, starting at 10am, with drinks on the verandah at 5pm to wind down. Sounds lovely, doesn’t it!
Pleasing to see Aussie writers make the cut on Locus magazine’s recommended spec fic reads of 2012.
Some that my eye found were Kaaron Warren and Margo Lanagan for Twelfth Planet Press yarns, and Margo for Sea Hearts and her collection Cracklescape as well, and the Slatter/Hannett Midnight and Moonshine collection — doubly great to see a small presses from Down Under making an impression — and Sean McMullen and Terry Dowling and Anna Tambour and Greg Egan, and editors Amanda Pillar (Ishtar) and Jonathan Strahan (three books!).
Oh dear. This is what happens when you try to out-lord Lord of the Rings with a much simpler, shorter tale. The Hobbit has gone from a journey into maturity for young Bilbo, to a rip-snorting adventure with set pieces more at home on a Disney ride. Orcs! Goblins! Revenge!
Admittedly, all the over-the-top derring do does help the almost three hours of movie pass more quickly than it feels, although it remains a tedious affair devoid of the warmth and suspense that the original three of Peter Jackson’s franchise mustered so very well.
I lost count of the wonderful hair-dos sported by the dwarves. Was mildly glazed by the repetition of events from the other movies, such as summoning eagles with a whisper to a moth or an outstretched hand winning the ring toss. Was bemused by the lack of continuity of events in the Shire as depicted in Fellowship.
And overall just a bit saddened that, to win the respect of his travelling companions, it wasn’t enough for Bilbo to be courageous and clever, but he had to kill something, too.
Hobbit wasn’t a bad movie, just a dull one, with music, sound effects and scenery among the highlights. It finally found some emotional resonance with the interplay between Gollum and Bilbo, too little, too late.
Where LOTR had me lining up for the DVDs — indeed, we just watched the extended versions again, a form of cleansing, perhaps — I won’t be dashing out for the Hobbit, and more’s the pity.
So we’re back home, and now that the work has been caught up on — well, kind of — it’s worth reflecting on the good oil that came from GenreCon in Sydney this weekend.
Twas an intimate gathering of writers from across the spectrum of crime, romance and spec fic — a melding of minds, techniques, loves and aspirations. And there were agents and publishers (Hachette, HarperVoyager, Momentum, Xoum, Clan Destine, Dark Prints … to name a few) with an interest in those genres. There were international guests Ginger Clark and Sarah Wendell and Joe Abercrombie:
Ginger let us know about the tough times in publishing and how agents are stepping up to fill the gaps left by publishers, in terms of editing, marketing, production … the line is blurring, the publishers cash-strapped and unable to offer the full suite of resources that has, in the past, made them such a powerful cog in the publishing wheel.
Sarah addressed author platform — the pros and cons of various social media, the importance of politeness — be a person, she said; converse, don’t declare.
And Joe: he’s a damn funny, easy-going fantasy writer who seems just a touch bemused to be selling oodles, but highly appreciative, to be sure. It’s all about getting down and dirty with the characters for him; gritty realism over shiny heroics, though he admits there’s room for both, and more, in fantasy’s huge field.
There was pitching for those with something to pitch — a 70 per cent hit rate for call backs shows some serious quality in the offing, and of the 30 per cent that dipped out, there was a praise for the pitch, even if the actual book didn’t hit that particular agent or publisher’s want list.
The panels were compelling, ranging from industry to craft to workshop topics — Peter M Ball’s business model for writers gave me pause for thought.
LA Larkin described plot as skeleton, characters as flesh and mood as blood: I like that, as you might expect.
There was an awesome debate between planners and pantsers: there was a symbolic glass of water, and a smooch, some of the best insults since Monty Python …
There was catching up and meeting social media pals, making some new friendships and reinforcing some existing ones. It was relaxed but draining. There was morning and afternoon tea and lunch as well, all of which enhanced the social aspect of the event.
As usual with conventions, the hotel didn’t quite come to grips with the bar situation, but the staff were wonderful and, from this outsiders’ viewpoint, apart from the race day madness in the bar, all went to plan.
Martin Livings launched his collection, Living with the Dead, as part of an Australian Horror Writers Association presentation, one of four by various genre groups.
The opening night cocktail party was a hoot of an ice breaker, and it sounded as if we’d missed out by skipping the banquet and a presentation of romance titles, one featuring a platypus that created quite the stir.
The good news: plans are afoot for GenreCon 2013, to be held in Brisbane. The calendar is richer for it.
GenreCon has just put its program online, and — ARGH! — I need two of me. Maybe three.
This program really pops my cork: writing stuff such as ‘how to’, villains, and subtext, and then there’s industry stuff like finding the right publisher and life without advances. It’s very cool to see Romance Writers, Sisters in Crime, Conflux and the horror writers hosting ‘community’ events. I keep hearing how damn professional and, ahem, well-oiled a convention machine the RWA is, so it will be great to get an insight into that, and with Conflux hosting the natcon next year (yep, already booked), the timing is right to fly the F&SF flag.
Bottom line, though, is the number of experienced writers, publishers and agents on the program. For an emerging writer such as myself, the osmosis learning will be in overdrive. This is going to be a hoot!
I’m also quite looking forward to publicly picking the brains of Joe Abercrombie at our ‘in conversation’, and talking ‘setting the mood’ in a session on the Sunday. But damn, there’s good stuff on then, too! Too much!
‘Oracle of Azura’ by Gail Collins
‘Garden of the Two Moons’ by Caz McDougall
‘The Blood Stones of Poora Singh’ by Annie Higgins
Four years after conception, the Secret Gardens project is finally about to be unveiled in Brisbane.
Three artists from northern New South Wales – Gail Collins, Annie Higgins and Caz McDougall – have been inspired to translate Australian fantasy stories onto canvas.
Books by Kim Wilkins, Paul Brandon, Louise Cusack, Karen Brooks, Melaina Faranda, Alison Goodman, Cecilia Dart Thornton, Kim Falconer, Anita Bell, Caiseal Mor, Annie’s husband Simon Higgins and yours truly (The Darkness Within, Annie tells me, but no sneak peek!) have been given the treatment – some more than once.
The trio didn’t stop there, though. As well as contributing six paintings inspired by published works, each has painted their own fantasy landscape, pictured above. They are running a short story contest to coincide with the exhibition, in which they invite short stories to 500 words based on one of the three paintings. The prize is a limited edition print of the painting. The contest closes on August 30 and is free; you can enter by email.
Secret Gardens shows at Jugglers Art Space, 103 Brunswick St, Fortitude Valley, Brisbane from September 26 to October 2, with a grand opening night on Friday September 28 from 6pm. I can’t wait to see what these three have cooked up.
An Aussie voicing Judge Dredd: that’s pretty cool. Alan Baxter reports there’s a new mobile phone game set in the world of Judge Dredd, with the said judge voiced by Kevin Powe, a Melbourne actor I’ve had the good fortune to run into in bars (as you do). Better than Sly? You can be the judge of that.
Have you been following the Wonder Women Are blog posts over at Tansy’s place? Delightful overviews of various star women characters in the comics world. The focus has been on DC and Marvel, with this week dedicated to the Bat-family. As a one-time massive buyer of Batman comics, it’s been great to see not only how stories have progressed and been reinvented, but how the comics honchos have moved with the times … or not. I may even have to make some further investments for the collection. Outside of Batman, two of my favourite titles back in the day were Kabuki and Shi: I wonder how they hold up today? Hm, I know they’re here somewhere…
Lauren Beukes is looking like being one of those authors I just have to follow. I read the first chapter of her second novel, Zoo City, today over lunch, and within those few pages, however badly hyphenated on my Kindle app, despite having to read the very first line twice, I was:
Mission accomplished, then. Unless the book takes a swerve into Stupid, I’m on board. I greatly enjoyed her Moxyland, a multiple point-of-view thrill ride. I can’t wait to see where Zoo City takes me.