Which tells me a few things. 1, if you keep at it, if the chips fall the right way, someone may eventually like your stuff; and 2, it’s worth going with a publisher who will champion your story and get it out there where folks might actually see it. That means copping the costs, and spending the time in research and postage, of getting it out to awards and quality review sites. Not easy for a small press, so I tips me lid to Tehani at FableCroft for not just publishing ‘Mornington Ride’, but getting it out there.
It’s the first of my short stories to garner an award nomination, and the first to win one: the Chronos, in both instances. This new pat on the back is the cream.
The award is announced in December ; here’s the full list of finalists. I’m still pinching myself.
‘Astrophilia’ by Carrie Vaughn, published in Clarkesworld Magazine, edited by Neil Clarke (July 2012).
‘The Bookmaking Habits of Select Species’ by Ken Liu, published in Lightspeed Magazine, edited by John Joseph Adams (August 2012).
‘Bottled Spirits’ by Pamela K. Kinney, published in Buzzy Mag, edited by Laura Anne Gilman (June, 2012).
‘Coca Xocolatl’ by Lawrence M. Schoen, published in ReDeus: Divine Tales, edited by Robert Greenberger and Aaron Rosenberg (Crazy Eight Press 2012).
‘Good Hunting’ by Ken Liu, published in Strange Horizons, edited by Brit Mandelo (October 2012).
‘Mornington Ride’ by Jason Nahrung, published in Epilogue, edited by Tehani Wessely (Fablecroft Publishing June 2012).
‘The Six Million Dollar Mermaid’ by Hildy Silverman, published in Mermaids 13: Tales from the Sea, edited by John L. French (Padwolf Publishing Inc. December 2012)
Just a wee note to say, yay, ‘Mornington Ride’ from Epilogue and ‘Breaking the Wire’ from Aurealis #47 have been included in the recommended reading list from Ticonderoga Publications’ forthcoming Year’s Best Australian Fantasy and Horror 2012. ‘Last Boat to Eden’, from Surviving the End, is included in the volume (I blogged the full contents of this packed volume here). My ego aside, it’s a good place to start if you’re looking to take the pulse of short Aussie dark fiction. The book is available for pre-order.
Home again, and happy to say, there is new, somewhat unexpected shiny on the shelf. Salvage won for best novel and ‘Mornington Ride’, from Epilogue, won best short story – the first time one of my shorts has been nominated for an award. Bonus: the actual trophy is very neat, complete with kind of fun typos for those who care to look closely.
Awards aside, Continuum came along at just the right time — the sun’s been hard to find over Wendouree Tor for a few days now, but there was plenty of warmth at Con9.
It was a very busy con, lucky to have knowledgable and personable guests of honour in NK Jemisin (her excellent, challenging guest of honour speech is here) and Paul Collins, and it reminded me yet again just what a sharing, caring, passionate community we have here in spec fic-dom. Good friends are hard to find, the saying goes, but obviously not harking from someone who’s been to a con.
Next year’s Continuum is June 6-9, with Jim C Hines and Ambelin Kwaymullina as guests of honour. I’ve already bought my membership.
Nice, to have three Chronos awards nominations. Very nice indeed: for Salvage, ‘Mornington Ride’ (from Epilogue, from which Steve Cameron‘s story has also been nominated) in short fiction, and for ‘best fan writer’ (there are six of us, all pals, including Mr Cameron again!).
Salvage is nominated for ‘best long fiction’, a funny old field, all horror stories (!), that includes my novella, a collection (by Felicity Dowker), a novel (by Narelle Harris) and an anthology (Ticonderoga’s Year’s Best).
And adding to those is the nomination of the Snapshot interview series, in which I played a part, for ‘best fan achievement’.
It’s always warming to have one’s work recognised, and the Chronos comes from fandom, so: readers, as well as writers, making it doubly sweet.
The field might be smaller than last year but it’s packing some punch. Voting is underway, and winners will be announced at Continuum in June. The convention is looking like being quite a hoot.
Speaking of awards, the NSW organisers of the Aurealis Awards have announced this year’s ceremony will be the end of their involvement. SpecFaction have done a brilliant job of organising the awards and holding the ceremony. It can only be hoped another group of hardy volunteers will arise to take on the challenge, and make no mistake, it is challenging: not just running the actual awards, but trying to find sponsors and venues for the ceremony as well. The awards are one of my favourite events of the year, a grand, relaxed catch-up as well as a chance to see some brilliantly talented pals recognised and discover new talent, too. This year’s ceremony is on May 18, with Scott Westerfeld as MC. Come join the party!
I haven’t had time to read the yarns yet — and it would probably be gauche for me to comment on them, given I’m a contributor — but I have to say, Craig Bezant’s Dark Prints Press has done a beautiful job on Surviving the End: an anthology of post-apocalypse stories. Craig’s linked the yarns with his own narrative. It *feels* great and looks great. Aussie small press are certainly rising to the occasion. The anthology is now available in print and e-version — the Jonathan Maberry story is available only in the print edition. (An aside: Mr Maberry is joining Ramsey Campbell and Caitlín R. Kiernan as author guests at next year’s World Horror Convention in that heart of hearts, New Orleans… oooh.)
Here’s the contributor list:
‘Hiatus’ by Michael Bailey
‘The Long Ago’ by Amanda J Spedding
‘The Last Boat to Eden’ by Jason Nahrung
‘Harvest’ by Ashlee Scheuerman
‘Unwanted’ by Martin Livings
‘The Stuff of Stories’ by Kathryn Hore
‘The Failing Flesh’ by Joseph D’Lacey
‘The Wind Through the Fence’ by Jonathan Maberry (print edition only)
With narrative interludes by the ‘Story Keeper’, Craig Bezant
NOT to be outdone is Epilogue, Fablecroft’s anthology of hopeful post-apocalyptic stories which arrived TODAY! Editor Tehani Wessely has presented such a pleasant tactile end to the world with its striking cover and intriguing binary code symbolism.
‘Sleeping Beauty’ by Thoraiya Dyer
‘Time and tide’ by Lyn Battersby
‘A Memory Trapped in Light’ by Joanne Anderton
‘Fireflies’ by Steve Cameron
‘The Fletcher Test’ by Dirk Flinthart
‘Ghosts’ by Stephanie Gunn
‘Sleepers’ by Kaia Landelius
‘Solitary’ by Dave Luckett
‘Cold Comfort’ by David McDonald
‘Mornington Ride’ by Jason Nahrung
‘Only the Books Survive’ by Tansy Rayner Roberts
‘The Last Good Town’ by Elizabeth Tan
Epilogue is being given away at Goodreads until 8 June.
FableCroft has opened pre-orders on Epilogue, an anthology of stories about finding hope in the aftermath of the apocalypse. It’s exciting to read that the anthology is to be launched at Continuum in June, where Twelfth Planet Press should also be letting my Australian Gothic Salvage loose on the public as well.
There are some old hands and new chums in the table of contents of Epilogue, which should make for some interesting and perhaps atypical reading for stories in this setting. Epilogue costs $20 including postage.
Also worth pointing out is that FableCroft has put After the Rain on special for $15 inc postage; it includes my cyberpunk yarn ‘Wet Work’.
And here’s a clue to one of the themes of my ‘Epilogue’ story, ‘Mornington Ride’:
A little while ago, writer and reviewer Thoraiya Dyer said that one day I might provide her with a glimmer of hope in a short story, and I said, much chuffed with her review, that I was working on it and the jury was still out. Well, the jury has returned its verdict, and I’m pleased to say, it’s guilty. ‘Mornington Ride’ has found a home in the FableCroft anthology Epilogue, the theme of which is hope after the apocalypse (it’s original working title was, in fact, Apocalypse Hope). I think ‘a glimmer of hope’ sums up my yarn well. The icing on the cake is that Thoraiya has a story in the anthology as well!
Here is the table of contents:
‘Time and Tide’, Lyn Battersby
‘Fireflies’, Steve Cameron
‘Sleeping Beauty’, Thoraiya Dyer
‘The Fletcher Test’, Dirk Flinthart
‘Ghosts’, Stephanie Gunn
‘Sleepers’, Kaia Landelius
‘Solitary’, Dave Luckett
‘Losses Beyond the Kill Point’, Kathleen Martin
‘Cold Comfort’, David McDonald
‘Mornington Ride’, Jason Nahrung
‘The Last Good Town’, Elizabeth Tan
[Edit: due to my botching the WordPress publishing feature, this post originally appeared with a too-early date stamp.]