In Your Face, an anthology of confronting speculative fiction from FableCroft Publishing, will soon be in the wild (next month!)! This volume contains 22 stories from some of Australia’s biggest hitters in the genre (Sean Williams, Kaaron Warren, Angela Slatter and more!), as well as some lesser known writers such as myself, and they’re packing a punch.
Says a review in Aurealis, “some of these stories are confronting, even shocking in the subjects they tackle head-on … In Your Face is a truly rewarding and affecting experience”.
My yarn, A House in the Blue, is a reaction to the shitful health policies championed by the thankfully dead Abbott government (we note the Turnbull government’s similarity to its predecessor) and is no doubt all too familiar to readers in the United States. It is set in the climate-change affected future Brisbane introduced in 2014’s Watermarks. The sad thing about my story is that I think I’ve underplayed the situation, but I guess only time will tell.
There is a Goodreads contest running until June 30 offering a free copy, or you can read more here (or preorder at the online bookstore of your choice, pretty much). The countdown continues!
I feel kind of sorry for Paroxysm Press. Imagine, if you will, sending out contributor copies to all these:
B. Michael Radburn
Matthew R. Davis
Ian C. Smith
Frank J. Collins
Sean King (Cover Artist)
Greg Rich (Interior Artist)
Stephen Studach (Editor)
Because that’s what they’re doing, now that 100 Lightnings is finally in the wild (i.e., at the usual online retailers, and certain booksellers around Adelaide).
The volume of flash fiction was commissioned in 2011 — not all lightning strikes fast — but should pack a bit o’ zap, given the names on that list of contributors (yes, I’m in there, but I’m low wattage, eh!).
I’m looking forward to seeing my yarn in print. It was written even earlier, around 2007, I think, as part of a course at Queensland Writers Centre, and it has finally found a home — patience, eh! “Atrocity Exhibition” was inspired in equal measure by a night out at a Goth club and a Joy Division song. This is the way, step inside …
I haven’t had time to read the yarns yet — and it would probably be gauche for me to comment on them, given I’m a contributor — but I have to say, Craig Bezant’s Dark Prints Press has done a beautiful job on Surviving the End: an anthology of post-apocalypse stories. Craig’s linked the yarns with his own narrative. It *feels* great and looks great. Aussie small press are certainly rising to the occasion. The anthology is now available in print and e-version — the Jonathan Maberry story is available only in the print edition. (An aside: Mr Maberry is joining Ramsey Campbell and Caitlín R. Kiernan as author guests at next year’s World Horror Convention in that heart of hearts, New Orleans… oooh.)
Here’s the contributor list:
‘Hiatus’ by Michael Bailey
‘The Long Ago’ by Amanda J Spedding
‘The Last Boat to Eden’ by Jason Nahrung
‘Harvest’ by Ashlee Scheuerman
‘Unwanted’ by Martin Livings
‘The Stuff of Stories’ by Kathryn Hore
‘The Failing Flesh’ by Joseph D’Lacey
‘The Wind Through the Fence’ by Jonathan Maberry (print edition only)
With narrative interludes by the ‘Story Keeper’, Craig Bezant
NOT to be outdone is Epilogue, Fablecroft’s anthology of hopeful post-apocalyptic stories which arrived TODAY! Editor Tehani Wessely has presented such a pleasant tactile end to the world with its striking cover and intriguing binary code symbolism.
‘Sleeping Beauty’ by Thoraiya Dyer
‘Time and tide’ by Lyn Battersby
‘A Memory Trapped in Light’ by Joanne Anderton
‘Fireflies’ by Steve Cameron
‘The Fletcher Test’ by Dirk Flinthart
‘Ghosts’ by Stephanie Gunn
‘Sleepers’ by Kaia Landelius
‘Solitary’ by Dave Luckett
‘Cold Comfort’ by David McDonald
‘Mornington Ride’ by Jason Nahrung
‘Only the Books Survive’ by Tansy Rayner Roberts
‘The Last Good Town’ by Elizabeth Tan
Epilogue is being given away at Goodreads until 8 June.
Heads up! Here’s a collection of stories to keep an eye out for, most likely at Aussiecon, which will be a cornucopia of Aussie titles. Angela Slatter is a tale-teller of note, and this book contains a bunch of her best. With a divine cover, to boot. Ticonderoga is releasing this trade version and also a limited edition hard cover, alas not till September. Put it in your diary and grab a copy.
The good folks at Brimstone Press have announced the table of contents for their latest volume of Australian dark fantasy and horror, collected from the 2008 crop, and — big smile — my story, “Smoking, Waiting for the Dawn” (one of several to be included from Dreaming Again), is in there. It’s rubbing shoulders with some mighty good yarns:
“The Last Great House of Isla Tortuga” by Peter M. Ball
“The Claws of Native Ghosts” by Lee Battersby
“Pale Dark Soldier” by Deborah Biancotti
“Heere Be Monsters” by John Birmingham
“Teeth” by Stephen Dedman
“Her Collection of Intimacy” by Paul Haines
“A Guided Tour in the Kingdom of the Dead” by Richard Harland
“Moments of Dying” by Robert Hood
“Just Us” by Pete Kempshall
“Painlessness” by Kirstyn McDermott
“The Casting Out” by Miranda Siemienowicz
More details here.
australian dark fantasy and horror #3
Tis good to read at the HorrorScope that Brimstone Press’s Australian Dark Fantasy and Horror #3 is on its way to bookstore shelves and cyber shops. The ‘best of’, which has suffered some delays in production, collects the editor’s pick of Aussie stories published in 2007, which I’m chuffed to say includes my story ‘Kadimakara and Curlew’, which first appeared in the excellent Daikaiju #2 Revenge of the Giant Monsters. Being accepted for the Daikaiju collection was a real buzz — it’s pretty cool getting a giant monster story into print, especially one that includes a swipe at our treatment of Aboriginal Australians, my memories of Uluru and the childhood experience of having the curlew’s cry curl the hairs on the back of my neck … Anyway, it’s awesome to see this yarn given fresh legs, again sneaking its way into the company of some very good writers indeed.