Tasty cover for Kirstyn’s Madigan Mine thanks to Piper, who is publishing the German edition — and keeping an English title. Not quite as poetic as the Aussie version, perhaps, but you get the gist straight up! The edition is due out … later.
horror
Year’s Best Australian Fantasy and Horror 2010
It’s great to see that someone has risen to fill the gap (almost) left by Brimstone (horror and dark fantasy) and MirrorDanse (science fiction and fantasy) no longer compiling a year’s ‘best of’ of Australian spec fic. Awards listings have been the best guide to quality Aussie writing in their absence.
But Ticonderoga Publications is releasing a best of: fantasy and horror published in 2010, edited by Talie Helene and Liz Grzyb. It’s the first of an ongoing annual snapshot. The contents have already been released, and now, the recommended reading list. What a superb springboard into an exploration of flights of fancy from Australian pens!
best australian fantasy and horror 2010 contents
RJ Astruc: “Johnny and Babushka”
Peter M Ball: “L’esprit de L’escalier”
Alan Baxter: “The King’s Accord”
Jenny Blackford: “Mirror”
Gitte Christensen: “A Sweet Story”
Matthew Chrulew: “Schubert By Candlelight”
Bill Congreve: “Ghia Likes Food”
Rjurik Davidson: “Lovers In Caeli-Amur”
Felicity Dowker: “After the Jump”
Dale Elvy: “Night Shift”
Jason Fischer: “The School Bus”
Dirk Flinthart: “Walker”
Bob Franklin: “Children’s Story”
Christopher Green: “Where We Go To Be Made Lighter”
Paul Haines: “High Tide At Hot Water Beach”
L.L. Hannett: “Soil From My Fingers”
Stephen Irwin: “Hive”
Gary Kemble: “Feast Or Famine”
Pete Kempshall: “Brave Face”
Tessa Kum: “Acception”
Martin Livings: “Home”
Maxine McArthur: “A Pearling Tale”
Kirstyn McDermott: “She Said”
Andrew McKiernan: “The Memory Of Water”
Ben Peek: “White Crocodile Jazz”
Simon Petrie: “Dark Rendezvous”
Lezli Robyn: “Anne-droid of Green Gables”
Angela Rega: “Slow Cookin’ ”
Angela Slatter: “The Bone Mother”
Angela Slatter & LL Hannett: “The February Dragon”
Grant Stone: “Wood”
Kaaron Warren: “That Girl”
Janeen Webb: “Manifest Destiny”
recommended reading list, australian fantasy and horror 2010
Deborah Biancotti, ‘Home Turf’ Baggage
Jenny Blackford, ‘Adam’ Kaleidotrope #9
Simon Brown, ‘Sweep’ Sprawl
Mary Elizabeth Burroughs, ‘The Flinchfield Dance’ Black Static #17
Steve Cameron, ‘Ghost Of The Heart’ Festive Fear
Stephanie Campisi, ‘Seven’ Scenes From The Second Storey
Matthew Chrulew, ‘The Nullabor Wave’ World’s Next Door
Bill Congreve, ‘The Traps of Tumut’ Souls Along The Meridian
Rjurik Davidson, ‘The Cinema Of Coming Attractions’ The Library of Forgotten Books
Stephen Dedman, ‘For Those In Peril On The Sea’ Haunted Legends
Felicity Dowker, ‘From Little Things’ Andromeda Spaceways Inflight Magazine #43
——— ‘The House On Juniper Road’ Worlds Next Door
——— ‘Bread And Circuses’ Scary Kisses
Will Elliott, ‘Dhayban’ Macabre: A Journey Through Australia’s Darkest Fears
Mark Farrugia, ‘A Bag Full Of Arrows’ Andromeda Spaceways Inflight Magazine #48
Jason Fischer, ‘The House Of Nameless’ Writers of the Future Vol. xxvi
Bob Franklin, ‘Take The Free Tour’ Under Stones
Christopher Green, ‘Jumbuck’ Aurealis #44
Paul Haines, ‘Her Gallant Needs’ Sprawl
Lisa L Hannett, ‘Singing Breath Into The Dead’ Music For Another World
——— ‘Commonplace Sacrifices’ On Spec
——— Tiny Drops’ Midnight Echo #4
Richard Harland, ‘Shakti’ Tales of the Talisman
——— ‘The Fear’ Macabre: A Journey Through Australia’s Darkest Fears
Narrelle M Harris, ‘The Truth About Brains’ Best New Zombie Tales: Volume 2
Robert Hood, ‘Wasting Matilda’ The Mammoth Book Of The Zombie Apocalypse
George Ivanoff, ‘Trees’ Short & Scary
Trent Jamieson, ‘The Driver’s Assistant’ Ticon4
Pete Kempshall, ‘Dead Letter Drop’ Close Encounters of the Urban Kind
——— ‘Signature Walk’ Sprawl
Martin Livings, ‘Lollo’ Close Encounters of the Urban Kind
Penelope Love, ‘Border Crossing’ Belong
Geoffrey Maloney & Andrew Bakery, ‘Sleeping Dogs’ Midnight Echo #4
Tracie McBride, ‘Lest We Forget’ (audio) Spectrum Collection
Kirstyn McDermott, ‘Monsters Among Us’ Macabre: A Journey Through Australia’s Darkest Fears
Andrew J McKiernan, ‘All The Clowns In Clown Town’; Macabre: A Journey Through Australia’s Darkest Fears
Simon Petrie, ‘Running Lizard’ Rare Unsigned Copy: tales of Rocketry, Ineptitude, and Giant Mutant Vegetables
Michael Radburn, ‘They Own The Night’ Festive Fear
Janeen Samuel, ‘My Brother Quentin’ Andromeda Spaceways Inflight Magazine #44
Angela Slatter, ‘A Porcelain Soul’ Sourdough and other stories
——— ‘Gallowberries’ Sourdough and other stories
——— ‘The Dead Ones Don’t Hurt You’ The Girl With No Hands and other tales
Cat Sparks, ‘All the Love in the World’ Sprawl
Grant Stone, ‘Dead Air’ (poem) Andromeda Spaceways Inflight Magazine #46
Lucy Sussex, ‘Albert & Victoria/Slow Dreams’ Baggage
Anna Tambour, ‘Gnawer Of The Moon Seeks Summit Of Paradise’ Sprawl
Kaaron Warren, ‘Sins Of The Ancestors’ Dead Sea Fruit
——— ‘The Coral Gatherer’ Dead Sea Fruit
——— ‘Hive Of Glass’ Baggage
David Witteveen, ‘Perfect Skin’ Cthulhu’s Dark Cults
Stake Land: getting its point across
Along the way, they pick up passengers including a nun, a pregnant singer and an ex-marine. The group scavenge food and fuel on their way north via a series of fortified towns, which try to maintain the conventions of society amidst the carnage.
A map of America reveals a number of zones of control, each posing dangers to travellers, and none moreso than the realm of the Brotherhood: a fanatical bunch of religious nutters who not only think the vampire plague is a sign of the apocalypse, but revel in it, seeking to make it worse, not better. Rape and murder are their tools of trade and they pose the greatest obstacle to the travellers.
The story meanders a bit, struggling to find a high level of suspense and direct conflict. This is largely due to it being a road journey linking various separate set action pieces which don’t always serve the plot. The characters do make some overly stupid mistakes towards the end. However, it does carry a mood of melancholy and desperation you’d hope to find in such a bleak scenario, and is pleasantly understated — there isn’t too much chatting and the performances are restrained.
Stake Land is a gritty, realistic film where the vampires are very much monsters, essentially zombies with a vulnerability to sunlight and dicky tickers, if you can get a hunk of wood through their reinforced rib cage. The actual rules by which the vampires are created remain obscure, and this does weaken the credibility of the premise a little. While a degree of confusion about the origin of the plague is to be expected in a world gone to hell, and it isn’t necessary within the context of the film, I’d have liked a clear indication as to how the vampirism spreads so I could better appreciate the threat to the characters, who do engage in a lot of hand-to-hand combat.
There is a suggestion that there are different generations — some are too tough to stake and can only be stopped by a stake to the back of the head, for instance — and indeed there is mention of mutations of vampire — some are capable of higher thought, most seem to be little more than animals. But yet, a bite appears to be a likely way of making a vampire, which suggests vampirism as contagion.
But this movie is not about the vampires; in fact, a zombie plague would’ve worked just as well, and there is little difference between the two as depicted here.
No, the sharp end of the flick is aimed at the religious right as Mickle tests society’s thin veneer when it’s brought under stress, and vampires were just a handy critter for some cool effects and fight scenes. All that blood, and there is something cool about an ornery mysterious stranger riding into town and popping a bag of extended canines on the bar, isn’t there?
In some ways, the story has the mood of The Road, but that slice of post-apocalyptic America has far more intensity. Stake Land does, however, deliver a well-acted, good-looking and above-average adventure where the humans can be just as inhumane as the monsters. Tasty, but not overly filling.
Continuum: sex, violence, vampires
It’s almost Continuum time, the great gathering of the clan in Melbourne to celebrate all things speculative and often fictional, and there will be vampires. On Saturday, I’ll be talking sex and the undead with Emily Derango, Narrelle Harris and Peter Marz. On Sunday, I’ll be discussing the role of the rest of the supernatural horde in the ‘vampire circus’ (but are they invited guests, or are they gate crashers?), with a bumper panel of Narrelle, Kirstyn McDermott, Heath Miller and Julia Svaganovic.
Also on Sunday, I’ll be giving a wee reading, though whether it’s sex from More Scary Kisses or violence from Dead Red Heart I haven’t decided yet.
The official guests for the convention are Catherynne M Valente, who had most interesting things to say about writing, publishing and moral sensibilities at last year’s Worldcon, and local Dave Freer, who certainly knows his way around the publishing landscape (a sense of direction being a valuable asset when one lives on an island).
Also worth noting is that A. Friday night attendance is FREE and B. the Conquilt, bearing 100 signatures from Worldcon attendees including, well, all of the folks below, comes up for auction on ebay on Friday night, closing on June 20.
Alan Baxter, Alastair Reynolds, Alisa Krasnostein, Alison Croggon, Amanda Pillar, Andrew J. McKiernan, Angie Rega, Bill Congreve, Bob Eggleton, Carrie Vaughn, Cat Sparks, Catherynne M. Valente, Charles Stross, China Mieville, Chris Miles (an associate of H. I. Larry), Chuck McKenzie, Cory Doctorow, Deborah Biancotti, Delia Sherman, Dirk Flinthart, Duncan Lay, Fiona McIntosh, Foz Meadows, Gail Carriger, Garth Nix, George Ivanoff, George R. R. Martin, Gillian Polack, Glenda Larke, Grace Duggan, Howard Tayler, Ian Irvine, Ian Nichols, Jane Routley, Jason Nahrung, Jay Lake, Jean Johnson, Jenner, Jennifer Fallon, Jetse de Vries, John Scalzi, Jonathan Strahan, Juliet Marillier, K. A. Bedford, K. J. Taylor, Kaaron Warren, Kaja Foglio, Karen Haber, Karen Healey, Kate Elliot, Kate Paulk, Kathleen Jennings, Keith Stevenson, Kim Stanley Robinson, Kirstyn McDermott, Kyla Ward, Lara Morgan, Leanne Hall, Lisa L. Hannett, Lucy Sussex, Marianne de Pierres, Mary Victoria, Matthew Hughes, Michael Pryor, Michelle Marquardt, Narrelle M. Harris, Nick Stathopoulos, Nicole R. Murphy, Paul Collins, Paul Cornell, Paul Haines, Peter M. Ball, Peter V. Brett, Phil Foglio, Richard Harland, Rjurik Davidson, Rob Shearman, Robert Hood, Robert Silverberg, Russell B. Farr, Russell Blackford, Russell Kirkpatrick, Seanan McGuire, Shane Jiraya Cummings, Shaun Tan, Sue Bursztynski, Tansy Rayner Roberts, Tehani Wessely, Tracey O’Hara, Trent Jamieson, Trudi Canavan.
Gaiman’s Batman and two Kings: 20th Century Ghosts and American Vampire
A quick round-up of some recommended recent catch-up reading:
Gaiman tackles a bunch of this stuff in this tale, anchored around a funeral for Batman at which he is a ghostly observer and some of his greatest foes provide requiems. Catwoman features, naturally, another simply human (even with uber athleticism and kitty affinity) character with the most simple of motivations: she’s just a thief with a desire for a keen, bloodless getaway. The unresolved sexual tension is front and centre here.
Kurbert has risen to Gaiman’s challenge of capturing some great styles of past artists in the mini-stories. It’s a superbly realised tribute to the Dark Knight. The deluxe issue contains four other Gaiman Batman-universe stories, but for me, anchored in the black-and-white art of the ’70s, these don’t fly as high as the core collection. My pick would probably be the Poison Ivy origin story — a lovely, morally ambiguous villain — though the art isn’t quite to my taste.
Australian Shadows announced
The Australian Shadows awards for best Australian horror of 2010 have been announced, and Kirstyn has landed a win for her short story ‘She Said’, published in Scenes from the Second Storey. Bob Franklin’s collection of short stories, Under Stones, won the long fiction category (collections are ranked with novels and novellas) and Macabre took out best edited publication, which includes anthologies and magazines. The awards are conducted by the Australian Horror Writers Association.
Books! King, Powers, After the Rain, Shaun Tan, the Man Booker International shortlist
The Man Booker International shortlist (NOT the Man Booker, for a book, but rather for a lifetime achievement) features John Le Carre and Philip Pullman, and Aussie David Malouf is in the 13, too. I find it cool that Le Carre wants to stay out in the cold — he’s not competitive, it appears, and the organisers have politely declined his equally polite request to be withdrawn.
And FableCroft has opened pre-orders for After the Rain, which includes my cyberpunk homage to misspent RPG days. The story has been fine-tuned since it was included in FableCroft’s flood relief charity e-version. The physical release is due out for Easter.
And it would be remiss to fail to mention the ongoing Year of the Shaun Tan, with the Aussie artist adding the mortgage-killing Astrid Lindgren Memorial Award to this year’s Oscar. Huzzah!
And the reviews, briefly:
Full Dark, No Stars, by Stephen King, collecting four yarns all uniformly bleak. The opening novella, ‘1922’, is classic obsession/haunting stuff, I had a couple of wee niggles, but I can’t go past the man’s command of character and, in this collection, the economy of words and gorgeous phrasing. ‘Big Driver’ is an ugly tale where the ugliness is not just foreshadowed but announced — you’d think that’d kill the suspense, but it doesn’t. The short story ‘Fair Extension’ is probably the least engaging, a Faustian exercise in human bitterness with surprisingly few twists. And ‘A Good Marriage’ is another simply domestic bliss gone bad, an one way in which we can handle home-grown evil. Even when the story has a kind of happy ending, there are no real winners here: such an apt title. King at his best or even his mediocre is a great salve.
And the other novel to have travelled from the to-read pile to the finally read one is Tim Powers’ The Stress of Her Regard, a fetching alternative reality in which the poets Byron, Keats and Shelley battled very literal demons. It’s clever and I can only imagine how much fun the author must’ve had digging up the poetic extracts to head each chapter, selecting not only for theme but to set the mood on the action to follow. It’s a pedestrian pace but well worth the stroll through this superbly imagined fantasy.
Aurealis Awards finalists announced
The finalists for Australia’s premier speculative fiction awards have been announced. The Aurealis Awards recognise excellence by Australian writers and editors across the spectrum of fantastic fiction: science fiction, fantasy, horror and all points in between. The winners will be announced at a gala ceremony in Sydney on May 21. The judges had a bumper year to contend with — I judged for anthologies and collections, so I have an inkling of the array of quality shorts the other panels had to choose from — and the lists show some wonderful diversity, with newcomers rubbing shoulders with much-published authors, and a self-published fantasy novel making the final running, which is great to see. And of course, also great to see is Kirstyn’s Madigan Mine in the shortlist for horror novel, along with the most deserving Death Most Definite, by Trent Jamieson, and Jason Fischer’s After the World: Gravesend.
2010 Aurealis Awards – Finalists
CHILDREN’S FICTION (told primarily through words)
Grimsdon, Deborah Abela, Random House
Ranger’s Apprentice #9: Halt’s Peril, John Flanagan, Random House
The Vulture of Sommerset, Stephen M Giles, Pan Macmillan
The Keepers, Lian Tanner, Allen & Unwin
Haggis MacGregor and the Night of the Skull, Jen Storer & Gug Gordon, Aussie Nibbles (Penguin)
CHILDREN’S FICTION (told primarily through pictures)
Night School, Isobelle Carmody (writer) & Anne Spudvilas (illustrator), Penguin Viking
Magpie, Luke Davies (writer) & Inari Kiuru (illustrator), ABC Books (HarperCollins)
The Boy and the Toy, Sonya Hartnett (writer) & Lucia Masciullo (illustrator), Penguin Viking
Precious Little, Julie Hunt & Sue Moss (writers) & Gaye Chapman (illustrator), Allen & Unwin
The Cloudchasers, David Richardson (writer) & Steven Hunt (illustrator), ABC Books (HarperCollins)
YOUNG ADULT Short Story
Inksucker, Aidan Doyle, Worlds Next Door, Fablecroft Publishing
One Story, No Refunds, Dirk Flinthart, Shiny #6, Twelfth Planet Press
A Thousand Flowers, Margo Lanagan, Zombies Vs Unicorns, Allen & Unwin
Nine Times, Kaia Landelius & Tansy Rayner Roberts, Worlds Next Door, Fablecroft Publishing
An Ordinary Boy, Jen White, The Tangled Bank, Tangled Bank Press
YOUNG ADULT Novel
Merrow, Ananda Braxton-Smith, black dog books
Guardian of the Dead, Karen Healey, Allen & Unwin
The Midnight Zoo, Sonya Hartnett, Penguin
The Life of a Teenage Body-Snatcher, Doug MacLeod, Penguin
Behemoth (Leviathan Trilogy Book Two), Scott Westerfeld, Penguin
BEST ILLUSTRATED BOOK/ GRAPHIC NOVEL
Shakespeare’s Hamlet, Nicki Greenberg, Allen & Unwin
EEEK!: Weird Australian Tales of Suspense, Jason Paulos et al, Black House Comics
Changing Ways Book 1, Justin Randall, Gestalt Publishing
Five Wounds: An Illustrated Novel, Jonathan Walker & Dan Hallett, Allen & Unwin
Horrors: Great Stories of Fear and Their Creators, Rocky Wood & Glenn Chadbourne, McFarlane & Co.
BEST COLLECTION
The Library of Forgotten Books, Rjurik Davidson, PS Publishing
Under Stones, Bob Franklin, Affirm Press
Sourdough and Other Stories, Angela Slatter, Tartarus Press
The Girl With No Hands, Angela Slatter, Ticonderoga Publications
Dead Sea Fruit, Kaaron Warren, Ticonderoga Publications
BEST ANTHOLOGY
Macabre: A Journey Through Australia’s Darkest Fears, edited by Angela Challis & Dr Marty Young, Brimstone Press
Sprawl, edited by Alisa Krasnostein, Twelfth Planet Press
Scenes from the Second Storey, edited by Amanda Pillar & Pete Kempshall, Morrigan Books
Godlike Machines, edited by Jonathan Strahan, SF Book Club
Wings of Fire, edited by Jonathan Strahan & Marianne S. Jablon, Night Shade Books
HORROR Short Story
Take the Free Tour, Bob Franklin, Under Stones, Affirm Press
Her Gallant Needs, Paul Haines, Sprawl, Twelfth Planet Press
The Fear, Richard Harland, Macabre: A Journey Through Australia’s Darkest Fears, Brimstone Press
Wasting Matilda, Robert Hood, Zombie Apocalypse!, Constable & Robinson Ltd
Lollo, Martin Livings, Close Encounters of the Urban Kind, Apex Publishing
HORROR Novel
After the World: Gravesend, Jason Fischer, Black House Comics
Death Most Definite, Trent Jamieson, Orbit (Hachette)
Madigan Mine, Kirstyn McDermott, Pan Macmillan
FANTASY Short Story
The Duke of Vertumn’s Fingerling, Elizabeth Carroll, Strange Horizons
Yowie, Thoraiya Dyer, Sprawl, Twelfth Planet Press
The February Dragon, LL Hannett & Angela Slatter, Scary Kisses, Ticonderoga Publications
All the Clowns in Clowntown, Andrew McKiernan, Macabre: A Journey Through Australia’s Darkest Fears, Brimstone Press
Sister, Sister, Angela Slatter, Strange Tales III, Tartarus Press
FANTASY Novel
The Silence of Medair, Andrea K Höst, self-published
Death Most Definite, Trent Jamieson, Orbit (Hachette)
Stormlord Rising, Glenda Larke, HarperVoyager (HarperCollins)
Heart’s Blood, Juliet Marillier, Pan Macmillan
Power and Majesty, Tansy Rayner Roberts, HarperVoyager (HarperCollins)
SCIENCE FICTION Short Story
The Heart of a Mouse, K.J. Bishop, Subterranean Online (Winter 2010)
The Angaelian Apocalypse, Matthew Chrulew, The Company Articles Of Edward Teach/The Angaelian Apocalypse, Twelfth Planet Press
Border Crossing, Penelope Love, Belong, Ticonderoga Publications
Interloper, Ian McHugh, Asimovs (Jan 2011)
Relentless Adaptations, Tansy Rayner Roberts, Sprawl, Twelfth Planet Press
SCIENCE FICTION Novel
Song of Scarabaeous, Sara Creasy, EOS Books
Mirror Space, Marianne de Pierres, Orbit (Hachette)
Transformation Space, Marianne de Pierres, Orbit (Hachette)
Tasty reviews for Ticonderoga’s fangtastic anthologies
Publishers Weekly has posted reviews of two forthcoming Ticonderoga Publications anthologies — Dead Red Heart (“solid”) and More Scary Kisses (“beguiling”) — and that’d be a thumbs up for both — yay! Both anthologies are due out around Easter. And yup, I’m chuffed to say that I’ve got stories in both of them.
Kirstyn on the Stoker ballot! Oh how Macabre!
The finalists for the Bram Stoker horror awards have been announced, and Kirstyn’s short story Monsters Among Us is on the list. As far as I know, the only other Aussie to make the final cut is the anthology Macabre, edited by Marty Young and Angela Challis, which includes Kirstyn’s story in its overview of the history of Australian horror short fiction. Both entries have come as a surprise: neither was on the preliminary ballot, but it seems the Stokers jury considered both worthy of consideration. It’s a big achievement for Aussies to get on to the US-based awards list: Huzzah!
The list is:
2010 FINAL STOKER NOMINEES
Superior Achievement in a NOVEL
HORNS by Joe Hill (William Morrow)
ROT AND RUIN by Jonathan Maberry (Simon & Schuster)
DEAD LOVE by Linda Watanabe McFerrin (Stone Bridge Press)
APOCALYPSE OF THE DEAD by Joe McKinney (Pinnacle)
DWELLER by Jeff Strand (Leisure/Dark Regions Press)
A DARK MATTER by Peter Straub (DoubleDay)
Superior Achievement in a FIRST NOVEL
BLACK AND ORANGE by Benjamin Kane Ethridge (Bad Moon Books)
A BOOK OF TONGUES by Gemma Files (Chizine Publications)
CASTLE OF LOS ANGELES by Lisa Morton (Gray Friar Press)
SPELLBENT by Lucy Snyder (Del Rey)
Superior Achievement in LONG FICTION
THE PAINTED DARKNESS by Brian James Freeman (Cemetery Dance)
DISSOLUTION by Lisa Mannetti (Deathwatch)
MONSTERS AMONG US by Kirstyn McDermott (Macabre: A Journey through Australia’s Darkest Fears)
THE SAMHANACH by Lisa Morton (Bad Moon Books)
INVISIBLE FENCES by Norman Prentiss (Cemetery Dance)
Superior Achievement in SHORT FICTION
RETURN TO MARIABRONN by Gary Braunbeck (Haunted Legends)
THE FOLDING MAN by Joe R. Lansdale (Haunted Legends)
1925: A FALL RIVER HALLOWEEN by Lisa Mannetti (Shroud Magazine #10)
IN THE MIDDLE OF POPLAR STREET by Nate Southard (Dead Set: A Zombie Anthology)
FINAL DRAFT by Mark W. Worthen (Horror Library IV)
Superior Achievement in an ANTHOLOGY
DARK FAITH edited by Maurice Broaddus and Jerry Gordon (Apex Publications)
HORROR LIBRARY IV edited by R.J. Cavender and, Boyd E. Harris (Cutting Block Press)
MACABRE: A JOURNEY THROUGH AUSTRALIA’S DARKEST FEARS edited by Angela Challis and Marty Young (Brimstone Press)
HAUNTED LEGENDS edited by Ellen Datlow and Nick Mamatas (Tor)
THE NEW DEAD edited by Christopher Golden (St. Martin’s Griffin)
Superior Achievement in a COLLECTION
OCCULTATION by Laird Barron (Night Shade Books)
BLOOD AND GRISTLE by Michael Louis Calvillo (Bad Moon Books)
FULL DARK, NO STARS by Stephen King (Simon and Schuster)
THE ONES THAT GOT AWAY by Stephen Graham Jones (Prime Books)
A HOST OF SHADOWS by Harry Shannon (Dark Regions Press)
Superior Achievement in NONFICTION
TO EACH THEIR DARKNESS by Gary A. Braunbeck (Apex Publications)
THE CONSPIRACY AGAINST THE HUMAN RACE by Thomas Ligotti (Hippocampus Press)
WANTED UNDEAD OR ALIVE by Jonathan Maberry and Janice Gable Bashman (Citadel)
LISTEN TO THE ECHOES: THE RAY BRADBURY INTERVIEWS by Sam Weller (Melville House Publications)
Superior Achievement in a POETRY collection
DARK MATTERS by Bruce Boston (Bad Moon Books)
WILD HUNT OF THE STARS by Ann K. Schwader (Sam’s Dot)
DIARY OF A GENTLEMAN DIABOLIST by Robin Spriggs (Anomalous Books)
VICIOUS ROMANTIC by Wrath James White (Bandersnatch Books)