Anywhere But Earth, Coeur de Lion’s door-stopping anthology of science fiction tales, is now available in digital format. It includes my space vampire story, ‘Messiah on the Rock’. You will notice Adam Browne’s spectacularly inventive novel with the massive title (short version: Pyrotechnicon) is also available.
Thoraiya Dyer has reviewed Keith Stevenson’s monolithic (it’s more than 700 pages!) SF antho Anywhere But Earth and I *love* her comment about my story in it:
Jason Nahrung, as usual, wrote beautifully, but handed me horror in sci-fi clothing. One day, he’ll gift me with a glimmer of hope!
A glimmer? I *think* I could do that. In fact, I did try once, and the jury’s still out on that story, but I *guess* I could try again…
Meanwhile, Karen Brooks has penned one of her, as usual, insightful media-probing articles about a new Snow White movie starring Charlize Theron and ‘that girl from Twilight‘, Kristen Stewart, a casting decision which apparently has issues of the shallow flesh front and centre. Stewart impressed in The Runaways; this might be worth a look. Has there been a decent adaptation since Sigourney Weaver played the wicked stepmother? I like what Karen says about looking for moral reinforcement in uncertain times, and just hope that means the movie makers are subverting the old tropes of cultural reinforcement rather than wielding them from a pulpit.
Louise Cusack has blogged on the authenticity of blogging and the crafting of online personae, this weird business of marketing the creator and not just the product. A kind of cult of personality, or a genuine reaching out to those who make a creative life financially viable (if you’re one of the lucky ones)? For those writers who fit the shy, retiring mould, the idea of appearing in public to try to talk up their work is anathema, but the pressure’s on. I guess the key is to try to be nice about it, wield some respect for others and yourself, while at the same time not taking it too seriously because there’s nothing worse than seeing a big head explode in front of an audience…
Jay Kristoff, who recently exhorted us all to walk and keep on walkin’ till we reach the destination, has got me thinking that, hm, yes, I really must investigate this Dropbox thing, or something similar. Read these words and tremble in shared terror:
…the entire sequel had flipped out and been eaten by gremlins. Every draft. All my notes. My diary of a madman scribbles about where the trilogy was headed. Everything.
Michael Pryor, who has a new book out soon, has provided some cool tips for DIY booktrailers. Possibly the hardest part is getting someone to watch it, neh?
And Stephen M Irwin talks about the three acts of a narrative, the kind of basic info that I really should staple to the wall above my computer before I start the next project… Act 1: make it matter Act 2: make it messy Act 3: make it meaningful
I can’t help feeling that it’s Act 3 that lets a lot of stories down. Boom, crash is all very well and lots of fun, but the stories that linger are the ones that reach down deep and make us ask those ‘what if’ questions.
Back to the fairytales, then, and one of the coolest Disney villains: magnificent Maleficent!
We’re back, and a wee bit tired as the clock has turned over the 36-hour mark since we got up some morning recently in my beloved New Orleans, and here’s some of the stuff that’s been happening in my absence that’s too good not to share:
Anywhere But Earth, launching today in Sydney, is all systems go at the online store
Brisbane’s awesome Sarah Calderwood is interviewed on ABC Radio about her debut solo album! The song she sings in the studio is stunning.
Beat magazine makes it official: The Tea Party have tested the reunion waters and found it warm enough to take another splash — cool!
Kyla Ward has launched her solo poetry collection, The Land of Bad Dreams, with aplomb — see the vids! (Okay, this actually happened before we left, but we couldn’t be in Sydney for it, and it looks like it was a hoot of a night.)
Oh, too: Macabre, an excellent overview of Aussie horror fiction, and Surviving the End, in which I have a story, are both available — the first as e-book showing there’s still some life left in the sadly collapsed Brimstone Press, the latter as a pre-order. Check out more happenings in Aussie horror publishing at From the Pit.
Looking ahead: for those in Melbourne, wicked Brissie band Tycho Brahe support Psyche at the Espy on November 12 — that’s this Saturday. Sad, I was, to miss their Halloween gig back in Bris.
And this time, my back wasn’t turned, because I was at World Fantasy Convention to see Alisa Krasnostein receive her press’s achievement trophy. A superb effort!
I am a judge for the Aurealis Awards. This item is the personal opinion of the writer, and does not necessarily reflect the opinion of any judging panel, the judging coordinator or the Aurealis Awards management team.
Ticonderoga Publications have opened for submissions to their next year’s best of Australian and New Zealand fantasy and horror. Stories published this year are eligible; deadline to sub is January 20.
Anywhere But Earth, Coeur de Lion’s science fiction anthology in which I’ve gone all godbothering vampire conquistador, is launching at a spec fic fest in Sydney in November — sad to miss that. The day includes an opportunity to pitch to ‘an industry professional’.
And there’s more about the e-format for Aurealis at the Aurealis website. Looks as if my Aussie werewolf yarn will be available in the Feb or March issue, which is, I believe, still going to be free to download.
Oh, oh: Louise Cusack is returning to the world of MS assessments — briefly. Catch her while you can; she gives great feedback.
Coeur de Lion has released the table of contents for its forthcoming anthology Anywhere But Earth, and wow, I’m very glad indeed to be in this one. Editor Keith Stevenson’s summary of my ‘Messiah on the Rock’: “Arse kicking atheists and messianic alien vampires”. Twenty-seven yarns all set somewhere that isn’t there — this is gonna be fun! This isn’t necessarily the final cover, and the anthology is due out late 2011.