Snapshot 2012: Traci Harding

australian speculative fiction snapshot 2012 logoTRACI Harding’s books blend the esoteric mysteries, time travel and quantum physics in adventurous romps through history, alternative dimensions, universes and states of consciousness. She has had 16 books published by HarperCollins Voyager (four trilogies and three stand alone novels). The first book of The Timekeepers trilogy, Dreaming of Zhou Gong, is due for release in February 2013, with another trilogy to follow. Her first book, The Ancient Future, has featured regularly on the Dymocks’ Top 101 Books. It also made the ABC’s lists of Most Loved Books of All Time and Favourite Australian Book, and has been reprinted more than 35 times. It and her stand-alone novel The Alchemist’s Key have been published in Complex Chinese, while The Mystique Trilogy has been published in Russian, Czech, Slavic and Romanian. The Alchemist’s Key has been optioned to Dragonlight Productions and is being developed as a feature film project.

Traci’s website is at traciharding.com.


You were able to arrange to have free short stories made available as part of promotion for your most recent novel. Did you find that readers appreciated this?
The readers loved this, and it certainly served to get the traffic flowing through my web pages and Facebook Fan pages. This was actually an idea I came up with while chatting to Kim Falconer and our editor at the Byron Bay Writers’ Festival last year – thanks girls – it was a great success! It was a hell of a promotion to get organised to happen over the Christmas break, but HarperCollins did an amazing job and the entire promotion flowed really smoothly.


What are some of the outstanding perils and pleasures of writing in historical periods other than the present that you’ve encountered?
The pleasure of writing ancient history is uncovering little know facts buried throughout time; the peril is not finding them LOL.

I have just had an extended stint in Ancient China, and although I felt really very at home there, I have found a gentleman in Hong Kong who has kindly agreed to proof read the MS for me and he has already pointed out several amusing mistakes – when I mess with other cultures I like to get it right, if I can.


Is there a genre you’re dying to write in other than your SF/fantasy realm? Perhaps another collection of supernatural stories?
I wouldn’t mind having a crack at non-fiction, actually. I have shares in a company Gamma Power who have recently rediscovered Tesla’s free energy and are doing all sorts of amazing things with it. They are calling it ambient energy and I would very much like to write about that rediscovery in the not too distant future.


What Australian works have you loved recently?
So many good Aussie authors, but here are those I’ve enjoyed lately: my fav Aussie author is Kim Wilkins aka Kimberley Freeman, Belinda Alexandra, Grant Hyde, Christopher Ride, Kate Morton, Nathan Burrage and Jessica Shirvington. There is so many really great Australian authors out there; I wish I had more time to read them all!


What are some of the biggest changes in Australian speculative fiction in the past two years (since Aussiecon 4)?
The most obvious change that I am aware of is that e-books have sent hardback book sales plummeting – we’re seeing the collapse of the big book chains, and its a much tougher market now for new authors. But, on the upside, I see the independent book stores doing better and they’ll keep local authors alive and thriving, and e-books can reach a bigger a market. Yet with so many different delivery formats and troublesome data transfers, one wonders how long it will be before people discover that you cannot beat having the book in your hand.

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THIS interview was conducted as part of the 2012 Snapshot of Australian Speculative Fiction. We’re blogging interviews from 1-8 June and archiving them at Australian Speculative Fiction in Focus. You can read interviews at:

Callout to Queensland authors of 2011, and other writerly news

queensland writers centre logoQueensland Writers Centre is compiling a booklet, Books from our Backyard, of Queensland authors to have had a book published in 2011. Must be first edition, paper or e-book, with ISBN and cover image. Details at the website.

Also, the centre has compiled a website of reaction to the summary cancellation of the Queensland Premier’s Literary Awards by incoming premier Campbell Newman. The centre is looking to salvage something from the debacle and provides some avenues for reaction to the move. A separate push is underway to establish the Queensland Literary Awards.

  • In award news, and much more positive all round, Aussies Jonathan Strahan and the gang from Galactic Suburbia podcast have made the shortlist for the Hugo Awards — Strahan twice, for best short form editor and also his co-hosted Notes from Coode St podcast. Way to go!
  • The Blood-Red Pencil hosts two posts about the life of agents, including their changing role in an industry where self-publishing is no longer the path of last resort.
  • At the Lair, Sean Williams and Karen Miller talk joining Forces with the Star Wars franchise.
  • In Lisa Hannett’s Tuesday Therapy (it’s been a busy week), Kim Falconer offers some down-to-earth advice about setting goals and achieving them despite all the good advice. In today’s Theraphy, Angela Slatters offers excellent advice about both offering and receiving favours of a literary nature.
  • Looking ahead: Swancon 2013 has announced a guest list of Gail Simone, Charles Stross, John Birmingham and Lucy Sussex. w00t!

  • Tansy Rayner Roberts’ Creature Court series is pushing into overseas markets — great to see a publisher investing in local talent.
  • And finally, this piece from Call My Agent! about the cultural cringe and Australian novels. I’d like to think that the efforts of our fantasy, crime and romance writers, in particular, are changing the apparent reluctance of readers to buy locally … This post riffs off a previous one about why it’s hard to get an Aussie novel published, which kicked along a meme about ‘what Australian book have you bought recently’. You don’t buy local just because it is local, of course, but because it’s local and good: it’s that last part that has had buyers doubting, but they’re out of excuses these days. Now it’s how to raise awareness in an ever-crowded market place.
  • Late addition: I’ve been meaning to add 20c to this excellent post about the value of a book cover over at Patrick O’Duffy’s place, but that’s gonna have to wait for another day. When you see the amount of quality info Angry Robot has packed onto that back cover … wow. The absence of a back cover on an e-book — that requirement that the browser has picked up that info on the web page — is an interesting quandary that I haven’t got around to pondering in any meaningful way. Patrick, it’s up to you!