Queensland spotlight at Wheeler Centre

Trent Jamieson reads from  Day Boy.

Trent Jamieson reads from
Day Boy.

I caught the Wheeler Centre’s Next Big Thing: Spotlight on Queensland event on Monday night. It reminded me of those heady days of Queensland Writers Centre’s Wordpool, cramming into a sweaty bar to hear a mix of established and upcoming writers bare their work. Community-building. Great stuff. (see Whispers, Queenslanders)

On Monday, in the intimate and rather spiffy surrounds of the Moat Bar and Restaurant in the Wheeler Centre’s basement (happy hour: BONUS!), four Queenslanders took the stage.

Bri Lee reads at the Moat in Melbourne.

Bri Lee goes a’hunting.

First off the block was Bri Lee, reading a narrative non-fiction piece published in Voiceworks, about her experirence on a hunting trip. Descriptive, self-aware, highlighting the dichotomies of the experience and the hunter.
Sally Piper reads from Grace's Table in Melbourne

Sally Piper shares Grace’s Table.

Sally Piper was up second, reading from her 2014 debut novel, Grace’s Table (it was great to catch up with Sally, following her profile interview for WQ last year). Sally read two excerpts, highlighting how food — its preparation, serving and consuming — provided a window into the shifting structures of a family. The novel takes place in the course of a meal — a second novel is being shopped around now, so keep an eye out.

Trent Jamieson reads from Day Boy in MelbourneMy old mate Trent Jamieson brought the vampires to the table, with a suitably chilly section from his brand spanking new novel Day Boy. The short chapter, its cold theme sympathetic to the chilly night outside, was everything you expect from a Trent story: atmospheric, literate, touching. And in this case, just a little spooky, too; it gave me an undertone of Let the Right In One, perhaps a little of that wonderful scene from Wuthering Heights when the ghostly child is seeking entrance. I HAVE THE BOOK! Thanks to Embiggen Books, who were selling copies of the readers’ work. The Brisbane launch is TOMORROW (25 June).

Sarah Holland-Batt  reads from The Hazards in Melbourne

Sarah Holland-Batt reveals
The Hazards.

Poet Sarah Holland-Batt read from her hot-off-the-press second poetry collection The Hazards, the four poems showing broad subject matter gathered from her travels, an eye for landscape, emotional resonance.

Excellent curating, highlighting a great mix of talent, who all read well — not always easy with clinking glasses and background conversation to contend with.

The Wheeler Centre’s Next Big Thing event is held monthly.

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Callout to Queensland authors of 2011, and other writerly news

queensland writers centre logoQueensland Writers Centre is compiling a booklet, Books from our Backyard, of Queensland authors to have had a book published in 2011. Must be first edition, paper or e-book, with ISBN and cover image. Details at the website.

Also, the centre has compiled a website of reaction to the summary cancellation of the Queensland Premier’s Literary Awards by incoming premier Campbell Newman. The centre is looking to salvage something from the debacle and provides some avenues for reaction to the move. A separate push is underway to establish the Queensland Literary Awards.

  • In award news, and much more positive all round, Aussies Jonathan Strahan and the gang from Galactic Suburbia podcast have made the shortlist for the Hugo Awards — Strahan twice, for best short form editor and also his co-hosted Notes from Coode St podcast. Way to go!
  • The Blood-Red Pencil hosts two posts about the life of agents, including their changing role in an industry where self-publishing is no longer the path of last resort.
  • At the Lair, Sean Williams and Karen Miller talk joining Forces with the Star Wars franchise.
  • In Lisa Hannett’s Tuesday Therapy (it’s been a busy week), Kim Falconer offers some down-to-earth advice about setting goals and achieving them despite all the good advice. In today’s Theraphy, Angela Slatters offers excellent advice about both offering and receiving favours of a literary nature.
  • Looking ahead: Swancon 2013 has announced a guest list of Gail Simone, Charles Stross, John Birmingham and Lucy Sussex. w00t!

  • Tansy Rayner Roberts’ Creature Court series is pushing into overseas markets — great to see a publisher investing in local talent.
  • And finally, this piece from Call My Agent! about the cultural cringe and Australian novels. I’d like to think that the efforts of our fantasy, crime and romance writers, in particular, are changing the apparent reluctance of readers to buy locally … This post riffs off a previous one about why it’s hard to get an Aussie novel published, which kicked along a meme about ‘what Australian book have you bought recently’. You don’t buy local just because it is local, of course, but because it’s local and good: it’s that last part that has had buyers doubting, but they’re out of excuses these days. Now it’s how to raise awareness in an ever-crowded market place.
  • Late addition: I’ve been meaning to add 20c to this excellent post about the value of a book cover over at Patrick O’Duffy’s place, but that’s gonna have to wait for another day. When you see the amount of quality info Angry Robot has packed onto that back cover … wow. The absence of a back cover on an e-book — that requirement that the browser has picked up that info on the web page — is an interesting quandary that I haven’t got around to pondering in any meaningful way. Patrick, it’s up to you!